For 17,847 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,172 out of 17847
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Mixed: 7,036 out of 17847
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Negative: 1,639 out of 17847
17847
movie
reviews
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Reviewed by
Todd McCarthy
Director Jon Turteltaub's insistence upon hammering every point home with giant closeups and relentless musical underlining makes this insufferably cloying and sickly sweet.- Variety
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Dennis Harvey
Rambling road-trip comedy Slow Jam King offers agreeable shenanigans as three mismatched characters find themselves stuck together on a long drive from New York City to Nashville.- Variety
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Ronnie Scheib
With Cross jump-starting others on a liquid road to health, this glorified infomercial could saturate latenight TV after its April 1 bow.- Variety
- Posted Mar 31, 2011
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Reviewed by
John Anderson
With an obvious nod to "Trainspotting," Joonas Neuvonen's junkie documentary Reindeerspotting combines the greasy immediacy of that Danny Boyle parable, the naked candor of Larry Clark's "Tulsa" and the laconic poetry of William S. Burroughs' "Junkie."- Variety
- Posted Jun 7, 2011
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Guy Lodge
An enthusiastic but low-fizz romantic farce that gets by principally on the charms of a cast speckled with gifted funnymen (and, more particularly, funnywomen).- Variety
- Posted Sep 2, 2014
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Billed as a comedy/horror flick, Return of the Living Dead Part II is neither scary nor funny and adds salt in the wound with an obnoxious soundtrack of grating rock music.- Variety
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There are several funny bits in Paternity a harmless enough romantic comedy that strangely has its strongest laughs in its least important scenes.- Variety
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Reviewed by
Justin Chang
Neither the script’s up-to-the-minute signifiers nor its cheekily self-aware humor can entirely dispel a formulaic feel.- Variety
- Posted Aug 8, 2014
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Foul Play revives a relatively dormant film genre - the crime-suspense-romantic comedy in which low-key leading players get involved with themselves while also caught up in monumental intrigue. The name missing from the credits is Alfred Hitchcock. Writer Colin Higgins makes a good directorial bow.- Variety
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Curtis Hanson’s screenplay [from the novel The Witnesses by Anne Holden] involves several ingenious plot twists. Huppert carries the first half of the film, replaced by McGovern in importance in the final reels and both actresses are alluring and mysterious in keeping the piece suspenseful. Unfortunately, a lot of coincidences and just plain stupid actions by Guttenberg are relied upon to keep the pot boiling.- Variety
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- Variety
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Reviewed by
Peter Debruge
At 76 minutes, the film is nearly twice as long as even the band's most dedicated admirers might need, with weariness setting in around the 40-minute mark.- Variety
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Alissa Simon
A disappointingly stilted melodrama masquerading as a political thriller.- Variety
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Reviewed by
Justin Chang
There's no doubt Johnny Mad Dog means to leave the viewer with a visceral impression of its terrors, on that it largely succeeds. Whether that accomplishment deserves praise is more of an open question.- Variety
- Posted Jan 18, 2011
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With a couple dozen stunt persons and an earthy, warm and supportive partner (Pam Grier), Seagal kicks, kills and crushes with his skillful hands one handful after another of street hoods who try and thwart his mission.- Variety
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Reviewed by
Dennis Harvey
Though central dynamic is a familiar one -- old coot and young lost soul thrown together -- perfs, understated script and well-judged direction avoid too-obvious sentimentality or melodrama. Nonetheless, overall story arc is fairly predictable, and deliberate pacing sometimes risks dullness.- Variety
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Reviewed by
Justin Chang
The outstanding big-wave footage proves more credible than the overfamiliar dramatics in Chasing Mavericks.- Variety
- Posted Oct 25, 2012
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Reviewed by
Todd McCarthy
A broad and obvious approach to ambiguous material that's virtually all plot mechanics with little nuance or characterization.- Variety
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Reviewed by
Dennis Harvey
Rouses excitement mostly from stuntwork and thesp agility rather than CGI excess.- Variety
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- Variety
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Enjoyable in an undemanding way, and with a few interesting flourishes.- Variety
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Reviewed by
Todd McCarthy
Despite an effectively low-key performance by Billy Bob Thornton in the leading role, pic is no more spiritually insightful or illuminating than Sunday School instructional story, and a lot less dramatically coherent.- Variety
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Essentially, this is a football version of the equally contrived and only slightly less hokey baseball comedy Major League.- Variety
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Reviewed by
Amy Nicholson
Gaudet and Pullapilly argue, cheekily and convincingly, that the real crooks are the unseen conglomerates who’ve created a society that devalues products and their consumers.- Variety
- Posted Sep 8, 2021
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Owen Gleiberman
For a first-time director, Patrick Wilson doesn’t do a bad job, but he’s working with tropes that have already been worked to death. It’s time to close this carnival of souls down.- Variety
- Posted Jul 7, 2023
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Reviewed by
Dennis Harvey
It’s a fond, briskly diverting homage, but not a truly inspired one.- Variety
- Posted Apr 29, 2014
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Reviewed by
Leonard Klady
While emotionally intense, it's neither hurried nor charged with false drama. It's also one of the most handsome of recent films, with sterling work by cameraman John Toll and production designer Lilly Kilvert.- Variety
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Joe Leydon
Neatly balancing brightly sentimental comedy with slightly edgier funny business, The Incredible Burt Wonderstone pulls off the impressive trick of generating laughs on a consistent basis while spinning a clever scenario about rival magicians waging a Las Vegas turf war with a wide multi-demographic appeal.- Variety
- Posted Mar 10, 2013
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Reviewed by
Joe Leydon
Only small children with limited attention spans will be impressed by the lackluster kung-foolishness in 3 Ninjas: High Noon at Mega Mountain.- Variety
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Reviewed by
Owen Gleiberman
Willy’s Wonderland has the garish stop-and-go rhythm of an ’80s slasher film, and I mean that as a compliment. It’s a gorefest to relax into with a can of Punch (or something stronger).- Variety
- Posted Feb 12, 2021
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