Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. Employing a darkly iridescent fusion of oil paint and digital embellishment, it renders a growing dystopia in shifting, seasick colors, distorted into about as much exquisite, Expressionist-inspired nightmare fuel as its family-film remit will allow.
  2. “One Cut” captures all the craziness and exhilaration of movie-making on a minuscule budget. High-energy performances from a cast of little-knowns are perfectly tuned to the material. The outstanding technical package is a great example of how to create a Poverty Row look for what’s actually a very sophisticated filmmaking exercise.
  3. The Lego Movie 2 ought to have raised the bar, and while it’s faster, denser, and jam-packed with all sorts of catchy new songs (including one, “Catchy Song,” that’s insidiously engineered to get stuck inside your head), all that energy only goes so far to cover for the wobblier foundation on which this film is built.
  4. This is "All Is Lost” with a spinning moral compass and a topical dimension that proves even more gripping than its brilliantly achieved visceral action.
  5. It’s a terrific showcase for the duo and their entire cast, which, besides a pop-up bit from Clement, is curated from a local talent pool that Hollywood has yet to spelunk. After this, it should.
  6. This third feature for director Daniel Robbins is no delicate flower of cinematic art, but a lean and mean shocker that tells its tale of collegiate hazing run amuck with brute efficiency.
  7. As the film slackens its pace and shifts awkwardly from caper mode to sober moral deliberations, its one-note characters can’t quite carry it.
  8. Gratuitous sex, gruesome torture, copious amounts of gore, and garish imagery populate the picture. Those qualities might be reason enough for some to watch, although a great many others would do well to scroll right past it on their Netflix feeds.
  9. Serenity sees a usually reliable screenwriter-turned-director take a bold swing and miss the mark completely, so intent on pulling the rug out from under you that he never notices you weren’t even standing on it.
  10. A wily left turn into narrative filmmaking for celebrated docmaker Mads Brügger (“The Red Chapel”), St. Bernard Syndicate deftly extends the dry satirical streak of his non-fiction work into a more heightened vein of farce; rarefied cult status awaits.
  11. The movie captivates and fascinates as a free-form dream constantly poised on a knife edge between roiling nightmare and reassuring resolution. The surprising yet satisfyingly ambiguous ending allows for either option.
  12. A vital and sobering documentary directed by Roberta Grossman, always knew that they were drafting the record of an existence whose memory — were it not for them — would be wiped away.
  13. If you’re among the heretofore uninitiated drawn to this new Dragon Ball extravaganza, which has been dubbed into English and booked into 1,440 North American theaters, you may often find yourself experiencing similar frustration as you struggle to make sense of a patchwork plot that seems derived from various strands of the ongoing mythos, and is filled with apparently major characters whose backstories are only fuzzily defined.
  14. Though this sweet, subtle, and sentimental work is a smidge too simplistic in narrative design, it wins over any resistance with its quiet refinement and heartrending insight.
  15. Fyre, in the end, understands that the McFarlands of the world, changing the culture online but also wreaking havoc in the very real world, are bound to affect us all.
  16. For the most part, the film is similarly content to repeat the past, all the way through to its predictable liberating-feel-good wrap-up.
  17. With its retro-video-game score and “Goonies”-style gang of misfit characters, the movie plays like a throwback to Spielberg-produced adventure films of the ’80s. And yet, the premise feels wobbly at best.
  18. How late can a thriller spring a plot twist that at least partially compensates for all the cavernous plot holes, risible dialogue, and ludicrously illogical behavior that precede it? Probably not nearly as late as the makers of Replicas wait before introducing a third-act reveal that brazenly acknowledges just how silly things have been up to that point.
  19. What might, in other hands, be melodramatic or emotionally manipulative remains resolutely unsentimental here.
  20. Released in Mexico late last year, Caro’s seriocomic adaptation alternates between a tense, well-acted chamber drama and an at times overly didactic parable, but its focus on our newfound willingness to collect all of our darkest secrets behind such an easily pierced veil – do we realize how precarious that tightrope we’re walking is? On some level, are we secretly hoping we might fall? – provides for plenty of squeamish entertainment.
  21. For every shameless trick the filmmakers employ to pluck our heartstrings, resonant chords are struck elsewhere, teaching audiences about family, the power of unconditional love, and the ripple effects of compassion.
  22. It’s good to see Shyamalan back (to a degree) in form, to the extent that he’s recovered his basic mojo as a yarn spinner. But Glass occupies us without haunting us; it’s more busy than it is stirring or exciting.
  23. Arriving at a moment when parenting and child development are being closely analyzed and discussed, West of Sunshine is a timely and intelligent essay on the eternal theme of how fathers can both inspire and alienate their sons.
  24. American Hangman belongs to that species of grade-Z movie that’s at once grisly and pretentious. It’s trash with a lot on its mind.
  25. Though inevitably derivative in some ways (it won’t be hard to spot the influence of “Shrek” and various Disney classics), Animal Crackers asserts its own identity, combining some of the most distinctive voices with an ensemble of personality-rich, sequel-ready characters.
  26. Falling between the stools of thriller and drama, this speculative tale grows steadily less satisfying, despite a handsome look and a strong cast.
  27. “Evil” is one of those tricky words usually best avoided, since its quasi-mythological sense of moral absolutism tends to downplay the human agency involved. Yet as Barbet Schroeder well knows, there are times when no other term properly conveys the insidious nature of intolerance and carnage robed in the trappings of power.
  28. While Communion holds tight to its own private mysteries, it scores a perfect 10 in drawing out viewer empathy, leaving us hoping anxiously that things will turn out all right for its protagonists.
  29. The first part of the film gets some airy momentum going. Then, however, we learn the secret of what the characters have in common, and it gives you that slightly sinking feeling of one contrivance too many.
  30. Here, the visuals outdo anything we’ve seen before, to such a degree that we might almost overlook the subtler innovations in the character animation: the nuances of expression on both the human and reptilian faces, and the wonderful nonverbal tactics these artists use to convey emotional intricacies neither Hiccup nor Toothless have had to communicate before, all of which pays off in an unforgettable final scene.

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