Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. Rather predictable in its major plot points and social-issue pleadings, the picture is better suited to cable than the big screen, but nonetheless offers solid drama with nice streaks of humor, warmth and local color.
  2. Beautifully crafted and highlighted by an arresting change-of-pace perf by Meg Ryan as an English teacher erotically awakened by a homicide detective. But the story's unpalatable narrative holes and dramatic missteps will hold sway over the pic's better qualities.
  3. Dancing Across Borders, Anne Bass' uneven docu debut, traces the fortunes of Cambodian ballet dancer Sokvannara "Sy" Sar from the time Bass first discovered him performing traditional temple dances at Angkor Wat to his conquests on the world stage.
  4. The movie is being marketed as a “psychological” thriller, but psychology is what it doesn’t have. It’s more like “Cape Fear” reduced to a “Predator” sequel.
  5. We all know that your average Hollywood comedy tends to include some on-set improvisation, but in this case the contrast between the leaden pseudo-brashness of the rest of the movie and the ping! of Carrey’s dialogue is so marked that it almost feels like he made up his entire character on the spot. (I’m not declaring that he actually did. I’m just sayin’.)
  6. Bharat Nalluri’s chrome-colored thriller plays less as an organic extension of the series’ universe than an all-purpose genre piece nominally tailored to fit the “Spooks” franchise — not to mention the star quality of previously unaffiliated leading man Kit Harington.
  7. While “The Secrets of Dumbledore” doesn’t exactly embrace simplicity, the screenplay — no longer credited to Rowling alone, but co-written by stalwart “Harry Potter” adapter Steve Kloves — feels far more focused. Happily, the execution proves that much easier to follow.
    • 47 Metascore
    • 80 Critic Score
    A subtle emotional journey impeccably orchestrated by director Mike Nichols and acutely well acted, Regarding Henry has a back-to-basics message that’s bound to strike a responsive chord in the troubled aftermath of the 1980s.
  8. A simple repast consisting of sometimes strained slapsticky comedy, a sweet romance and a life lesson learned, this little picnic doesn't amount to much but goes down easily enough.
  9. Kelly's trademark mix of sci-fi, surrealism and suburbia occasionally entertains.
  10. While Bruce Willis, John Malkovich, Helen Mirren, et al. are still good for a few chuckles as a gang of superannuated government assassins, this globe-trotting action-comedy diversion applies a bigger-is-better philosophy across the board, upping the stakes, the firepower and the travel budget, but keeping real thrills and laughs at a modest trickle.
  11. Junichi Suzuki's documentary ratchets up the sentiment when a cooler touch would have sufficed.
  12. With a solid cast, healthy sense of humor and polished visual effects, the film rises above so many of the sub-cinematic slogs littering the streaming fray. Expecting it to be memorable proves to be a big ask from the filmmakers, despite their hunger for a Marvel-style, Amblin-esque franchise starter. Still, the ease with which we forget its blights might just be the project’s real superpower.
  13. A crudely funny farce that covers no new ground but sees its talented players running some surefire plays.
  14. You know things are getting bad when an instantly forgettable, nearly impossible-to-follow, Chinese-language action movie manages to score a U.S. release simply because of Chan’s involvement.
    • 47 Metascore
    • 20 Critic Score
    Thrills and drama are left standing on the tarmac in Boarding Gate a limp, sleazy inanity by renowned French critic cum erratic helmer Olivier Assayas.
  15. An especially slight romantic comedy whose modest charms are derived largely from its supporting players.
    • 47 Metascore
    • 60 Critic Score
    Children should love the film and adults will be dismayed by the light brushstrokes with which Paul Reubens (one of three credited screenwriters, but star-billed under his stage name, Pee-wee Herman) suggests touches of Buster Keaton and Eddie Cantor.
  16. Though the script never makes a convincing case for the lads as '90s Robin Hoods, it's restlessly inventive, with a pleasant, rather than rib-cracking, humor and likable touch of naivete.
  17. Though Hotel has brilliant moments, and an energetic first half, it falls away badly in the later stages.
  18. A tickle-and-tease teen sex comedy that plays like a late-night channel-surf through soft-core sitcoms, "American Pie" wannabes and '80s Brat Pack romances.
  19. Proteus has enough erotic and exotic content to win back some of the arthouse viewers previously beguiled by Greyson's "Lilies." But pic lacks that gem's lush aesthetics and impassioned complexity, ending up a tad remote.
  20. This dull and humorless production won't reap the same critical support as the work of Miyazaki Senior.
  21. Oddly, after leaving us aching for the film to go off the rails, when “Angel of Mine” finally does in the final scene, its message is so screwy that the audience might feel as loopy as poor Lizzie.
  22. A most enjoyable capper to director Shawn Levy and producer Chris Columbus’ cheerfully silly and sneakily smart family-entertainment juggernaut.
  23. No one has anything to distract them from the minutiae of their love lives, which they proceed to incinerate through overanalysis. It's a moral fable, maybe, if you make half a million a year.
  24. You can virtually see the mystique peeling away while beholding the turgid melodrama, patchy plotting, windy dialogue and, yes, spectacular combat effects of this grand finale.
    • 47 Metascore
    • 50 Critic Score
    Director Stuart Rosenberg could have glossed over the plot’s less believable twists with a brisker style and a lot more attack.
  25. A strong cast struggles valiantly to rise above Lifetime material in In the Land of Women, an appealingly scruffy if overly programmatic drama.
  26. In the Heart of the Sea feels stiff and unconvincing, weirdly devoid of texture, and populated by ciphers who speak primarily in the leaden language of exposition.

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