For 17,840 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,167 out of 17840
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Mixed: 7,035 out of 17840
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Negative: 1,638 out of 17840
17840
movie
reviews
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Reviewed by
Guy Lodge
Freak Show...doesn’t exhibit an understanding of queer identity that goes much deeper than the sheer sequined fabulosity of Billy’s image.- Variety
- Posted Jan 11, 2018
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Director Sidney Lumet has crafted a film with real pathos while writer Vincent Patrick (adapting his own novel) injects enough bawdy humor to create a delightful mixed bag spiced with almost a European sensibility.- Variety
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Guy Lodge
Life in a Day 2020 is quick to fall back on tidy montage methods — grouped shots of babies being born, skydivers jumping from planes, believers grouped in prayer, mourners in cemeteries — that rather strenuously force a sense of global communion, rather than seeking and stressing life’s more diverse and disorienting juxtapositions.- Variety
- Posted Feb 11, 2021
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Owen Gleiberman
Cocaine Bear is less formulaic than a slasher film and more stylishly made. It’s a true oddball, one that mixes yocks and mock desperation and disembodied limbs. So when it’s over you can say, “Well, we definitely saw that.”- Variety
- Posted Feb 23, 2023
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For Your Eyes Only bears not the slightest resemblance to the Ian Fleming novel of the same title, but emerges as one of the most thoroughly enjoyable of the 12 Bond pix [to date] despite fact that many of the usual ingredients in the successful 007 formula are missing.- Variety
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Reviewed by
Courtney Howard
Because of its unwieldy aspects, primarily those shoe-horned into the climax, its simplistic conclusion draws ire instead of the inspired elation these filmmakers crave.- Variety
- Posted Oct 7, 2022
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Joe Leydon
Ronnie is more complex, and much scarier, than the kind of self-deluding boob auds usually encounter in comedies of this sort. With the invaluable aid of Rogen, who's never been better, Hill sustains an impressive degree of tension between seemingly contradictory elements.- Variety
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Phil Gallo
The film is the portrait of a kind and giving man open to all positive ideas that come his way.- Variety
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John Anderson
Stylistic overreach and neglect of the uninitiated make Until the Light Takes Us a too-specialized examination of Norway's black-metal movement and the aberrant culture surrounding it.- Variety
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Rob Nelson
Slight but winning and often funny, the scrappy Amerindie Wah Do Dem is a fish-out-of-water comedy driven by Sean "Bones" Sullivan's offbeat performance.- Variety
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Todd McCarthy
From a performance p.o.v., Aselton and Shepard hold the screen well and are most watchable, and Aselton does a fluid directing job within the limited challenge she set for herself production-wise.- Variety
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Owen Gleiberman
Fuqua is trying for John Ford meets Sergio Leone: a funky classical sweep, with room for delirious shootouts. The trouble is that he mimics the trademarks of those directors without their élan, and the plot that was once catchy is now rote.- Variety
- Posted Sep 8, 2016
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Maggie Lee
A trite and tangled potboiler that, despite its polemical pretensions, is just a glorified Korean domestic drama with classier couture and shapelier champagne flutes.- Variety
- Posted Jan 23, 2013
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Courtney Howard
Containing razor-sharp witticisms about feminine intuition, gendered sexual politics and relationships (both platonic and romantic), it excels beyond its self-deprecating title.- Variety
- Posted Jun 23, 2021
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Dennis Harvey
The tension that should fire up this joint throughout never quite catches hold, because there are never any tangible stakes. These characters and their crisis remain just a premise, too incompletely worked out to either generate urgent suspense or enter the realm of surreal fantasia as Cage did in a long-ago road nightmare, “Wild at Heart.”- Variety
- Posted Jul 24, 2023
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Peter Debruge
When you’re simply looking for something semi-interesting to stream, stories like these don’t necessarily require great actors, but great actors are the reason some of them still reverberate in our memory decades later.- Variety
- Posted Jun 19, 2025
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Todd McCarthy
The perennially insecure world of two-bit character actors is humorously and knowingly explored in With Friends Like These.- Variety
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Joe Leydon
The disorienting impact of this early shock, coupled with the zig-zaggy progression of the time-tripping narrative, goes a long way toward distracting from a fairly conventional premise that ultimately asserts itself above all the flash and filigree. Indeed, you could describe the entire movie as an elaborate con job — and intend that appraisal as a compliment.- Variety
- Posted Aug 9, 2018
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Bill Edelstein
The narrative becomes more tenuous the deeper it strays into drama.- Variety
- Posted Apr 24, 2014
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Alissa Simon
It’s an engaging, mostly well-acted tale, full of surprising twists, even if some seem a bit too on the nose.- Variety
- Posted Apr 22, 2021
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Joe Leydon
The deliberately jittery hand-held lensing enhances the mockery in this mockumentary.- Variety
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Peter Debruge
We all know where this is headed — Snow’s destined to become Panem’s authoritarian “president” — but there’s still enormous room for surprise and debate, even among readers of Collins’ prequel.- Variety
- Posted Nov 9, 2023
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Owen Gleiberman
This sort of clinical detective movie hinges on creating a feeling of revelation, a kind of horror-saturated awe. The Little Things is just a warmed-over set of serial-killer-thriller clichés, like crime-scene photos we’ve seen before. And some of it doesn’t track all that well.- Variety
- Posted Jan 26, 2021
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Reviewed by
Guy Lodge
Effectively piling nostalgia upon nostalgia upon nostalgia into a triple-layered Victorian sponge of particularly English sweetness, this good-natured, resolutely old-fashioned film will likely make any adults who grew up on Jeffries’ original a little misty-eyed.- Variety
- Posted Jul 27, 2022
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Dennis Harvey
Offering blandly stereotypical characters in a trite road-trip narrative, it's genial but too silly for most grownups, and likely to impress few "High School Musical"-indoctrinated kids.- Variety
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Todd McCarthy
Amiable but no more, Bee Movie puts a hiveful of potent talent at the service of a zig-zigging, back-of-an-envelope story that's short on surprise and originality.- Variety
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Robert Koehler
Feels particularly like old news after the risks of the rock 'n' roll lifestyle were laid out for the previously uninformed in last year's "Almost Famous."- Variety
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Brian Lowry
Director Chris Columbus shrewdly brings together many of the same selling points as in his "Home Alone" movies, mixing broad comedic strokes with heavy-handed messages about the magical power of family.- Variety
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Phil Gallo
Actor Shane West and writer-director Rodger Grossman have a clear, unwavering perspective on Crash that should entice curiosity seekers and old punks.- Variety
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Boyd van Hoeij
A prolonged stay in a Belgian immigration detention center causes more than a few chinks in the armor of a strong-willed Russian femme in Illegal, Olivier Masset-Depasse's fascinating study of perseverance in the face of subhuman treatment.- Variety
- Posted Mar 22, 2011
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