Variety's Scores

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For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,125 out of 17765
  2. Mixed: 7,004 out of 17765
  3. Negative: 1,636 out of 17765
17765 movie reviews
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  1. The Grab
    The big picture here is so elusive and vast that it helps Cowperthwaite to have a few intrepid investigators to follow, letting their research drive the shape of the film (which, when you unpack it, must have been one hell of a task to structure).
  2. Kingdom of the Planet of the Apes
    Though the movie is too long, I was more gratified than not to sink into its relatively old-fashioned dramatic restraint.
  3. Unfrosted
    While broadly based in reality, the entire movie is a put-on, a wackazoid tall tale, a comedy that uses the breakfast wars as the jumping-off point for a high-camp exercise in nostalgic lunacy.
  4. Mars Express
    A gripping, heady and refreshing 2D animated take on the perils of man and machine coexisting, Périn’s first feature as a director inserts the necessary exposition in a mostly natural manner so we incrementally become aware of how this reality functions.
  5. Prom Dates
    Unlike this teen raunch-com’s brilliantly conceived inspirations, its main friendship dynamic and ensuing shenanigans fail to resonate due to sloppy character construction and a cadre of cringe-worthy circumstances.
  6. The Contestant
    Titley consistently anchors her unfolding chronicle to the kind of backstage emotional truths often hidden from the audience, and in the process, she crafts something halfway between sensationalist exposé and intimate confessional — a remedy to reality TV based on its own format — co-authored by her subjects
  7. Tarot
    Set in a world where every door creaks and there isn’t a single well-lit location, Tarot is little more than a clearinghouse of horror clichés.
  8. Never Look Away
    Never Look Away gives us as complete a portrait as seems humanly possible, for which Lawless merits abundant credit.
  9. Slow
    Slow reveals itself to be quite a tender portrait of love and companionship, of what our bodies yearn and want in others, and how we could do well to upend the stories we tell each other about living and loving another.
  10. Lost Soulz
    Inspired by Sidle’s experience as a musician on the rise, Lost Soulz tells a raw personal story in a fragmented structure deriving its strength from the original music composed and performed by its talented cast.
  11. Any Other Way: The Jackie Shane Story
    Michael Mabbott and Lucah Rosenberg-Lee’s documentary “Any Other Way” combines archival materials, interviews and animated reenactments into a compelling investigation of an elusive life, as well as a talent so striking you’ll be amazed it remained forgotten for so long.
  12. Nowhere Special
    Nowhere Special is the kind of confident, understated film that doesn’t need to pound the audience with its sentiments in order to make us feel alive and human in front of it.
  13. In Our Day
    Neither switch-your-brain-off-escapist, nor the kind of arthouse filmmaking that makes heavy demands on your time or willpower, Hong’s cinema remains one of the most reliable sources of this particular pleasure.
  14. Cash Out
    Every line of dialogue that follows from this tired premise is like an echo of one from a better movie.
  15. In a Violent Nature
    Its stripped-down approach to a familiar gist has a distinctiveness that is impressive, and is sure to please fans who are always up for a new slasher film — but wish most of them weren’t so interchangeable.
  16. Power
    Anyone watching the film is likely to learn something, though whether its lessons will stick, or claw their way beneath one’s skin, is less likely.
  17. Alam
    This intelligent, sensitive treatment of the rarely seen, everyday lives of young Palestinian citizens of Israel marks tyro feature writer-director Firas Khoury as a talent to watch.
  18. Common Ground
    This broadness of info only means the Tickells remain surface-level on most topics. Their Common Ground only teases but doesn’t dig deep enough into the intersection of racism and capitalism that brought us to today.
  19. Spy x Family Code: White
    Spy x Family Code: White is far more chuckle-worthy than laugh-out-loud funny, but there’s an innocent, adolescent charm to even its jokes that miss the mark.
  20. The Three Musketeers - Part 2: Milady
    For readers of Alexandre Dumas’ novel, extravagant French adaptation “The Three Musketeers – Part II: Milady” packs its share of surprises: killing off important characters, sparing others and reimagining allegiances that have stood for nearly two centuries.
  21. Rebel Moon Part 2: The Scargiver
    Rebel Moon — Part Two: The Scargiver is a storytelling mediocrity, but as spectacle it has tumult and rhythm.
  22. Hard Miles
    Daniel Hanna (“Miss Virginia”) and a strong cast, making for a satisfying scenic ride that picked up several festival audience awards last year.
  23. We Grown Now
    Even in its quietest moments, “We Grown Now” feels alive through the kids’ joint triumphant spirit and Baig’s discernible love and care for them.
  24. Abigail
    Abigail was directed by Matt Bettinelli-Olpin and Tyler Gillett, who made those last two “Scream” films, and though I was impressed, to a degree, by what they brought off there, this movie feels like a step backward into overwrought generic schlock.
  25. Oddity
    McCarthy and editor Brian Philip Davis deploy high-voltage moments with expert timing, using the dark to their favor in refreshing fashion.
  26. The Ministry of Ungentlemanly Warfare
    These guys are so good at what they do, Ritchie fails to muster the expected tension. Instead of suspense, audiences feel a sense of delight in watching them succeed, no matter the setback.
  27. The Absence of Eden
    While “Absence of Eden” lacks narrative originality, it often dazzles visually.
  28. Omen
    At a fleet 91 minutes, Omen could stand a little more character-building. But the larger atmospheric payoff lingers; the film first gets under the skin, then sits in the skeleton like a trapped, restive spirit.
  29. Challengers
    Another filmmaker might have subtracted himself in order to foreground the story, whereas Guadagnino goes big, leading with style (and a trendy score from Trent Reznor and Atticus Ross).
  30. Enter the Clones of Bruce
    David Gregory’s documentary won’t convince most viewers that the resulting flood of opportunistic cheapies are worth more extensive investigation. But they’re certainly cheesy fun in excerpt, and interviews with surviving participants provide an entertaining window into an anything-goes heyday for Hong Kong cinema.
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