Variety's Scores

For 17,840 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17840 movie reviews
    • 53 Metascore
    • 80 Critic Score
    While the pic doesn't really have meaty characters, the presence of Neill, Carmen, Heston and Prochnow lends an air of credibility that heightens the proceedings. The film is also blessed with an arsenal of special effects that work with tinker-toy precision.
    • 53 Metascore
    • 30 Critic Score
    Purportedly an attempt to modernize the young detective's adventures for a new generation of tweens, the pic instead serves up stale mystery-movie cliches and overcooked red herrings in a thoroughly wooden adaptation.
  1. With “Axel F.,” a parade of watchable clichés (not just retro-cop-thriller clichés but Eddie Murphy clichés) staged by director Mark Molloy in a slovenly utilitarian style, the series comes full circle: the product/schlock of the ’80s meets the product/schlock of Netflix. Welcome to nostalgia minus the soul!
  2. Far too many of the shorts prove instantly forgettable.
  3. A potentially provocative idea is played out to diminishing returns.
  4. Those who have had their fill of the director’s impressionistic musings will find his seventh feature as empty as the lifestyle it puts on display; for the rest of us, there’s no denying this star-studded, never-a-dull-moment cinematic oddity represents another flawed but fascinating reframing of man’s place in the modern world.
  5. Excels at bloodthirsty action, though dialogue and human-interest aspects are a tad anemic. Result is a mixed bag but has a catchy premise and quite enough splatter to satisfy gorehounds.
  6. Allen’s visual direction and editing rhythms are particularly sharp and precise this time around, as is his work with the actors.
  7. The very artlessness of My Art is what sometimes makes it endearing, but its storytelling could use a few more foundational lines.
    • 53 Metascore
    • 50 Critic Score
    Well-mounted Chinese-Hong Kong martial-arts co-production Shaolin elevates enlightenment above brute strength, but weak helming undercuts the pic's punch.
    • 53 Metascore
    • 30 Critic Score
    Baby Boom tries to be a lot funnier than it actually is, and handsome production design and cinematography do little to compensate for its annoying over-reliance on cornball action montages and a dreadfully saccharine soudtrack score.
  8. Best in its small moments, the movie should find receptive gal pals congregating for the mother of all viewing parties.
  9. A slickly mounted slice of can-do nonsense.
  10. Inside has an intriguing premise and an actor who makes whatever’s thrown at him intriguingly watchable. What it lacks is sufficient sense of who this character is, and a resonant enough narrative to justify being locked up together.
  11. A mixed bag of near-risible storylines, second-rate CG effects, some fabulous set pieces, somewhat cartoonish martial arts fighting and difficult international casting.
  12. Although shot and performed in a determinedly raw, naturalistic register, this emotionally roiling portrait of two twentysomething Texas sweethearts too often veers toward melodramatic overstatement, inspiring little empathy or understanding despite the committed performances of promising young leads Taissa Farmiga and Ben Rosenfield.
  13. The Rise of Skywalker is, to me, the most elegant, emotionally rounded, and gratifying “Star Wars” adventure since the glory days of “Star Wars” and “The Empire Strikes Back.” (I mean that, but given the last eight films, the bar isn’t that high
  14. Once the script is done playing its belabored game of who’s who, it becomes a sleek and moderately clever exercise in narrative misdirection, with at least one or two twists sly enough to pull the wool over even an attentive viewer’s eyes, as the climactic rush of “gotcha!” flashbacks makes duly apparent
    • 53 Metascore
    • 50 Critic Score
    The weakest point is its construction, sturdy and compact up to the point when it has to use flashbacks in order to explain the British side of the allegory.
  15. Earnest issue drama and pulpy B-thriller mechanics make awkward but not uncompelling bedfellows in Honour.
    • 53 Metascore
    • 60 Critic Score
    Though helmer Volker Schlondorff succeeds in painting the bleakness of this extrapolated future, he fails to create a strong and persistent connection with the heroine’s plight.
  16. A numbingly pretentious approach to a moldy premise -- a handful of strangers interacting amid rubble in wake of WWIII.
  17. A disjointed story of self-discovery, courage and redemption somewhat incongruously billed as a salute to Akira Kurosawa.
  18. Charting the presence of prominent Jewish major leaguers in every decade, their relationship to the world of big-time ball and the careers of such greats as Hank Greenberg and Sandy Koufax, helmer Peter Miller's historical docu strikes out a stadium-load of assumptions.
  19. It's hard not to be moved by the words of love, gratitude and resilience spoken by earthquake/tsunami survivors and volunteers in Pray for Japan. But well-meaning platitudes go only so far in this sincerely felt, raggedly structured compilation of footage.
  20. A marketing tie-in with a line of soap wouldn't be the worst idea for $ellebrity, a documentary that's unafraid to get dirty digging into the subject of celebrity journalism, or to leave viewers feeling a little grimy after their immersion in tabloid culture.
  21. An exceedingly good-natured Z-grade creature feature.
  22. The Young and Prodigious T.S. Spivet is the perfect 3D vehicle and Jeunet takes full advantage, offering a feast of amusing visual flourishes suited to the book’s playfulness.
  23. Balloon is decent entertainment to a degree, and that is mostly thanks to its handsome production values.
  24. This is sci-fi cinema of a relatively subtle, intriguing stripe, without the usual emphasis on fantastical or action imagery. Still, it’s slickly engaging enough to please more open-minded genre fans, and brainy enough to attract those who want something other than another laser shoot ’em up.

Top Trailers