Variety's Scores

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For 17,758 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,121 out of 17758
  2. Mixed: 7,002 out of 17758
  3. Negative: 1,635 out of 17758
17758 movie reviews
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  1. Another Body
    A groundbreaking, creepy, fascinating, and important documentary.
  2. The Mother of All Lies
    The Mother of All Lies is an astonishing work whose maturity comes from El Moudir’s wide-eyed approach to her family history, where memory and history are quite literally reduced to playthings in order to process the unspeakable events they conjure up.
  3. Orlando, My Political Biography
    With Orlando, My Political Biography, Preciado has crafted a towering manifesto that’s as nimble in presenting abstracted gender theorizations as it is in capturing moving emotional truths (credit here must also go to the film’s dynamic editor, Yotam Ben David).
  4. Dashing Through the Snow
    Howery’s line readings sound improvised, and that’s a good thing. He’s the ebullient, fast-talking spark plug of a formula comedy with a cheap engine, though one that putters along harmlessly enough.
  5. Leo
    However immature Sandler’s sense of humor may have been in the past, he seems to have a pretty good handle on what makes kids tick. The movie can be making potty jokes one minute and delivering practical advice the next, wrapping with the sensible suggestion to “find your Leo.”
  6. Beyond the Aggressives: 25 Years Later
    The sequel provides an ever-maturing understanding of the tension between labels and identities, between a changing self, an expanding queer “community” and the broader society.
  7. Wish
    Wish self-consciously packs 85 years of animated magic into a portable Disney fable. Does that make it a summation or a pastiche? A movie marbled with pop history or overstuffed with Easter eggs? One that launches the next Disney century or is stuck in the last one? Maybe all of the above.
  8. Please Don’t Destroy: The Treasure of Foggy Mountain
    It’s a diverting enough entertainment from a group that has repeatedly proven itself to be capable of much more.
  9. Best. Christmas. Ever.
    Lambert and screenwriters Todd Calgi Gallicano and Charles Shyer turn in a multi-faceted tale that blessedly never devolves into a one-dimensional story about two competitive, smart women sniping at each other while their clueless families watch from the sidelines.
  10. Lee
    Even at her character’s most vulnerable, the Oscar-winning actor presents Lee with an edge of defensiveness, her guard never fully down, likely tied to a traumatic event in childhood.
  11. The Tuba Thieves
    Without the rigidness of a concrete story, O’Daniel is able to command the medium in an invigorating manner. Though it requires that audiences surrender to its unconventional tactics, the reward is the opportunity to rediscover the familiar with a fresh set of eyes and ears.
  12. Thanksgiving
    Thanksgiving follows the rules of the slasher genre, but it’s got a more charged and entertainingly hyperbolic atmosphere than these movies used to have.
  13. Napoleon
    Dense without feeling rushed, then done without ever having really sprung to life, Napoleon seems determined to cover a great deal of ground over its not-insignificant running time.
  14. A Normal Family
    The whole matter seems so morally ambiguous that it makes for an unpredictable ride, right up to the film’s abrupt but darkly poetic smash ending.
  15. The Accidental Getaway Driver
    Unfortunately, the script — co-written by Lee and Christopher Chen — leaves a lot to be desired, squandering the old-school appeal of the true-crime drama for a dull and overlong mood piece in which nothing much happens and no real sense of danger ever registers.
  16. Stamped from the Beginning
    It lulls the audience into thinking it’s only providing historical context. Yet by the end, it reveals the myths, the distortions and the made-up fallacies that have been presented as truth for centuries. And that is the most radical thing it could have done.
  17. Leo
    Kanagaraj hails from the Michael Bay school of excess, using dramatic camera moves (like the oft-repeated trick where he pushes in on a character’s back as that person turns to glower toward the audience) and clever cutting to give the entire feature the energy typically reserved for a 2½-minute trailer.
  18. It's a Wonderful Knife
    The genre slant promised by the title seems to be less of a tonal responsibility than an excuse to abruptly break out into the occasional suspense set piece.
  19. The Stones and Brian Jones
    It’s clear the filmmaker has never lost that besotted hero worship. The Stones and Brian Jones digs deep into the Jones mystique, trying to make the case for him as a misunderstood “genius.”
  20. Journey to Bethlehem
    Journey to Bethlehem is first and foremost a family movie, and though its music sounds a little too early-aughts to become a classic, it fills a crèche-shaped niche in the current theatrical landscape, with nearly six weeks to clean up before Christmas.
  21. The Hunger Games: The Ballad of Songbirds and Snakes
    We all know where this is headed — Snow’s destined to become Panem’s authoritarian “president” — but there’s still enormous room for surprise and debate, even among readers of Collins’ prequel.
  22. The Marvels
    The director, Nia DaCosta (who made the intriguing remake of “Candyman”), stages the action efficiently, but she doesn’t center the narrative; the film is a series of goals in search of a higher mission.
  23. Showdown at the Grand
    While seldom going for big laughs, the film never takes itself too seriously, allowing its story to occupy the realm of cineaste fantasy.
  24. At the Gates
    Aiming to be a tense drama about trust, the film struggles to balance the personal and cultural stakes at the heart of its neat conceit.
  25. Subject
    It’s easy to form an opinion about the subject of a great many docs, but unsettling to realize how little we know about how they were treated.
  26. What Happens Later
    Meg Ryan not only dazzles before the camera in What Happens Later, but behind it as well, as director and co-writer. Through the prism of one former couple’s relationship woes, this effervescent, enlightened romantic comedy explores our innate need for reconciliation within ourselves and with each other.
  27. The Marsh King's Daughter
    The movie is being marketed as a “psychological” thriller, but psychology is what it doesn’t have. It’s more like “Cape Fear” reduced to a “Predator” sequel.
  28. In the Court of the Crimson King: King Crimson at 50
    In the Court of the Crimson King is really about as good as rock documentaries get, in capturing the essence of a group of musicians and how they relate to each other, the world and a muse whose demands result in literal and figurative calluses.
  29. Freud's Last Session
    So many movies are either mindless or completely disinterested with engaging the intellect of their audiences that Freud’s Last Session offers a welcome bit of brain stimulation — but does far less for the soul.
  30. Five Nights at Freddy's
    Faced with a flat script and uninspired direction, the actors can’t save Five Nights at Freddy’s.
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