Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. There may well be new and novel ways to spark audience shivers from not-so-bright homeowners inexplicably using their cameraphones to check out bumps in the night, but this series clearly has neither the patience nor the inclination to look for them anymore.
  2. The wallpaper emotes more than Ryan Gosling does in Only God Forgives, an exercise in supreme style and minimal substance.
  3. Lutz’s acting muscles aren’t nearly as well developed as his pectorals and deltoids, and while the role may not call for a master thespian, it at least begs someone who can emote without looking like he’s straining to execute a dead lift.
  4. This scrappy, draggy study in soul-crushing failure and disappointment is noteworthy primarily as a showcase for its lead actor’s most quintessentially Keanu performance in years.
  5. Neither particularly fast nor furious.
  6. Reducing an immensely disturbing, politically byzantine tale to a series of cartoonish vignettes, this celeb-studded biopic squanders a gutsy performance by Amanda Seyfried.
  7. Dracula Untold opts for the stately, staid approach, and even at a mere 85 minutes (sans credits) it’s something of a bore — neither scary nor romantic nor exciting in any of the ways it seems to intend.
  8. Sex Tape is an unaccountable drag — strained, toothless and far too tame to achieve the sort of outrageous, raunchy-titillating effect it’s aiming for.
    • 84 Metascore
    • 30 Critic Score
    The burning topic of Muslim (mis)representation in U.S. media is not well served by Michael Singh’s amateurish and ill-defined docu Valentino’s Ghost.
  9. The film expends plenty of effort crafting a few memorable freakout setpieces and nailing down the logistics of its found-footage camera placement, yet it offers precious little in the way of real scares or engaging characters, and even less in original ideas.
  10. Even the hackiest of Hollywood writers would have known how to fix its considerable script problems.
  11. The tension rarely rises above a low boil.
  12. A romantic-comedy melodrama that’s too gentle by half.
  13. The lukewarm family dynamics sit awkwardly alongside equally underwhelming action sequences.
  14. What sounds like a veritable B-movie wet dream — with that master of the subzero scowl, Jason Statham, starring in a screenplay written by Sylvester Stallone — turns out to be considerably less than the sum of its parts.
  15. The pic falls well short of its efforts to combine the raucous vulgarity of the “Hangover” movies with Cameron Crowe-ish depth of feeling.
    • 34 Metascore
    • 30 Critic Score
    Buried deep within The Keep’s mysterious exterior lies that chilling Hollywood question: how do these dogs get made?
  16. In an equally damning commentary on the acting and Roland Emmerich’s direction, Lundgren and Van Damme are both more realistic as stoic cadavers than they are once their memories start to return.
  17. A ludicrous melodrama that begs to be handled as an over-the-top sex farce is instead treated with the solemnity of a wake, albeit one with a rather lenient dress code.
  18. For once, truth in advertising: Dealin’ With Idiots spends 83 minutes doing exactly that.
  19. Lambert brings a forlorn dimension to his seductive young role, but Bell never really convinces as the older woman. Despite flirting with controversy, the actress seems reluctant to plunge fully into potential unlikability, nor does the film quite give her the chance.
  20. Like a school pageant with a Broadway-sized budget, this noisy production is a pileup of extravagant dance numbers, candy-colored sets and vintage props that, sans the requisite heart or hip factor, soon overstays its welcome.
  21. The concept is thought-provoking but the execution is flat-footed.
  22. Granted, Landesman feels an obligation to history, but there’s something ponderously obvious about the way so many of these scenes are played.
  23. The best miracles are those that creep up on you unexpectedly rather than endlessly announcing themselves, and the ones in Winter’s Tale are fatally obvious and self-congratulatory.
  24. Intelligence, artificial or otherwise, is one of the major casualties of Chappie, a robot-themed action movie that winds up feeling as clunky and confused as the childlike droid with which it shares its name.
  25. A sci-fi confection that, at best, momentarily recalls the dystopian whimsy of the director’s best-loved effort, “Brazil,” but ends up dissolving into a muddle of unfunny jokes and half-baked ideas, all served up with that painful, herky-jerky Gilliam rhythm.
  26. Character actor Michael Cudlitz’s first leading role is the sole selling point of Dark Tourist, a well-acted but rote and ultimately repellent character study of a psychologically disturbed loner.
  27. As it stands, there are only enough comic ideas here, most of them bad ones, to reach 82 minutes; the other 11 are taken up by a postscript scene, a blooper, and closing credits that move, in the words of Scarlett O’Hara, as slow as molasses in January.
  28. Milkshake sucks all the flavor out of a tasty premise.

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