Variety's Scores

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For 17,833 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,165 out of 17833
  2. Mixed: 7,031 out of 17833
  3. Negative: 1,637 out of 17833
17833 movie reviews
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  1. Ira & Abby
    Starts off deliriously, is derailed into reality, and finally settles into something in between.
  2. Eye of the Dolphin
    There's a pleasantly dreamy quality to much of Eye of the Dolphin, and that goes a long way toward enabling audiences to ignore the formulaic plot and enjoy the laid-back charms of this innocuous indie.
    • 45 Metascore
    • 50 Critic Score
    Sydney White
    Result should satisfy Bynes fans looking for a pleasant, innocuous follow-up to her last vehicle.
  4. The Man of My Life
    A drama that steadily succumbs to self-conscious artiness, drunk on its own sense of contrived poetry and cloudy existential reflection.
  5. I Want Someone to Eat Cheese With
    Never completely takes off, yet somewhat overestimates the surrounding zaniness. Still, any opportunity to witness the improvisatory skills of Sarah Silverman, Bonnie Hunt and Amy Sedaris should not be missed.
  6. Lust, Caution
    Too much caution and too little lust squeeze much of the dramatic juice out of Ang Lee's Lust, Caution, a 2½--hour period drama that's a long haul for relatively few returns.
  7. The Seeker: The Dark Is Rising
    Slick, good-looking, cluttered pic won't please fans of novelist Susan Cooper's original "The Dark Is Rising" sequence. But then, they are mostly grown-ups by now, and this very Hollywood-style adaptation of a very English book is aimed squarely at tweens.
  8. 30 Days of Night
    Excels at bloodthirsty action, though dialogue and human-interest aspects are a tad anemic. Result is a mixed bag but has a catchy premise and quite enough splatter to satisfy gorehounds.
  9. Rendition
    By underplaying the melodrama in the presumed hope of seeming subtle when Kelley Sane’s script is so baldly melodramatic, the “Tsotsi” helmer drains the life out of an obviously explosive subject.
  10. Sarah Landon and the Paranormal Hour
    There's something clumsily charming about Sarah Landon and the Paranormal Hour.
  11. Bella
    Mexican-born helmer Alejandro Monteverde's debut will be remembered as a curious case of a mediocre film that wows crowds.
  12. Jimmy Carter Man from Plains
    Thanked and vilified from coast to coast, Carter remains steadfast in his belief that Israel's policies in the Occupied Territories are unjust and counterproductive.
  13. The Final Season
    There's not quite as much corn in The Final Season as there is in the Iowa farm fields that run through it, but it's close.
  14. Sleuth
    The results will be received with a large, loud yawn by all but the most loyal fans of Pinter and hard-working co-stars Michael Caine and Jude Law.
  15. Bee Movie
    Amiable but no more, Bee Movie puts a hiveful of potent talent at the service of a zig-zigging, back-of-an-envelope story that's short on surprise and originality.
  16. Saw IV
    Even by the standards of the recent "Saws," which have enjoyed considerably larger budgets than the first pic, the new edition is more frenetically cut (by editors Kevin Greutert and Brett Sullivan), more dimly lit (by lenser David A. Armstrong), sweatier in terms of perfs by the grimly serious cast, more madly packed with micro-incidents and action, and more brazen in requiring suspension of disbelief.
  17. Slipstream
    Apparently needing to release some private thoughts, musings and images to the world, Anthony Hopkins takes a leap into stunning self-indulgence with his directorial debut, Slipstream.
  18. I'm Not There.
    Stylistically audacious in the way it employs six different actors and assorted visual styles to depict various aspects of the troubadour's life and career, the film nevertheless lacks a narrative and a center, much like the "ghost" at its core.
  19. The Mist
    Much nastier and less genteel than his best-known Stephen King adaptations ("The Shawshank Redemption," "The Green Mile"), Frank Darabont's screw-loose doomsday thriller works better as a gross-out B-movie than as a psychological portrait of mankind under siege, marred by one-note characterizations and a tone that veers wildly between snarky and hysterical.
  20. Flawless
    As neatly tailored, clean-cut, and visually appealing as a Savile Row suit. But audiences accustomed to more knowing fare are likely to find its twists and turns outdated while yearning for a little of the rebellious fun that made the genre gleam in the first place.
  21. Teeth
    A game, disarming lead performance from Jess Weixler, who won a jury acting prize at Sundance, goes some way toward making palatable this mish-mash, whose provocative nature could carve out a certain commercial niche.
  22. Love in the Time of Cholera
    Despite a magnificent performance by Javier Bardem, the film not only falls short of the novel's magic, but fails to generate much of its own.
  23. Mr. Magorium's Wonder Emporium
    Sprinkles in charming moments but ultimately doesn't evoke enough wonderment to overcome its tongue-twisting title and completely win over adults along with kids.
  24. Redacted
    Deeply felt but dramatically unconvincing "fictional documentary" -- inspired by the March 2006 rape and killings by U.S. troops in Mahmoudiya, south of Baghdad -- has almost nothing new to say about the Iraq situation and can't make up its mind about how to package its anger in an alternative cinematic form.
  25. The Golden Compass
    Impressively rendered but oddly uninviting adventure.
  26. Billy the Kid
    One of the more irresponsible eruptions in the current rash of populist nonfiction cinema.
  27. Maurice Richard
    Boasts dazzling hockey action, but its off-ice piousness makes for tough sledding for non-Canucks.
  28. Look
    Conceit often stretches -- and breaks -- the limits of what the tales can handle, though the implication of viewers as voyeurs gives pic a subversive edge.
  29. Cassandra's Dream
    Like a tragic overture played at the wrong tempo and slightly off-key, Woody Allen's London-set Cassandra's Dream sends out more mixed signals than an inebriated telegraphist.
  30. Steep
    Like its sister films in the surfing-movie genre, the extreme-skiing movie Steep is less a documentary than a sales pitch -- not for a product or a place, but for a sport, one its practitioners feel requires pugnacious self-promotion.
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