For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jay Weissberg
A Woman’s Life has the kind of majesty found not in the grand gesture but the modest detail, the kind that accumulates resonance with each seemingly minor event until the picture of a character becomes as complete as a painting by Ingres. Or a story by Maupassant.- Variety
- Posted May 4, 2017
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Reviewed by
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Reviewed by
Richard Kuipers
The pic weaves fascinating details of tribal life into a universally accessible and emotionally affecting romantic drama.- Variety
- Posted Sep 14, 2016
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Reviewed by
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Reviewed by
Guy Lodge
This deceptively artless, journal-style film has no need for any carefully sculpted twists; rather, it’s the sheer unpredictable perversity of human nature that takes the breath away at key points in Fassaert’s unsettling, perhaps unsolvable, inquiry.- Variety
- Posted Sep 15, 2016
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Reviewed by
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Reviewed by
Justin Chang
The fragile interplay of nature and civilization is best expressed in the way Diaz frequently sets the stage for each scene, allowing us to absorb the contours and details of every location before ever so gradually introducing human characters, looking small and ant-like, into the frame.- Variety
- Posted Sep 17, 2016
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Reviewed by
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Reviewed by
Guy Lodge
Pesce’s spare script doesn’t seek to obscure, but its quiet, matter-of-fact handling of drastic dramatic events will catch some off-guard.- Variety
- Posted Sep 23, 2016
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Reviewed by
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Reviewed by
Justin Chang
A gripping dramatic reconstruction, a tribute to the heroes and the fallen, and inevitably an expression of nostalgia for the days when a mass shooting still had the power to shock, Keith Maitland’s film weaves rotoscopic animation, archival footage and present-day interviews into a uniquely cinematic memorial.- Variety
- Posted Oct 11, 2016
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Reviewed by
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Reviewed by
Maggie Lee
The film supplies a headlong rush of tension and cruelty all the way to a gratifying final payoff.- Variety
- Posted Oct 18, 2016
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Reviewed by
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Reviewed by
Guy Lodge
Paddington 2 is another near-pawfect family entertainment, honoring the cozy, can-do spirit of Bond’s stories while bringing them smoothly into a bustling, diverse 21st-century London — with space for some light anti-Brexit subtext to boot.- Variety
- Posted Oct 31, 2017
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Reviewed by
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Reviewed by
Jay Weissberg
Boasting a deliriously loquacious script together with a rare understanding of how to balance certain Italian caricatures with a grounding sense of realism – a combination that’s truly Virzì’s forte – the film takes two psychologically damaged women...and makes them into a mutually supportive duo who surprisingly touch our emotions.- Variety
- Posted May 2, 2017
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Reviewed by
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Reviewed by
Owen Gleiberman
Downsizing is an ingenious comedy of scale, a touching tale of a man whose problems grow bigger as he gets smaller, and an earnest environmental parable.- Variety
- Posted Aug 30, 2017
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- Critic Score
Heaven Can Wait is an outstanding film. Harry Segall's fantasy comedy-drama play, made in 1941 by Columbia as Here Comes Mr Jordan, returns in an updated, slightly more macabre treatment.- Variety
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Reviewed by
Peter Debruge
On one hand, the cartoon is never afraid to be cute, but more importantly, it’s committed to being real.- Variety
- Posted Dec 12, 2016
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Reviewed by
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- Variety
- Posted Feb 5, 2017
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Reviewed by
Jay Weissberg
Right from the superbly framed opening scene of Kostis on the ferry, the visuals satisfy with their unerring sense of composition.- Variety
- Posted Mar 9, 2017
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Reviewed by
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Reviewed by
Jay Weissberg
The Ornithologist is deliciously subversive and genuinely funny.- Variety
- Posted Jan 3, 2017
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Reviewed by
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Reviewed by
Owen Gleiberman
Moverman balances the potential for staginess with his flowing cinematic bravura; he keeps surprising you, and he gives the drama a dash of poison elegance.- Variety
- Posted Feb 18, 2017
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Reviewed by
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Reviewed by
Peter Debruge
It’s a gripping and powerfully emotional portrait of yee-haw heroism, pitting a squad of cocky, calendar-purty white dudes against an adversary with no creed or color, just an unquenchable appetite for destruction.- Variety
- Posted Oct 12, 2017
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Reviewed by
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Reviewed by
Owen Gleiberman
Lawrence, in this movie, shows you what true screen stardom is all about. She cues each scene to a different mood, leaving the audience in a dangling state of discovery. We’re on her side, but more than that we’re in her head. Even when (of course) we’re being played.- Variety
- Posted Feb 16, 2018
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Reviewed by
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Reviewed by
Scott Tobias
With the conceptual rigor and emotional directness associated with the best of Iranian cinema, Oskouei simply listens to the stories of those who have never been listened to before. Their shattering testimony, elegantly harmonized in a chorus of stolen childhood, has universal appeal.- Variety
- Posted Jan 17, 2017
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Reviewed by
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Reviewed by
Peter Debruge
Vivo is strategically contrived to hit audiences’ pleasure spots, blending a grown-up-friendly story of a Latin-music couple whose careers took them in separate directions with all the hyper-caffeinated comedy action the kiddos expect from the medium. Plus, the songs build on one another, hooking in your head and snowballing as the movie develops.- Variety
- Posted Jul 29, 2021
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Reviewed by
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Reviewed by
Catherine Bray
Fleischer-Camp and editor Jonathan Rippon’s subtle recontextualizations illuminate the family’s attempt to live their lives as outlined in omnipresent commercials as both illogical and understandable — this is not a film intent on hanging its subjects out to dry.- Variety
- Posted Jan 19, 2017
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Reviewed by
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Reviewed by
Geoff Berkshire
Comedian and actor Kumail Nanjiani and writer Emily V. Gordon mine their personal history for laughs, heartache, and hard-earned insight in The Big Sick, a film that’s by turns romantic, rueful, and hilarious.- Variety
- Posted Jan 21, 2017
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Reviewed by
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Reviewed by
Guy Lodge
Writer-director Eliza Hittman has a sensitive ear for the way adolescents reveal themselves through evasion: It’s a tension crucial to this anxious, tactile, profoundly sad study of a young man’s journey of sexual self-discovery and self-betrayal.- Variety
- Posted Jan 25, 2017
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Reviewed by
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Reviewed by
Guy Lodge
A piercing, immersive, and superbly played convent drama in which the suppression of speech is witnessed at both an individual and institutional level.- Variety
- Posted Oct 26, 2017
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Reviewed by
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Reviewed by
Nick Schager
Trophy’s wealth of conflicting facts, figures, and arguments routinely force one to re-calibrate their feelings about the issues at hand. The result is a lament for both the animals at the center of so many crosshairs, and for a modern world seemingly only capable of saving lives by taking them.- Variety
- Posted Jan 25, 2017
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Reviewed by
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Reviewed by
Jay Weissberg
Boasting complex, sharply drawn characters and top-notch performances, this mature drama plays with ideas of seeing, both the outside world as well as within oneself, as Fluk (“Never Too Late”) masterfully depicts intimacies gone awry.- Variety
- Posted Apr 6, 2017
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Reviewed by
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Reviewed by
Owen Gleiberman
Rush and Tucci create a captivating portrait of an artist who’s at once elated, haunted, and utterly possessed.- Variety
- Posted Feb 17, 2017
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Reviewed by
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Reviewed by
Nick Schager
The film proves a rousing, and ravishing, call-to-engineering-arms for future generations.- Variety
- Posted Feb 16, 2017
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Reviewed by
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Reviewed by
Owen Gleiberman
Logan Lucky is Soderbergh in mid-season form, and there should be a solid summer niche for a movie that’s this much ripsnorting fun.- Variety
- Posted Jul 24, 2017
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Reviewed by
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- Critic Score
Orlando provides exciting, wonderfully witty entertainment with glorious settings and costumes and Tilda Swinton’s sock performance in the title role.- Variety
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