For 17,782 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,136 out of 17782
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Mixed: 7,010 out of 17782
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Negative: 1,636 out of 17782
17782
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
Indie comedy about an unsuccessful playwright who very nearly talks himself out of his last best chance for happiness recalls the early work of Woody Allen. But pic stands on its own merits as witty and well-observed grown-up fare.- Variety
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Robert Koehler
Sandler turns the joke around on his detractors and manages to lead a devilishly energetic vehicle that contains about as many laughs as his previous features combined.- Variety
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Reviewed by
David Rooney
It recovers from an opening that's a little oblique to grow progressively more seductive as the two lost central characters become entwined.- Variety
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- Variety
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Reviewed by
Leonard Klady
Director Frank Coraci and scripter Tim Herlihy work in concert to maintain a quality of farce rooted in human comedy.- Variety
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Derek Elley
Engaging, highly accessible movie that marks a slick feature debut by helmer Jeong Jae-eun.- Variety
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- Variety
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Reviewed by
Lisa Nesselson
A demanding but rewarding emotional odyssey in a challenging visual package.- Variety
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Todd McCarthy
An intermittently compelling and occasionally hilarious road movie.- Variety
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Reviewed by
David Rooney
Mullan's increased maturity as a director is evident in his skill at manipulating light and dark dramatic tones, and shifting between moods of anger and plaintive melancholy.- Variety
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- Critic Score
As with "Aliens," director James Cameron has again taken a first rate science fiction film and crafted a sequel that's in some ways more impressive - expanding on the original rather than merely remaking it.- Variety
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- Variety
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- Critic Score
Canadian writer-director Atom Egoyan's most ambitious work to date, The Sweet Hereafter is a rich, complex meditation on the impact of a terrible tragedy on a small town.- Variety
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Reviewed by
Ken Eisner
An important and smoothly mounted meditation on moral choices within the entertainment biz.- Variety
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- Critic Score
Curtis steals the show with her keen sense of comic timing and sneaky little grins and asides.- Variety
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- Variety
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Reviewed by
David Rooney
This melancholy, insightfully scripted coming-of-age drama is moving without being manipulative and makes an assured calling card for writer-director Karen Moncrieff.- Variety
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Reviewed by
Eddie Cockrell
Sure, it's all been done before, but seldom with this degree of vigor and panache.- Variety
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Reviewed by
Todd McCarthy
The return of the legendary swordsman is well served by a grandly mounted production in the classical style.- Variety
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Ultra socially responsible, sometimes to the point of playing like a laundry list of difficulties faced specifically by the urban black community.- Variety
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Reviewed by
Todd McCarthy
A tour de force of artifice, a dazzling pastiche of musical and visual elements at the service of a blatantly artificial story.- Variety
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A respectable, intelligent but less than stirring adaptation of an imposingly dense and layered novel.- Variety
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Reviewed by
Todd McCarthy
A somber, absorbing thriller that treads familiar psycho serial killer terrain with style. Elegantly made and comparatively restrained in cramming sick and grisly stuff down the audience's throat.- Variety
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Reviewed by
Eddie Cockrell
Managing to be at once epic and intimate, Zelary matches a resilient urban woman against a compassionate rural man in the spectacular Moravian countryside during World War II. Results rep a triumph of regional filmmaking, but in the David Lean tradition.- Variety
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David Stratton
Cheekily diverting, decidedly feel-good, tremendously sexy entertainment.- Variety
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Reviewed by
Todd McCarthy
Like a trot around the track for the thoroughbreds involved, and one of the results is that it takes them far too long to get to the finish line.- Variety
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Todd McCarthy
A gritty and gratifying cheap thrill, Rob Cohen's high-octane hot-car meller is a true rarity these days, a really good exploitationer, the sort of thing that would rule at drive-ins if they still existed.- Variety
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Reviewed by
Todd McCarthy
Montenegro carries the film su-perbly with her portrait of gritty strength being worn down to a state of tattered vulnerability, while newcomer de Oliveira, a shoeshine boy who won the role over 1,500 other aspirants, is engagingly natural and happily doesn't beg for viewer sympathy.- Variety
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Reviewed by
Joe Leydon
A hugely enjoyable romantic comedy that dares to suggest that love can bloom -- and, more important, hormones can rage -- after 50. Smart, sassy and slickly packaged.- Variety
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The cinematic equivalent of a disposable airplane read, a hokey, kinky military thriller that's twisty and compelling enough to hook viewers in the mood for a trashy good time.- Variety
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