Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. A Woman’s Life has the kind of majesty found not in the grand gesture but the modest detail, the kind that accumulates resonance with each seemingly minor event until the picture of a character becomes as complete as a painting by Ingres. Or a story by Maupassant.
  2. The pic weaves fascinating details of tribal life into a universally accessible and emotionally affecting romantic drama.
  3. This deceptively artless, journal-style film has no need for any carefully sculpted twists; rather, it’s the sheer unpredictable perversity of human nature that takes the breath away at key points in Fassaert’s unsettling, perhaps unsolvable, inquiry.
  4. The fragile interplay of nature and civilization is best expressed in the way Diaz frequently sets the stage for each scene, allowing us to absorb the contours and details of every location before ever so gradually introducing human characters, looking small and ant-like, into the frame.
  5. Pesce’s spare script doesn’t seek to obscure, but its quiet, matter-of-fact handling of drastic dramatic events will catch some off-guard.
  6. A gripping dramatic reconstruction, a tribute to the heroes and the fallen, and inevitably an expression of nostalgia for the days when a mass shooting still had the power to shock, Keith Maitland’s film weaves rotoscopic animation, archival footage and present-day interviews into a uniquely cinematic memorial.
  7. The film supplies a headlong rush of tension and cruelty all the way to a gratifying final payoff.
  8. Paddington 2 is another near-pawfect family entertainment, honoring the cozy, can-do spirit of Bond’s stories while bringing them smoothly into a bustling, diverse 21st-century London — with space for some light anti-Brexit subtext to boot.
  9. Boasting a deliriously loquacious script together with a rare understanding of how to balance certain Italian caricatures with a grounding sense of realism – a combination that’s truly Virzì’s forte – the film takes two psychologically damaged women...and makes them into a mutually supportive duo who surprisingly touch our emotions.
  10. Downsizing is an ingenious comedy of scale, a touching tale of a man whose problems grow bigger as he gets smaller, and an earnest environmental parable.
    • 72 Metascore
    • 90 Critic Score
    Heaven Can Wait is an outstanding film. Harry Segall's fantasy comedy-drama play, made in 1941 by Columbia as Here Comes Mr Jordan, returns in an updated, slightly more macabre treatment.
  11. On one hand, the cartoon is never afraid to be cute, but more importantly, it’s committed to being real.
  12. [A] splendidly graceful and quietly magical documentary.
  13. Right from the superbly framed opening scene of Kostis on the ferry, the visuals satisfy with their unerring sense of composition.
  14. The Ornithologist is deliciously subversive and genuinely funny.
  15. Moverman balances the potential for staginess with his flowing cinematic bravura; he keeps surprising you, and he gives the drama a dash of poison elegance.
  16. It’s a gripping and powerfully emotional portrait of yee-haw heroism, pitting a squad of cocky, calendar-purty white dudes against an adversary with no creed or color, just an unquenchable appetite for destruction.
  17. Lawrence, in this movie, shows you what true screen stardom is all about. She cues each scene to a different mood, leaving the audience in a dangling state of discovery. We’re on her side, but more than that we’re in her head. Even when (of course) we’re being played.
  18. With the conceptual rigor and emotional directness associated with the best of Iranian cinema, Oskouei simply listens to the stories of those who have never been listened to before. Their shattering testimony, elegantly harmonized in a chorus of stolen childhood, has universal appeal.
  19. Vivo is strategically contrived to hit audiences’ pleasure spots, blending a grown-up-friendly story of a Latin-music couple whose careers took them in separate directions with all the hyper-caffeinated comedy action the kiddos expect from the medium. Plus, the songs build on one another, hooking in your head and snowballing as the movie develops.
  20. Fleischer-Camp and editor Jonathan Rippon’s subtle recontextualizations illuminate the family’s attempt to live their lives as outlined in omnipresent commercials as both illogical and understandable — this is not a film intent on hanging its subjects out to dry.
  21. Comedian and actor Kumail Nanjiani and writer Emily V. Gordon mine their personal history for laughs, heartache, and hard-earned insight in The Big Sick, a film that’s by turns romantic, rueful, and hilarious.
  22. Writer-director Eliza Hittman has a sensitive ear for the way adolescents reveal themselves through evasion: It’s a tension crucial to this anxious, tactile, profoundly sad study of a young man’s journey of sexual self-discovery and self-betrayal.
  23. A piercing, immersive, and superbly played convent drama in which the suppression of speech is witnessed at both an individual and institutional level.
  24. Trophy’s wealth of conflicting facts, figures, and arguments routinely force one to re-calibrate their feelings about the issues at hand. The result is a lament for both the animals at the center of so many crosshairs, and for a modern world seemingly only capable of saving lives by taking them.
  25. Boasting complex, sharply drawn characters and top-notch performances, this mature drama plays with ideas of seeing, both the outside world as well as within oneself, as Fluk (“Never Too Late”) masterfully depicts intimacies gone awry.
  26. Rush and Tucci create a captivating portrait of an artist who’s at once elated, haunted, and utterly possessed.
  27. The film proves a rousing, and ravishing, call-to-engineering-arms for future generations.
  28. Logan Lucky is Soderbergh in mid-season form, and there should be a solid summer niche for a movie that’s this much ripsnorting fun.
    • 75 Metascore
    • 90 Critic Score
    Orlando provides exciting, wonderfully witty entertainment with glorious settings and costumes and Tilda Swinton’s sock performance in the title role.

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