Variety's Scores

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For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,172 out of 17847
  2. Mixed: 7,036 out of 17847
  3. Negative: 1,639 out of 17847
17847 movie reviews
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  1. Thunder Road
    At Thunder Road, you’ll giggle at moments, and you’ll also be moved, but mostly you’ll know the precise crazy-sane reality of who this man is.
  2. Prospect
    Constructing character does not appear to be Earl and Caldwell’s strong suit (what’s satisfying about Cee owes almost entirely to Thatcher, a fresh face who tricks us into assuming she’s just a callow teen, when in fact, she proves to be the film’s toughest character). On the other hand, the duo show a real aptitude for world building.
  3. People's Republic of Desire
    People’s Republic of Desire is provocative and unsettling as it brings us on a guided tour through the digital marketplace for something resembling human contact.
  4. The New Romantic
    The film only feigns at analysis. It’s as naïve about love as Blake herself, who skips through the world like a temperamental child.
  5. Jinn
    Jinn is the rare coming-of-age story that doesn’t simply pat kids on the head and tell them they just need to love themselves. Instead, Mu’min holds her characters accountable for the way they discombobulate each other’s lives, while giving them the space to do better, if they can figure out what better is.
  6. The Legacy of a Whitetail Deer Hunter
    McBride is good for a few chuckles during the first two-thirds of the movie and continues to contribute a fair share of funny business after the plot takes a not altogether persuasive serious turn. But Brolin remains the main attraction, and the saving grace, during this lost weekend in the woods.
  7. Fast Color
    Ultimately, Fast Color’s thesis is more inspirational than the film, which often seems like it, too, is struggling to swirl itself into something more solid. Instead, its magical sparks don’t quite congeal as the audience can’t help hoping a movie this empathetic and unusual reaches transcendence
  8. Boundaries
    Boundaries, to be sure, delivers you to a place you know you’re going, but there should always be room for a movie that does that this well.
  9. Take Your Pills
    The kinds of connections that Take Your Pills makes, between the culture of information overload and a radically tightened job market and heightened personal performance and the chemical itch that fuels this whole late-stage capitalist dynamic, may strike some as too speculative for comfort. Yet it’s precisely by making connections like these that a documentary can fire up your perceptions enough to burn through the cumulative effects of advertising.
  10. Ramen Heads
    Ramen Heads may be a tad lacking in visual excitement, but it succeeds in imparting the ineffable appeal of Japan’s national dish.
  11. Paradox
    Paradox, a waste of time made bearable only by its brevity, plays like a bad acid flashback from the 1970s, a time when similarly self-conscious trippy pastiches of rock music and genre conventions proliferated on the midnight-movie circuit.
  12. Unfriended: Dark Web
    "Dark Web” skates by on saturated nastiness, one terrific kill, and the audience’s engagement in seeing if the filmmakers can pull off the stunt. Barely, but it’s fun to watch them try.
  13. Dear Dictator
    Pleasant enough to watch, even innocuous, Dear Dictator is something that gets worse the more you think about it.
    • tbd Metascore
    • 60 Critic Score
    Foreign Body
    In composing this group portrait, “Buried Secrets” director Amari relies upon an efficient but relatively conventional dramaturgic arsenal: the beginning of a love triangle; the classic “makeover session,” during which a pop-eyed spectator will discover the princess under the rags; and so forth.
  15. Veronica
    The care that goes into Veronica’s assembly is still ultimately let down a bit by its content: This movie just takes too long getting somewhere that isn’t different enough from umpteen other recent “haunted family” chillers in the “Conjuring” mode.
  16. Josie
    While eschewing genre formula is admirable, England’s tack proves enervating, since Hank and Josie generally feel like archetypes devoid of purpose.
  17. Our Blood Is Wine
    Oenophiles may swoon over the delicious native varietals that tease Quinn’s palate, but Railsback’s thin and disorganized documentary doesn’t go down so smoothly.
  18. The Happys
    When the jokes don’t actually materialize (or land), the proceedings become bogged down in drama that the film’s one-dimensional characters can’t sustain.
  19. Furlough
    Its first draft-grade script lacks the absurdity necessary to elicit laughs, or the depth that might make it moving. Caught between its competing urges, it merely squanders its accomplished leads Tessa Thompson and Melissa Leo in a listless purgatory.
  20. Tomb Raider
    The movie is full of vine-swinging, bow-and-arrow-shooting, ancient-spirit-meeting action, but most of it is staged on a convincing human scale, one that’s been expertly tailored to its star’s understated directness.
  21. Journey's End
    Journey’s End never feels over-talkative, dull or even particularly claustrophobic. Much of the credit goes to the astute writing and punchy yet understated staging. But primarily, the film keeps audiences engrossed in the personalities involved, their fatigue, disillusionment and residual humanity, as well as the tenderness they extend towards one another where needed.
  22. Ready Player One
    It’s an accomplished and intermittently hypnotic movie. Yet you may feel like you’re occupied more than you are invested.
  23. Blockers
    Blockers isn’t really about these girls losing their virginity. It’s about how they seize control of their destinies, one triumphantly lewd zinger at a time.
  24. A Quiet Place
    A Quiet Place is a tautly original genre-bending exercise, technically sleek and accomplished, with some vivid, scary moments, though it’s a little too in love with the stoned logic of its own premise.
  25. Detective Chinatown 2
    The sequel’s worst enemy is its lead actor Wang Baoqiang, who dials up his bumbling, bragging and vulgar persona Tang Ren to intolerable levels.
  26. Juggernaut
    Even if the ending falls something short of memorable, Juggernaut still holds attention as a strong, well-acted effort that effectively walks the line between dysfunctional family drama and revenge thriller.
  27. The Hurricane Heist
    The Hurricane Heist is...a perfect storm of deliriously watchable inanity and ineptitude. It may be a strong early candidate for the worst movie of 2018, but don’t let that deter you – bad movies this fun don’t come along every day.
  28. Submergence
    There are moments when the film has the ability to absorb us, however fleetingly.
  29. RBG
    This spry celebration reveals that the real Ginsburg is neither beast nor badass, but an even-tempered, soft-spoken mediator—not typically the traits that inspire rousing high-fives, but qualities that honor the slow, uphill slog of positive change.
  30. The Outsider
    Dull, flavorless, and fundamentally incurious, “The Outsider” is a clueless misfire, the cinematic equivalent of a study-abroad student showing off the kanji forearm tattoo whose meaning he never bothered to learn.
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