Variety's Scores

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For 17,771 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,130 out of 17771
  2. Mixed: 7,005 out of 17771
  3. Negative: 1,636 out of 17771
17771 movie reviews
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    • 94 Metascore
    • 100 Critic Score
    Apocalypse Now
    Apocalypse Now was worth the wait. Alternately a brilliant and bizarre film, Francis Coppola’s four year ‘work in progress’ offers the definitive validation to the old saw, “war is hell.”
    • 94 Metascore
    • 90 Critic Score
    The Gunfighter
    The Gunfighter is a sock melodrama of the old west. There's never a sag or off moment in the footage as it goes about depicting a lightning draw artist, the fastest man with a gun in the old west, and what his special ability has done to his life.
  3. We Were Here
    We Were Here concentrates on the impressive way a collective of disenfranchised individuals came together to support one another in this time of crisis. In that respect, the title has dual meanings, referring to both the film's "Shoah"-like survivors' testimony and the fact that the gay community was there for one another at a time that government and medicine were slow to respond.
  4. Faces Places
    Agnès Varda, in the glory of her golden years, has become a humanist magician.
    • 94 Metascore
    • 100 Critic Score
    Days of Heaven
    A dramatically moving and technically breathtaking American art film, one of the great cinematic achievements of the 1970s.
  6. Past Lives
    For all the films that have been made about love triangles, Song has fashioned hers in the form of a circle, defying so many of the clichés in her quietly devastating way.
    • 94 Metascore
    • 80 Critic Score
    Chimes at Midnight
    A personal viewpoint, it mixes the grotesque, bawdy, comic and heroic, and does have a melancholy under its carousing and battles.
  8. The Lord of the Rings: The Return of the King
    Represents that filmmaking rarity -- a third part of a trilogy that is decisively the best of the lot. With epic conflict, staggering battles, striking landscapes and effects, and resolved character arcs all leading to a dramatic conclusion to more than nine hours of masterful storytelling.
    • 94 Metascore
    • 100 Critic Score
    Badlands
    Badlands is a unique American fairy tale...and it's an impressive debut.
  10. Call Me by Your Name
    Even as he beguiles us with mystery, Guadagnino recreates Elio’s life-changing summer with such intensity that we might as well be experiencing it first-hand. It’s a rare gift that earns him a place in the pantheon alongside such masters of sensuality as Pedro Amodóvar and François Ozon, while putting “Call Me by Your Name” on par with the best of their work.
  11. Carlos
    Bravura narrative filmmaking on a hugely ambitious scale, Carlos is a spectacular achievement.
  12. First Cousin Once Removed
    A fascinatingly fractured glimpse into a disengaged mind and a biopic-in-reverse of its subject, quite unlike any documentary seen before.
  13. Blue Heron
    Sophy Romvari‘s graceful, singularly heartsore debut feature has a sharp understanding of how memories form and age: Often it’s the incidental, ambient details you recall as vividly as the more significant events at hand.
  14. Marriage Story
    At once funny, scalding, and stirring, built around two bravura performances of incredible sharpness and humanity, it’s the work of a major film artist, one who shows that he can capture life in all its emotional detail and complexity — and, in the process, make a piercing statement about how our society now works.
    • 94 Metascore
    • 90 Critic Score
    The French Connection
    Producer and screenwriter have added enough fictional flesh to provide director William Friedkin and his overall topnotch cast with plenty of material, and they make the most of it.
  16. La La Land
    La La Land isn’t a masterpiece (and on some level it wants to be). Yet it’s an exciting ramble of a movie, ardent and full of feeling, passionate but also exquisitely — at times overly — controlled.
  17. Petite Maman
    In their children, parents often see reflections of the kids they once were. But daughters can’t access those same memories without a little magic. And that’s just what Petite Maman delivers: the spell that makes such a reunion possible, if only in our imaginations.
  18. Lady Bird
    The real surprise is just how honest and personal this film proves to be — again, par for the course with Gerwig, and yet, fairly rare among first-time directors, who haven’t had nearly so much practice simply being real.
    • 93 Metascore
    • 50 Critic Score
    The Magnificent Ambersons
    This film hasn't a single moment of contrast; it piles on and on a tale of woe, but without once striking at least a true chord of sentimentality.
    • 93 Metascore
    • 80 Critic Score
    Rio Bravo
    Producer-director Howard Hawks makes handsome use of force in logically unravelling his hard-hitting narrative, creating suspense at times and occasionally inserting lighter moments to give variety.
  21. All We Imagine as Light
    Just two features into her young career, Kapadia has established her rare talent for finding passages of exquisite poetry within the banal blank verse of everyday Indian life.
  22. David Byrne’s American Utopia
    There’s nothing ironic about the title of American Utopia. It’s David Byrne and Spike Lee reveling in the majesty, and hidden magic, of the here and now.
  23. Shoplifters
    At once charming and heart-wrenching, this exquisitely performed film will steal the hearts of both art-house and mainstream audiences.
    • 93 Metascore
    • 90 Critic Score
    Duck Soup
    In place of the constant punning and dame chasing, Duck Soup has the Marxes madcapping through such bits as the old Schwartz Bros. mirror routine, so well done in the hands of Groucho, Harpo and Chico that it gathers a new and hilarious comedy momentum all over again.
    • 93 Metascore
    • 90 Critic Score
    The 39 Steps
    Yes, they can make pictures in England. This one proves it. International spy stories are most always good, and this is one of the best. [19 Jun 1935, p.21]
    • Variety
  26. Toni Erdmann
    The film takes precisely as much time as it needs for its muddled, maddeningly human characters, played with extraordinary courage and invention by Peter Simonischek and Sandra Hüller, to find their way into each other, and so into themselves.
  27. No Other Land
    Given the conditions of its production, No Other Land would be vital even in a more ragged form. But the filmmaking here is tight and considered, with nimble editing (by the directors themselves) that captures the sense of time at once passing and looping back on itself.
  28. Uncut Gems
    Uncut Gems feels like being locked inside the pinwheeling brain of a lunatic for more than two hours — and guess what: It’s a gas!
    • 93 Metascore
    • 50 Critic Score
    McCabe & Mrs. Miller
    Robert Altman's McCabe & Mrs. Miller is a disappointing mixture. A period story about a small northwest mountain village where stars Warren Beatty and Julie Christie run the bordello, the production suffers from overlength; also a serious effort at moody photography which backfires into pretentiousness; plus a diffused comedy-drama plot line which is repeatedly shoved aside in favor of bawdiness.
  30. Inside Llewyn Davis
    Inside Llewyn Davis is a revelatory showcase for Isaac, who sings with an angelic voice and turns a potentially unlikable character into a consistently relatable, unmistakably human presence — a reminder that humility and genius rarely make for comfortable bedfellows.
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