For 17,847 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,172 out of 17847
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Mixed: 7,036 out of 17847
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Negative: 1,639 out of 17847
17847
movie
reviews
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Reviewed by
John Anderson
There's something clumsily charming about Sarah Landon and the Paranormal Hour.- Variety
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Writer-director Tom McLoughlin, who made the scare entry One Dark Night, puts comic spin on some of the predictable material and turns in a reasonably slick performance under the circumstances.- Variety
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Guy Lodge
This glossy but gloopy Netflix original is primarily out to serve its leading lady’s legions of fans, some of them perhaps young enough not to have seen it all before.- Variety
- Posted Jul 29, 2022
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Robert Koehler
This bad idea is then underlined by pallid direction from tyro helmer and TV ad vet Kevin Donovan, a virtually incomprehensible plot line and a less-than-satisfying co-starring turn from Jennifer Love Hewitt.- Variety
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The unsophisticated, even crude result is not likely to win over too many tots.- Variety
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Reviewed by
Todd McCarthy
Banal and trite where it could have been insightful and emotionally truthful, this Fox release is also notable for featuring the first disappointing performance by teen star Natalie Portman.- Variety
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Joe Leydon
A frankly formulaic but agreeably funny comedy about has-beens, wannabes and never-weres.- Variety
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Reviewed by
Joe Leydon
Aimed squarely at adolescents who might find "Bill & Ted's Excellent Adventure" too intellectually taxing.- Variety
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Damnation Alley is dull, stirred only occasionally by prods of special effects that only seem exciting compared to the dreariness that proceeded it. What's worse, it's dumb, depending on its stereotyped characters to do the most stupid things under the circumstances in order to keep the story moving.- Variety
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Reviewed by
Geoff Berkshire
The Gallows isn’t without a certain amount of atmosphere, it simply feels borrowed wholesale. That would matter less with a better script, but the four main characters are paper-thin even by genre norms.- Variety
- Posted Jul 9, 2015
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Brian Lowry
Ultimately, it's a marketing pitch in search of a movie that proves punishingly flat.- Variety
- Posted Jul 7, 2011
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Eddie Cockrell
A labored screwball comedy about disenchanted people of privilege yearning for fulfillment, pic is full of leaden hijinx directed and played with all the subtlety of a myocardial infarction.- Variety
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Reviewed by
Scott Foundas
A scabrous, provocative and often funny social satire about the American dream, Spike Lee's flawed but fascinating She Hate Me addresses everything from corporate malfeasance to the African AIDS epidemic, barely catching its breath in-between.- Variety
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Joe Leydon
The mix of raucous buffoonery and violent mayhem isn’t exactly seamless, and the laugh-out-loud moments come with conspicuously less frequency during a third act that suggests a rough draft for “Bad Boys 3.”- Variety
- Posted Aug 13, 2014
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Robert Koehler
Overshadowed by vastly superior sports movies like Invincible and hardly disguising its low-budget sources, pic isn't in any kind of shape for the theatrical leagues.- Variety
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More an imitation than a parody, this would-be comedy is very short on laughs.- Variety
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- Variety
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Reviewed by
Dennis Harvey
Sometimes spare to a fault (especially scriptwise), low-key effort nonetheless holds attention with its naturalistic, nonsensationalized approach.- Variety
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Reviewed by
Joe Leydon
The actors manage to keep from being upstaged by the sets, though just barely. Abraham goes over the top, then further still.- Variety
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Derek Elley
Though unrecognizable, Amitabh Bachchan is the star of -- and the only reason to go see -- Paa.- Variety
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Ronnie Scheib
Though it follows the reductive paradigms of men-on-the-make laffers, the low-budget, flatly shot picture rarely turns nastily shrill or swaggeringly stupid in tone; redemption and/or sanity is usually waiting in the wings.- Variety
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Reviewed by
John Anderson
As is, the emotional elements explored by Cost of a Soul, and the devices it employs, seem trite and occasionally shoplifted from better-told tales.- Variety
- Posted May 24, 2011
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Reviewed by
Andrew Barker
There may well be new and novel ways to spark audience shivers from not-so-bright homeowners inexplicably using their cameraphones to check out bumps in the night, but this series clearly has neither the patience nor the inclination to look for them anymore.- Variety
- Posted Oct 23, 2015
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Reviewed by
Dennis Harvey
Its essential contrivance works against the earnest emotions it’s aiming for.- Variety
- Posted May 29, 2014
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Scott Tobias
A chintzy children’s fantasy that summons the powers of suggestion, but falls well short of mesmeric.- Variety
- Posted Aug 13, 2015
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Owen Gleiberman
It arrives at a moment when the crackling voltage of the culture wars — blue state vs. red state, Trump haters vs. Trump lovers — is coursing through every fiber of the nation. This means that a film like Daddy’s Home 2, in its stupido-on-purpose way, can seem almost relevant in its trivial hit-or-miss yocks.- Variety
- Posted Nov 9, 2017
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A Cotton-candy rendition of Scott Spencer's powerful novel, Endless Love is a manipulative tale of a doomed romance which careens repeatedly between the credible and the ridiculous.- Variety
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A silly, almost campy follow-up to producer Billy Fine's women's prison hit, The Concrete Jungle, that manages to pack in enough sex tease and violent action to satisfy undiscriminating action fans.- Variety
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A courtroom drama built around the charge that Madonna's body is a deadly weapon with which she 'fornicated' a man to death, this showcase for the singer-thesp as femme fatale is more silly than erotic.- Variety
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Reviewed by
Alissa Simon
It’s filled with risible dialogue, a visual style more suited to a Côte d’Azur fashion video (the slow motion, the tasteful, slightly obscured sex scenes), and plastered with an undistinguished score by Brian Byrne (“Albert Nobbs”).- Variety
- Posted Jun 2, 2020
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