Variety's Scores

Select another publication »
For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,172 out of 17847
  2. Mixed: 7,036 out of 17847
  3. Negative: 1,639 out of 17847
17847 movie reviews
view
per page
  1. The Place of No Words
    While occasionally wearisome in its fragmented structure ... Webber’s film navigates the vast notion of grief gently and with seriousness.
  2. Framing John DeLorean
    An adventurous hybrid. ... It shouldn’t work, but it does.
  3. Run
    The film, effective on its own unassuming terms, seems to cut out with some distance left to run.
  4. Rewind
    Watching the movie is like staring at a blurred image of the past that gradually, over 86 minutes, comes into terrifying focus.
  5. Scheme Birds
    Superb ... An alternately lyrical and gut-punching coming-of-age study.
  6. Savage
    An above-average action thriller.
  7. El Chicano
    The problem here isn’t the fairly apparent budgetary limits — it’s the limitations of style and imagination.
  8. House of Hummingbird
    A touch overlong, “House of Hummingbird” doesn’t leave the most powerful emotional mark. Still, it lands on a poignant aftertaste through Kim’s serene attentiveness to the rhythms and details of everyday life ... with a peaceful style reminiscent of Hirokazu Kore-eda.
  9. Tolkien
    The film – stately, well-acted, and ultimately unsubstantial – dilutes its considerable charms with hoary literary biopic conventions, and then risks strangling them entirely with its reductively literal takes on the vagaries of artistic inspiration.
  10. Pokémon Detective Pikachu
    Though consistent with the game (with a few extra but obvious twists thrown in for good measure), the story of “Detective Pikachu” doesn’t allow nearly enough Pokémon-related action, while the quality of the computer animation (by Moving Picture Co. and Framestore) falls far short of the basic level of competency audiences have come to expect from effects movies.
  11. The Kill Team
    Those familiar with this story won’t find any novel twists here, but Krauss astutely conveys the literal and moral quagmires produced by such military situations.
  12. Bolden
    Pritzker and Rothschild’s script feels like such a composite of jazz biopics that its only in the performance sequences, parceled out stingily amid the misery, in which Bolden really comes alive.
  13. Be Natural: The Untold Story of Alice Guy-Blaché
    The enterprise would be something to celebrate if the movie itself weren’t so flawed, not just in scholarly terms but in her mania for visualizing seemingly every phone call she made in the hunt for Guy-Blaché material. Sadly, all these problems overwhelm Green’s noteworthy success in tracking down previously unknown documents and photos.
  14. Funan
    The last half hour of Funan is so heavy that the film effectively plays more as tragedy than as triumph, all the more impactful for being true.
  15. The Intruder
    The Intruder offers few surprises of any sort.
  16. Linda Ronstadt: The Sound of My Voice
    Laced with colorful stories. ... The movie is mostly content to be a portrait of Ronstadt the artist, and it’s more than satisfying on that front.
  17. Good Posture
    [A] roughly drafted feature debut that manages to be just affable enough.
  18. Come to Daddy
    Moderately funny and strangely dated ... The blend of tired jokes and body horror here seems entombed in amber, as every lacerated scalp, loudly broken limb, and use of the C-word makes it feel that much less original.
  19. UglyDolls
    UglyDolls is “Trolls Lite,” and the way things work I have no doubt we’ll be seeing a movie in the next few years that’s “UglyDolls Lite.” Yet this is still a winsomely appealing and joke-happy bauble for kiddies.
  20. Georgetown
    It’s downright tricky to maintain the tone Waltz is going for here, but the story is consistently outrageous enough to keep us guessing, and Redgrave goes a long way to offset the lunacy of it all. ... But instead of getting more interesting as it goes on, Waltz’s performance grows tiresome.
  21. Meeting Gorbachev
    We might have hoped for a more sparky encounter, but Meeting Gorbachev, though consistently engaging, is less a fireworks display than a fireside chat, and so feels curiously like an opportunity missed.
  22. Tell It to the Bees
    Within the film’s modest scale, the period trappings feel apt, and its aesthetic packaging is attractive enough. But particularly for a movie largely about repression, “Bees” is so full of forced emotions that it teeters on the brink of cliche-riddled camp.
  23. Recorder: The Marion Stokes Project
    Matt Wolf directs “Recorder” with a lot of lively skill. He presents the eccentricity of Marion Stokes’ personality with supreme sympathetic understanding, or maybe you could say a bit more romanticism than it deserves.
  24. I Trapped the Devil
    Doesn’t ultimately provide quite enough reward for a slow buildup. But it proves Lobo an able helmer (if one who could probably use a co-writer next time), eking decent atmospherics and good performances within a potentially claustrophobic premise.
  25. American Factory
    American Factory is anything but a dry documentary, and will likely be a prime contender in awards season.
  26. Marilyn
    A little more attention to side characters would have brought increased depth, but the movie still packs a major punch at the end.
  27. Nureyev
    Nureyev delivers Nureyev’s life in all its ecstasy and tragedy. As a documentary, it’s not definitive, but it’s good enough to leave you thrilled and haunted by this man who, at the height of his artistry, seemed to leap off the earth and leave it behind.
  28. Skin
    Less dynamic than “American History X,” and less lurid than some treatments of similarly themed stories, “Skin” is a compelling character study whose narrative momentum flags somewhat around the three-quarter point. Still, it never loses interest.
  29. Avengers: Endgame
    After nearly two and a half hours of hardcore comicbook entertainment — alternating earnest storytelling with self-deprecating zingers designed to show that Marvel doesn’t take itself too seriously — “Endgame” wraps all that logic-bending nonsense with a series of powerful emotional scenes.
  30. Little Woods
    There’s at least one more key aspect of Little Woods that sets it apart: Whereas DaCosta’s dialogue strains to find poetry amid such scrappy conditions, she intuitively reveals a deeper dimension to both of her heroines by taking an extra beat at the beginning or end of scenes to observe their faces when no one else is watching.
Page:

Top Trailers

See all »
See all trailers »