Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. Writer-director John Hamburg does everything he can to pair up Ben Stiller's stiff, safety-first corporate man with Jennifer Aniston's free spirit in Along Came Polly, but the two are so fundamentally incompatible that story loses credibility long before the gags stop coming.
  2. Mildly diverting caper.
  3. Whether this is a good or bad thing depends on just how much 14-year-old boy you've got in ya.
  4. There's nary a comic idea in Van Wilder that isn't ripped off from a recent Farrelly brothers movie. But that doesn't stop Van Wilder from being very funny, provided you're not easily offended.
  5. Campbell's performance is attuned to the extremes of unnerving calm and intensely erotic; unlike the pic, she pulls it off.
  6. The cutting-edge perfection of effects in Cameron and Spielberg films is replaced here by work that looks more homemade, particularly toward the end in some faintly cheesy composite shots.
  7. A portrait of a contempo British family drifting apart because of generational differences, The Mother ends up an uneasy brew of too many competing tastes and themes.
  8. Offers a lively introduction to the highly articulate political dissident and to his controversial views on 9/11.
  9. Notable for Kimberly Elise's ferocious lead performance and for the bigscreen exposure pic affords the charismatic Bishop T.D. Jakes, who plays himself and upon whose works the film is based.
  10. The choice to have Valentin narrate the tale and make philosophical observations beyond his years becomes irritating at times; ditto the cartoon humor.
  11. You can virtually see the mystique peeling away while beholding the turgid melodrama, patchy plotting, windy dialogue and, yes, spectacular combat effects of this grand finale.
  12. Although amusing as often as not, the material remains more comedy-sketch fodder than a fully developed feature.
  13. Pic's future as a cult item is a sure bet.
  14. Not an embarrassment, but it's not distinguished, either.
  15. Grounded in bedrock formula and earnestness.
  16. Comes across in muted fashion, with uninvolving characters and lack of genuine excitement or fright creating a second-rate, second-hand feel.
  17. A handsome although dramatically muddled Noodle Western.
  18. Mismatched marriage of offbeat character study and unimaginative horror riffs. Most compelling element by far is Bruce Campbell's inspired performance as a nursing home patient who insists he is the real Elvis Presley.
  19. Combining a coming-of-age story with the sad odyssey of a woman punished for her beauty, the film ultimately has too little depth, subtlety, thematic consequence or contemporary relevance.
    • Variety
  20. An often remarkable, often infuriating lateral spin on genre material that desperately needs another sesh at the editing table.
  21. Good for a few lascivious titters but quite lacking in the sort of comic bite and social satire one hopes for in the work of Mike Nichols.
  22. There's remarkably little done with a premise snatched from high-concept heaven, adding yet another file to the growing cabinet of under-realized comedies.
  23. Deery lays out a story devoid of subtlety, in which characters are too easily pigeonholed and issues exist only in absolutes.
  24. By turns darkly comical, seriously scary and purposefully incendiary, Bush's Brain may seem, depending on your politics, either a shamelessly one-sided assault on a popular U.S. president or a justifiably harsh critique of a politician who personifies the Peter Principle.
  25. Unfortunately, the operative word is bland, as the newcomers don't add much to the formula, leaving it to their nemeses to enliven the proceedings. Narrative drive and humor are also in short supply, which creates a serious sagsag in the middle when the novelty of the fresh components has mostly worn off.
  26. A bland slab of sentimental hokum that proves even the most smart-alecky of indie auteurs can turn warm and fuzzy on occasion.
  27. As rich in period and historical background as it is deficient in fresh dramatic and thematic ideas.
  28. Handsomely mounted, this direly conventional bit of vampire business is enlivened by flashes of humor and game performances. It isn't great entertainment or camp, but pic sets its ambitions so low, it can't help partially delivering on them.
  29. Despite a promising setup, pic never really goes anywhere, instead immersing viewers in a kinetic onslaught of flesh (namely, that of Milla Jovovich) and flesh-eaters (most of the rest of the cast).
  30. Results here are just middling funny, with no truly memorable high points and a sum impact that goes poof!

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