Variety's Scores

For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17765 movie reviews
  1. A provocative premise, virtuoso direction and two dazzling lead performances go a long way toward offsetting a lack of dramatic structure and a sense of when to quit in Face/Off.
  2. Directors John Musker and Ron Clements, who’ve collaborated on Mermaid and Aladdin, here combine smooth, state-of-the-art animation with a funky razzledazzle. They bring Hercules the vitality and insouciance that make Disney an undisputed champ in the arena.
  3. Ultimately, My Best Friend's Wedding works for some very old-fashioned reasons: It skillfully engages us in the story and its characters. And, for no additional cost, it has something to say about how we live, act, commit and relate.
    • Variety
  4. Unfortunately, the operative word is bland, as the newcomers don't add much to the formula, leaving it to their nemeses to enliven the proceedings. Narrative drive and humor are also in short supply, which creates a serious sagsag in the middle when the novelty of the fresh components has mostly worn off.
  5. Emir Kusturica's epic black comedy about Yugoslavia from 1941 to 1992 is a three-hour steamroller circus that leaves the viewer dazed and exhausted, but mightily impressed.
  6. Lacking the manipulative structure of "Speed," which shrewdly interspersed rousing set pieces throughout the story, Speed 2 is vastly uneven, trying in its second hour to recoup energy and compensate the audience for all the exposition of the initial reels.
  7. Nunez achieves a rare, and rarely earned, emotional depth that rewards the moderate demands he makes on contemporary viewers' short attention spans.
  8. Apart from not knowing to quit while it's ahead, Con Air provides quite an exciting flight prior to its crash and burn.
  9. It is at first daunting but ultimately awesomely impressive and beautiful.
  10. Warm performances that result in hilarity without guilt.
  11. David Koepp's script, from the Michael Crichton novel, is schematic and largely predictable. There's an obvious threat and not too many ways to quell it. Underneath the technical virtuosity is a standard chase film, and director Steven Spielberg does little to elevate it dramatically.
  12. This well-played, often very sparky dramedy about the shenanigans in a northern brass band composed of miners threatened with pit closure gets a bad attack of social realism in the latter stages that rocks the crowded craft.
  13. It is so sharply written and entertaining that in its stage-to-screen transfer the material easily overcomes its theatrical sensibility and the static direction of Joe Mantello, who also staged the Broadway production.
  14. Lumet never tires of exploring moral quandaries. But what separates his films from the pack is his appreciation for all perspectives.
    • 24 Metascore
    • 30 Critic Score
    The main fault lies with the writing. Lacking both a realistic grounding and compelling internal momentum, pic wastes its handsome mounting and capable cast on a plodding tale that eludes either psychological or allegorical sense.
  15. Ultimately a mess of diverse ingredients that sorely could have used a rigorous screening process to eliminate all the chaff.
  16. Robin Williams and Billy Crystal can each provoke a lot more laughs in a minute of standup than they jointly manage during the entire running time of Fathers' Day.
  17. A vibrantly colorful, wildly nihilistic and lovingly perverse poem to America's beautiful, libidinous and doomed youth. Though not his best, Araki's sixth feature is without a doubt his most accessible, sensual and superficially entertaining movie to date.
  18. Definitely lives up to its promise of being smashing, groovy, baby.
  19. In his bigscreen feature debut, director and co-writer Jonathan Mostow displays real flair for visceral cinema while adroitly sidestepping many of the usual tripwires of this sort of film, particularly silly coincidences, stupid decisions on the part of characters with whom you're supposed to identify, and superheroics performed by ordinary people.
  20. Brimming with almost too many ideas for its 99-minute running time, Duncan's film boasts a strong cast of top actors who flesh out a group of bizarre yet recognizable characters involved in the political scene from the '50s to the present day.
  21. A slender but appealing divertissement about a has-been auteur attempting to remake the French silent classic "Les Vampires," the film's wry digs at the institution of Gallic art movies and at the anarchic confusion of the filmmaking process should amuse hip fest audiences.
  22. Desperately uncertain in tone and able to generate only sporadic laughs, pic decks out its meager story of revenge and comeuppance with a vulgar, flashy shimmer that will no doubt attract teenage girls, or the core "Clueless" audience.
  23. A furiously paced popcorn picture whose outrageous implausibility is somewhat amusing, Volcano delivers enough spectacular action to get it off to a hot B.O. start, although like the lava in the picture, it may not flow quite as far as anticipated.
  24. Spade is tiresome in yet another smart-ass part.
  25. What makes the film involving and enjoyable in its first hour is a thick, multilayered plot, a rare sight in mainstream movies nowadays.
  26. The film shrewdly humanizes its protagonists to the point where the audience forgets their identity and roots for them to succeed - and survive.
  27. Time and adapters have not been kind to the fun-loving series.
  28. The zeal and good nature of the cast overcome the artificial quality of the situations.
  29. A silly and plodding "Jaws" rip-off about a 40-foot man-eating snake on the prowl in the Brazilian rain forest.

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