Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. Swings, even if it doesn't always soar.
  2. Very kid-friendly, the wordless pic could strike some as an overly-intellectualized attempt to fetishize remnant semi-pagan traditions in a picturesque corner of Italy's Calabria province.
  3. Superb ... 'The Box' may see [Vigas] relocating to Mexico, but it’s otherwise wholly of a piece with his debut in its terse, cut-to-the-quick refinement, its loaded, exquisitely composed images, and its fixation on shifting, complex man-versus-boy dynamics.
    • 80 Metascore
    • 60 Critic Score
    Trying to wring yocks from a deranged couple locked in mortal combat over possession of their house is more suited to film noir than black comedy.
  4. Consider this review primarily as an encouragement: Stick around. Your patience will be amply rewarded.
  5. The Other Side of the Wind, coherent and compelling as it often is, remains an arresting scrapbook of a movie that we no longer have to speculate about. What you’ll still wonder about is the movie it might have been had Welles made it from the start on the grand scale it deserved, so that you didn’t have to feel it’s a dream that, on some level, will forever be locked up in his head.
  6. "Devo,” in its way, preserves the playfulness of Devo by not getting too serious about any of this. Instead, the film traces the rocky road on which this unlikeliest of hit bands became a success.
  7. Cow
    A filmmaker infectiously attuned to movement, Arnold finds a horrible, hypnotic rhythm in these gruelingly looped procedures, though she doesn’t shoot them with any surplus beauty.
  8. Amy Berg's clear, captivating, indignant film carves out its own significant place in criminal-justice cinema, makes new and startling revelations into the triple-murder mystery, and is visually spectacular to boot.
  9. Frank Langella's meticulous performance will generate the sort of attention that will attract serious filmgoers.
    • 80 Metascore
    • 50 Critic Score
    Lacks the suspense, characterization and deft direction of the predecessor "Rififi."
    • 80 Metascore
    • 70 Critic Score
    Rooks has chosen to give this a surface elegance which sometimes robs the film of its needed earthiness and sensuality in its love angle and more robustness in detailing the vagaries of social aspects and values at the time.
  10. In the end M.A.S.H. succeeds, in spite of its glaring faults, because Gould, Sutherland, Skerritt, Jo Ann Pflug as the delicious Lt. Dish, and Roger Bowen, as the goof-off commanding officer who is bright enough to recognize his junior officers' medical competence and stay out of their way, are all believable and bitingly funny in their casual disdain for the Army.
  11. Sebastian Junger’s docu Which Way Is the Front Line From Here? offers a moving requiem for his “Restrepo” co-director.
  12. Solnicki demonstrates that a work of art can be made from the humble materials of home-shot video and various 8mm formats, especially when the eye and ear behind the camera are as observant and unabashed as they are here.
  13. Stunningly shot and marvelously edited to capture the rhythms of the game, the pic transcends its subject much in the way Roger Angell’s essays on baseball offer rare pleasures even to those uninterested in the game.
  14. [A] concise, clearly told and deeply effective documentary.
  15. What Lies Upstream is a quietly devastating documentary that’s all the more attention-grabbing for being such a scrupulously restrained and slickly polished piece of work.
  16. Dano, it’s immediately clear, is a natural-born filmmaker, with an eye for elegant spare compositions that refrain from being too showy; they rarely get in the way of the story he’s telling. The tale itself is resonant and absorbing, though in a highly deliberate way.
  17. This ballad of sad losers mixed with satire on parochial politics is convulsively funny yet uncompromisingly bleak, bridging art with entertainment.
    • 80 Metascore
    • 80 Critic Score
    People of all sizes will get a bang out of Darby O'Gill And The Little People. [29 Apr 1959, p.6]
    • Variety
    • 80 Metascore
    • 80 Critic Score
    Mike Hodges' top-notch adaptation of a Ted Lewis novel not only maintains interest but conveys with rare artistry, restraint and clarity the many brutal, sordid and gamy plot turns.
  18. The overall result is a cinematic feast that will have audiences returning for Lee’s next movie meal.
  19. In contrast to most movies about serial killers, this one offers nary a glimpse of violence, let alone any wallowing in sadism. Yet somehow that makes it all the more icky — at times the squirm factor is such that you may think no shower could wash a viewer’s taint-by-association away.
  20. With My Love Affair with Marriage, animator Signe Baumane creates another dense personal narrative that expresses complicated concepts and ideas in images.
  21. Despite so much cause for grief, what’s striking about the protagonists is their cordiality and resilient hopefulness.
  22. One of the most necessary and scorching pieces of nonfiction storytelling in recent memory, “The Falling Sky” offers no comfort and points fingers with a ferocious righteousness as we stare into the abyss of the inescapable environmental catastrophe so-called “developed nations” have wrought.
  23. With low-budget Big Boys, Sherman crafts a memorable outing on limited means, brought to life by an unusually endearing cast.
  24. Through the eyes of its delightfully brave, yet utterly relatable subject (also the de facto cinematographer), this terrifying, revelatory and poignant exposé offers an unseen human angle on an ongoing conflict that’s continues to be widely addressed in documentary cinema.
    • 80 Metascore
    • 70 Critic Score
    El
    Luis Bunuel has fashioned an absorbing melodramatic psycho pic out of El. Although the story [from the novel Pensiamentos by Mercedes Pinto] borders on the banal, fine direction and acting keep this within bounds, and give a dimension to the harrowing tale of a madman's attempt to love.

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