Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. There's something clumsily charming about Sarah Landon and the Paranormal Hour.
    • 30 Metascore
    • 60 Critic Score
    Writer-director Tom McLoughlin, who made the scare entry One Dark Night, puts comic spin on some of the predictable material and turns in a reasonably slick performance under the circumstances.
  2. This glossy but gloopy Netflix original is primarily out to serve its leading lady’s legions of fans, some of them perhaps young enough not to have seen it all before.
  3. This bad idea is then underlined by pallid direction from tyro helmer and TV ad vet Kevin Donovan, a virtually incomprehensible plot line and a less-than-satisfying co-starring turn from Jennifer Love Hewitt.
    • 30 Metascore
    • 20 Critic Score
    The unsophisticated, even crude result is not likely to win over too many tots.
  4. Banal and trite where it could have been insightful and emotionally truthful, this Fox release is also notable for featuring the first disappointing performance by teen star Natalie Portman.
  5. A frankly formulaic but agreeably funny comedy about has-beens, wannabes and never-weres.
  6. Aimed squarely at adolescents who might find "Bill & Ted's Excellent Adventure" too intellectually taxing.
    • 30 Metascore
    • 30 Critic Score
    Damnation Alley is dull, stirred only occasionally by prods of special effects that only seem exciting compared to the dreariness that proceeded it. What's worse, it's dumb, depending on its stereotyped characters to do the most stupid things under the circumstances in order to keep the story moving.
  7. The Gallows isn’t without a certain amount of atmosphere, it simply feels borrowed wholesale. That would matter less with a better script, but the four main characters are paper-thin even by genre norms.
  8. Ultimately, it's a marketing pitch in search of a movie that proves punishingly flat.
  9. A labored screwball comedy about disenchanted people of privilege yearning for fulfillment, pic is full of leaden hijinx directed and played with all the subtlety of a myocardial infarction.
  10. A scabrous, provocative and often funny social satire about the American dream, Spike Lee's flawed but fascinating She Hate Me addresses everything from corporate malfeasance to the African AIDS epidemic, barely catching its breath in-between.
  11. The mix of raucous buffoonery and violent mayhem isn’t exactly seamless, and the laugh-out-loud moments come with conspicuously less frequency during a third act that suggests a rough draft for “Bad Boys 3.”
  12. Overshadowed by vastly superior sports movies like Invincible and hardly disguising its low-budget sources, pic isn't in any kind of shape for the theatrical leagues.
    • 30 Metascore
    • 30 Critic Score
    More an imitation than a parody, this would-be comedy is very short on laughs.
  13. A flighty and unnecessary send-up of reality television.
  14. Sometimes spare to a fault (especially scriptwise), low-key effort nonetheless holds attention with its naturalistic, nonsensationalized approach.
  15. The actors manage to keep from being upstaged by the sets, though just barely. Abraham goes over the top, then further still.
  16. Paa
    Though unrecognizable, Amitabh Bachchan is the star of -- and the only reason to go see -- Paa.
  17. Though it follows the reductive paradigms of men-on-the-make laffers, the low-budget, flatly shot picture rarely turns nastily shrill or swaggeringly stupid in tone; redemption and/or sanity is usually waiting in the wings.
  18. As is, the emotional elements explored by Cost of a Soul, and the devices it employs, seem trite and occasionally shoplifted from better-told tales.
  19. There may well be new and novel ways to spark audience shivers from not-so-bright homeowners inexplicably using their cameraphones to check out bumps in the night, but this series clearly has neither the patience nor the inclination to look for them anymore.
  20. Its essential contrivance works against the earnest emotions it’s aiming for.
  21. A chintzy children’s fantasy that summons the powers of suggestion, but falls well short of mesmeric.
  22. It arrives at a moment when the crackling voltage of the culture wars — blue state vs. red state, Trump haters vs. Trump lovers — is coursing through every fiber of the nation. This means that a film like Daddy’s Home 2, in its stupido-on-purpose way, can seem almost relevant in its trivial hit-or-miss yocks.
    • 30 Metascore
    • 30 Critic Score
    A Cotton-candy rendition of Scott Spencer's powerful novel, Endless Love is a manipulative tale of a doomed romance which careens repeatedly between the credible and the ridiculous.
    • 30 Metascore
    • 50 Critic Score
    A silly, almost campy follow-up to producer Billy Fine's women's prison hit, The Concrete Jungle, that manages to pack in enough sex tease and violent action to satisfy undiscriminating action fans.
    • 29 Metascore
    • 40 Critic Score
    A courtroom drama built around the charge that Madonna's body is a deadly weapon with which she 'fornicated' a man to death, this showcase for the singer-thesp as femme fatale is more silly than erotic.
  23. It’s filled with risible dialogue, a visual style more suited to a Côte d’Azur fashion video (the slow motion, the tasteful, slightly obscured sex scenes), and plastered with an undistinguished score by Brian Byrne (“Albert Nobbs”).

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