For 17,779 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,134 out of 17779
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Mixed: 7,009 out of 17779
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Negative: 1,636 out of 17779
17779
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
Literate, sober-minded and almost rigorously chaste, First Knight sweeps the viewer up in the doings of these impressive, larger-than-life characters and offers a credible portrait of regal personages whose priorities are well sorted.- Variety
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Reviewed by
Todd McCarthy
It's exceedingly linear structure, while unavoidable, renders it rather methodical and shallow in characterization.- Variety
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- Variety
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Reviewed by
Todd McCarthy
The audaciousness that marked Todd Haynes’ earlier work has been supplanted by self-important preachiness in Safe.- Variety
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Reviewed by
Brian Lowry
Yet while Schumacher has largely accomplished the goal of delivering a cinematic comic book, he's also left the movie hollow at its core -- a distinction that may not trouble Saturday-night audiences but that nonetheless dulls the film's impact beyond its sheer and unrelenting visual grandeur.- Variety
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Reviewed by
Derek Elley
Pic's potentially inspiring story too often remains grounded by a problematic script and unshapely direction.- Variety
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David Stratton
Too often goes off on a tangent with unessential anecdotes and then fails to deliver in more important areas.- Variety
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Reviewed by
Brian Lowry
Whatever John Patrick Shanley's script may have tried to do in adapting Crichton's book, it clearly feels as if the picture were edited to leave the action sequences in while removing any connecting material that might have helped them make sense.- Variety
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Reviewed by
Todd McCarthy
This trifle about a dizzy downtown New York scenester who gets a grip on her life is energized by several attractive characters and enough youthful pep to put it over as an upbeat diversion for teens and twentysomethings, though it has no more substance than bubblegum music.- Variety
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Reviewed by
Todd McCarthy
Given the intelligent restraint of the treatment, this is about as fine an adaptation of this material as one could hope for, although there is still something of a gap between the impressive skill of the filmmaking and the ultimately irredeemable aspects of the source.- Variety
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Emanuel Levy
It takes some time, but ultimately “Fluke” turns into a charming, positive message story about love of life in whatever form it assumes.- Variety
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Brian Lowry
Another demonstration of the hazards involved turning a six-minute animated short into a big budget movie, Casper will doubtless spur nostalgic recognition among grown-ups but skews so heavily toward children that it offers little to divert anyone over the age of 8.- Variety
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Todd McCarthy
Overall, pic’s conception of the future isn’t terribly original or inventive, and viewers not into the head trip of bigscreen computer graphics will want to download a lot sooner than Johnny does.- Variety
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The sort of massive vanity piece that would be easy to disparage if it didn't essentially deliver.- Variety
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Reviewed by
Todd McCarthy
An astonishing work of studio artifice, A Little Princess is that rarest of creations, a children's film that plays equally well to kids and adults.- Variety
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Reviewed by
Brian Lowry
An overinflated mishmash that compels the audience to sift through a lot of rubble for the few requisite thrills, this second "Die Hard" sequel leaves a lot of creative wreckage in its wake.- Variety
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Reviewed by
Todd McCarthy
Just as quirky and idiosyncratic as the Gotham-based writer-director's earlier efforts, this one pushes the spiky humor a bit more to the fore while unfolding a tale loaded with offbeat oppositions and odd character detailing.- Variety
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Reviewed by
David Rooney
A highly charged, coolly assured directorial bow graced by riveting work from a trio of accomplished leads, Little Odessa immediately etches a firm place on the map for 25-year-old New York newcomer James Gray.- Variety
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Reviewed by
Todd McCarthy
While skillfully crafted to maximize visual excitement and dramatic fireworks through the first hour, relentlessly paced pic sports a fancy new package for a rather shopworn doomsday scenario that unravels to increasingly familiar effect as the finale breathlessly approaches.- Variety
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Emanuel Levy
As always, Techine is excellent at exploring “tiny” personal flashes that assume larger meaning when placed against the broader historical context.- Variety
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Reviewed by
Todd McCarthy
A frank, intimate look at a phenomenal popular artist and his extraordinarily dysfunctional family, Crumb is an excellent countercultural documentary.- Variety
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Reviewed by
Todd McCarthy
On its most successful level, the film represents a slashing dramatic essay on the dismaying human tendency not to accept full responsibility for one's actions.- Variety
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Todd McCarthy
Awful scripting and an unimaginative approach to re-imagining material's potential have left Universal with a theatrical in-and-outer on its hands.- Variety
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Todd McCarthy
Rather like a cross between "Up in Smoke" and an episode of "The Jeffersons, Friday is a crudely made, sometimes funny bit of porchfront humor from the 'hood.- Variety
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Reviewed by
Leonard Klady
Director Jon Turteltaub has a smooth style suited to classic farce and knows just how to pace the material to accentuate the positive.- Variety
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Todd McCarthy
The Basketball Diaries is a weak-tea rendition of Jim Carroll's much-admired cult tome about his teenage drug addiction. Leonardo DiCaprio's committed lead performance deserves a better context than this gloss on the source material.- Variety
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Within its very limited range, pic has verve, a fine control of tone and a stylish look given its low budget and three-week sked. Spacey dominates, but Whaley makes a convincing transition from goody-goody to icy insider, and Forbes manages well despite being forced to flip-flop on command between sarcastic bitchiness and softer intimacy.- Variety
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Reviewed by
Todd McCarthy
A very loose and contemporized remake of one of the more celebrated late '40s films noir, Kiss of Death is a crackling thriller that feels unusually attuned to its lowlife characters.- Variety
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Reviewed by
Joe Leydon
This feeble comedy isn't the worst pic ever to be spun off from a "Saturday Night Live" sketch --"It's Pat!" maintains a firm grip on that dubious distinction -- but it is woefully lacking in the humor and charm needed to attract mainstream audiences.- Variety
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Reviewed by
Todd McCarthy
Crucially, the teaming of standup favorite and "Martin" star Lawrence and "Fresh Prince" Smith clicks from the outset, with both right at home handling action and comedy on the bigscreen. Even when it's not particularly funny, their interplay is engaging, and their lively, raucous personalities keep the proceedings punchy and watchable for the slightly overlong running time.- Variety
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