Variety's Scores

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For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,133 out of 17777
  2. Mixed: 7,008 out of 17777
  3. Negative: 1,636 out of 17777
17777 movie reviews
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  1. Last Shoot Out
    It’s a marked improvement over Feifer’s own “Catch the Bullet,” released just last September — and it features a ferociously nasty turn by Bruce Dern in a role that recalls a character from yet another golden oldie, Walter Brennan’s vicious Old Man Clanton in “My Darling Clementine.”
  2. Diary of a Wimpy Kid
    It establishes its own identity, occasionally improving upon its cinematic predecessor enough to make it a worthwhile watch.
  3. Torn
    Though Torn flirts with filmmaking-as-therapy, it doesn’t dig discomfitingly deep.
  4. Betrayed
    Handsomely mounted and deftly dramatized, it’s an agonized study of suffering and treachery, and no less valuable — or powerful — for being regrettably familiar.
  5. West Side Story
    There are scenes in Spielberg’s version that will melt you, scenes that will make your pulse race, and scenes where you simply sit back and revel in the big-spirited grandeur of it all.
  6. Nightmare Alley
    A gorgeous, fantastically sinister moral fable about the cruel predictability of human nature and the way entire systems — from carnies and con men to shrinks and Sunday preachers — are engineered to exploit it.
  7. A Boy Called Christmas
    “Christmas” is a cut above the usual holiday dross.
  8. Lady Buds
    While the personalities spotlit here are easy to root for, what emerges is less an upbeat look at female enterprise than yet another case of corporate money and political mechanizations killing off community-based small businesses to further enrich their deep-pocketed, invasive new rivals. It’s an ultimately depressing trajectory, though the film itself remains engaging and well crafted.
  9. Resident Evil: Welcome to Raccoon City
    In any decade, the film’s bevy of unexplained details, dropped subplots, paper-thin characterizations and fright-free mayhem would disappoint.
  10. House of Gucci
    House of Gucci is an icepick docudrama that has a great deal of fun with its grand roster of ambitious scoundrels, but it’s never less than a straight-faced and nimbly accomplished movie.
  11. Prayers for the Stolen
    The film may be called “Prayers for the Stolen,” but it is much more a heartbroken lament for the circuits that are broken when the stealing happens, and for the spaces the stolen leave behind.
  12. Children of the Enemy
    An abundance of earnestness is hardly a fatal flaw in a story as innately complex and moving as this one, especially once it moves beyond its most obvious crescendo, and instead of bowing out in a note of relief and resolution, dares to re-complicate the situation.
  13. Licorice Pizza
    Licorice Pizza delivers a piping-hot, jumbo slice-of-life look at how it felt to grow up on the fringes of the film industry circa 1973.
  14. Encanto
    Encanto is a lively, lovely, lushly enveloping digitally animated musical fairy tale.
  15. Sing 2
    True to their brand, Illumination has engineered another easy-to-swallow confection designed to maximize audience delight, whether on first or fortieth viewing, although this time, there’s almost zero nutritional value.
  16. Love It Was Not
    The result of long years of research, Love It Was Not is remarkable not only for its unusual central story and unique creative execution, but also for its extensive eyewitness testimonies.
  17. Bruised
    Impressive as Berry’s commitment to the role can be, there’s a mirthless predictability to the whole ordeal. This pro-forma sports drama, which clearly means so much to its creator, unfolds pretty much exactly as you’d expect, leaning hard on pathos, when what it really needs is personality.
  18. Mayor Pete
    Mayor Pete shows us the trial by fire of it all, and also the jubilant grind.
  19. Swan Song
    Spinning a winning, delicate love story would be almost impossible if not for the performances of the leads. Ali and Harris have impeccable chemistry, making us feel the profundity and stakes of their romantic relationship.
  20. Simple as Water
    A graceful, touching sampler of dilemmas few viewers are likely to have experienced, even as they become ever-more-common reality for the less fortunate in many nations.
  21. tick, tick...Boom!
    What’s refreshing about the debuting director’s approach is that it feels relatively egoless. His style is playful and energetic, often intercutting between multiple threads within a given song or scene, but it doesn’t feel as if Miranda is calling attention to himself so much as trying to open up the show.
  22. Untitled Dave Chappelle Documentary
    In the end, this is the movie — not “The Closer” — that deserves the widest possible audience.
  23. Amira
    The portrait of Palestinian identity it finally presents is so superficial and regressive that its saving grace is that it’s also very difficult to believe.
  24. Labyrinth of Cinema
    Opening with a riotous bombardment of sound and image that risks confusing and losing some viewers even as it sends others into rapturous delight, Labyrinth of Cinema then makes sense of the chaos and emerges as a touching plea for peace and an exuberant celebration of the artifice and transformative power of cinema.
  25. Heart of Champions
    As inspirational college sports movies go, Heart of the Champions doesn’t go, or row, nearly far enough off the beaten path. It’s every bit as boilerplate as its generic title might indicate.
  26. The Peacock's Paradise
    [An] aggravatingly wispy and precious film.
  27. The Most Beautiful Boy in the World
    It’s a small, impressionistic, oddly heartfelt movie about beauty, stardom, adoration, exploitation, and loss. Oh, is it ever about loss.
  28. One Shot
    One Shot manages to avoid seeming an overly schematic technical stunt. The mayhem depicted isn’t always fully convincing, but it does have a certain live-wire edge.
  29. Uppercase Print
    In Uppercase Print, the fangs of the past are sharp, but muzzled.
  30. Beans
    Beans is a thoughtful, stirring reflection by someone who survived it all, quietly demanding acknowledgement not just of her land, but of her life.
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