Variety's Scores

For 17,849 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17849 movie reviews
  1. Bordertown straddles two realms: the worthy and the kitsch. The flimsy conspiracy theories floated here, coupled with pic's trite thriller plotting, risk trivializing the atrocities while it obfuscates their causes.
  2. Trick ‘r Treat neatly apportions scary and campy elements while cleverly interlacing four storylines on Halloween night in an Ohio hamlet.
  3. Dull casting and cliche-ridden writing drain everyone of vividness.
  4. What tyro helmer Miles Brandman serves up is a tortured talkfest with a premise far less ripe than its title.
  5. A non-pandering crowd-pleaser whose character quirks and small stabs at poignancy feel refreshingly earned.
  6. Boasts dazzling hockey action, but its off-ice piousness makes for tough sledding for non-Canucks.
  7. By-the-numbers item, in which five American college students literally get wasted while tripping out on magic mushrooms in rural Ireland, is OK vid fodder with few real scares and not an ounce of originality.
  8. Formulaic gay comedy delivers its share of grins on the way to an (arguably) unexpected ending.
  9. Playing dual roles as a rich Irish businessman riding the economic boom and his down-and-out twin, Gleeson animates Boorman's amusing Prince and the Pauper screenplay, which sports a dark social underbelly that puts Ireland's rich-poor divide centerstage
    • tbd Metascore
    • 70 Critic Score
    Montana-set, reality-inspired picture feels like an homage to a bygone era of moviemaking: It takes its time to build character and story, there's hardly a CG effect in sight, and there's nothing high-concept about it.
  10. A competent horror yarn filmed in eye-catching Aussie outback locations.
  11. Utterly drab and desperate for laughs.
  12. A '70s-style redneck romp aimed at folks who felt intellectually challenged by the complex narrative stratagems of "The Dukes of Hazzard" and "The Misadventures of Sheriff Lobo."
  13. Alas, even the soft-hearted may find this formulaic yarn of a young man's apprenticeship to a cantankerous artist too rosy-hued and treacly.
  14. A low-key charmer that's bound to enchant small children and amuse their parents during many hours of repeat viewings.
    • tbd Metascore
    • 20 Critic Score
    The heartstring-pulling contrivances of the film, set during Christmastime, go way over the top.
  15. Carriers has moments of genuinely communicable horror.
  16. Creepy but uneven.
  17. A pathetically conceived drama that wastes the serious theme of how emotionally and sexually inadequate men abuse others.
    • tbd Metascore
    • 70 Critic Score
    Thoughtful and mostly very watchable picture, with its emphasis on how war dehumanizes the individual soldier.
  18. Pic is an obvious but highly accessible entertainment that manages to josh its subjects without being condescending to either Eastern or Western auds.
  19. A colorful, enjoyable ride most of the way but could have been even better if Beatriz Flores Silva's direction had more often risen above the functional and had not gotten a bad attack of conscience in the closing reels.
  20. While refraining from excess melodrama or overt preachiness, pic makes no secret of its dismay at this chapter in American history.
  21. Pleasantly watchable.
  22. As weak and banal as its thoroughly uninvolving central character.
  23. Though its subject has curiosity value, its critical view of religious institutions is compromised by an ending that evidently was necessary for the film to be made and released at all.
  24. Modestly engaging but thoroughly formulaic drama about a boxer turned preacher who returns to the ring to fund a community-outreach center.
  25. Plays like a mercilessly extended version of an uninspired "Saturday Night Live" sketch.
  26. An elegant but empty and frustrating meditation on desire, obsession, love and possession, The Captive intellectualizes those subjects almost beyond the level of art-film parody.
  27. Intelligent, low-key suspenser.

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