For 17,833 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,165 out of 17833
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Mixed: 7,031 out of 17833
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Negative: 1,637 out of 17833
17833
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Deborah Young
A bizarre combo of upscale French erotica studded with good-humored kinky sex scenes.- Variety
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- Variety
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Reviewed by
Brian Lowry
Despite nice touches, pic meanders in the middle and ends flatly.- Variety
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Eddie Cockrell
An intermittently gripping story about an idealistic young boxer who becomes disillusioned with the Third Reich during his elite training, Napola is finally KO'd by an overdose of Nazi fetishism.- Variety
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Ronnie Scheib
In scope, depth, rhythm and gags, "Pizzas" seems best suited to the small screen.- Variety
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Leslie Felperin
Although rich in screwball silliness and sharp one-liners, film lacks the narrative drive one finds in the classic comedies of Preston Sturges, Frank Capra and Billy Wilder, whom Crowe always seems to try to emulate.- Variety
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- Variety
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- Variety
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Reviewed by
Robert Koehler
New pic lets the air out by divulging the startling mystery that concluded the original. Add this to problematic juggling of police procedural and group-in-distress storylines, and Lions Gate has what looks like a sequel rushed for Halloween.- Variety
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Justin Chang
Aiming for an Alexander Payne-style synthesis of wry comedy and unflinching character study, pic has been made with the utmost sincerity, but the frankly lugubrious material and barely compensating spasms of humor are all but impossible to warm to.- Variety
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Todd McCarthy
Lives up to its name by serving up a fraction of what audiences are used to getting in this department from PixarPixar and DreamWorks -- little originality, little humor and little ingratiating characterization.- Variety
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Todd McCarthy
The film is ice cold, never finding a way to invite the viewer into the story, and Richard Gere doesn't convince as a Jewish biblical scholar.- Variety
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Joe Leydon
Sarah Silverman: Jesus Is Magic showcases the comic-actress in her familiar on-stage persona as a blithely self-involved Jewish American Princess whose penchant for perky vulgarity can be explosively funny or unnervingly shocking.- Variety
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Todd McCarthy
Despite numerous surface pleasures, including a beguiling pop soundtrack and presence of rising star Cillian Murphy in the lead role, dramatic shortcomings spell a mixed overall reception.- Variety
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Eddie Cockrell
A little bit of Slovene philosopher Slavoj Zizek goes a long way. In the verbose profile documentary Zizek! there's a lot of esoteric, eccentric theories, and little context within his globetrotting life.- Variety
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Robert Koehler
A pleasantly tuned vehicle for R&B star and budding actor Usher.- Variety
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Leslie Felperin
Starting out seductive but ending up tiresome, debuting director Laurence Dunmore's pic is an honorable misfire.- Variety
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- Variety
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Justin Chang
Keaton embodies the formidable Stone matriarch with an offhand sense of humor that cuts like a knife.- Variety
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Justin Chang
This final production from the team of James Ivory and the late Ismail Merchant is itself adrift in more ways than one, with a literate but meandering script by "The Remains of the Day" novelist Kazuo Ishiguro that withholds emotional payoffs to an almost perverse degree.- Variety
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Justin Chang
Little Red Riding Hood gets a cheeky CGI makeover in Hoodwinked!, a fast-paced, fitfully clever 3-D-animated feature that will entertain tykes.- Variety
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Robert Koehler
Sometimes veering close to being a promotional film for the Special Olympics, pic will be applauded by the disability community and its advocates but quickly ignored by longtime fans of the Farrellys and Knoxville.- Variety
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Brian Lowry
As muddled in most respects as its title, Rumor Has It... begins with an intriguing premise...but it devolves into a bland romance spiced with too little comedy.- Variety
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Todd McCarthy
Malick's exalted visuals and isolated metaphysical epiphanies are ill-supported by a muddled, lurching narrative, resulting in a sprawling, unfocused account of an epochal historical moment.- Variety
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Leslie Felperin
Pic offers standard mix of digitally shot interview material with the elusive main subject himself, with archive footage and talking heads to assess Berlin's impact on gay culture.- Variety
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John Anderson
Although overly earnest and often stilted, the film should find great favor principally among religious auds.- Variety
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- Variety
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Reviewed by
Dennis Harvey
Results at times seem as much p.c. travelogue as serious docu inquiry.- Variety
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- Variety
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Reviewed by
Brian Lowry
James Franco and Tyrese Gibson scowl and strut and should make the hearts of teenage girls all atwitter, and that's about the only audience that won't see most of the punches telegraphed well in advance.- Variety
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