Variety's Scores

For 17,833 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17833 movie reviews
    • 70 Metascore
    • 70 Critic Score
    The cast does its stuff to good effect. Coward, as the highly patriotic, business-like master crook, brings all his imperturbable sense of irony and comedy to his role.
    • 57 Metascore
    • 70 Critic Score
    John Frankenheimer’s film of Black Sunday is an intelligent and meticulous depiction of an act of outlandish terrorism – the planned slaughter of the Super Bowl stadium audience.
    • 61 Metascore
    • 70 Critic Score
    It’s a good yarn, remindful of some of Alfred Hitchcock and Fritz Lang’s wartime mellers as well as Michael Powell’s 1939 tale of a World War I German agent in Scotland, The Spy in Black.
  1. The story is somewhat predictable in its beats, and arrives at a free-at-last conclusion that’s not entirely convincing. But the Sault Ste. Marie-shot film is ultimately ingratiating and slickly crafted enough to rise above those limitations.
  2. Tom Clancy’s Without Remorse is a lively formulaic action-hero origin story, dunked in combat grunge, that demonstrates how a resourceful lead actor can bend and heighten the meaning of a commercial thriller.
  3. A consistently involving and often exciting drama in which the two Wild West icons are presented from the p.o.v. of an impressionable adolescent who weighs the pros and cons of each man as a role model.
    • 71 Metascore
    • 70 Critic Score
    Road Games is an above-average suspenser concerning an offbeat truck driver who winds up stalking a murderer. Stacy Keach's characterization of the amusing, poetry-spouting man is particularly endearing but the film builds all too effectively to a rather disappointing climax.
    • 71 Metascore
    • 70 Critic Score
    The Great Race is a big, expensive, whopping, comedy extravaganza [from a screen story by Blake Edwards and Arthur Ross], long on slapstick and near-inspired tomfoolery whose tongue-in-cheek treatment liberally sprinkled with corn frequently garners belly laughs.
    • 69 Metascore
    • 70 Critic Score
    The sizzling combination of Elvis Presley and Ann-Margaret is enough to carry Viva Las Vegas over the top.
  4. Placing among the upper ranks of films for dog lovers, Stray successfully takes this mission to heart, revealing in the process not only the wholesomeness of humans’ four-legged best friends, but also the soulful voice of an exciting new filmmaker with immense moral queries on her mind.
    • 52 Metascore
    • 70 Critic Score
    Despite an inspired, offbeat performance by George Hamilton, Zorro, the Gay Blade doesn't have nearly enough gags to sustain its 93 minutes. For the most part this is a Zorro with a very dull edge.
  5. Lean, mean and stripped for speed, Highwaymen fires on all cylinders as an edgy and unnerving road-kill thriller.
    • 72 Metascore
    • 70 Critic Score
    The roar and whine of engines sending men and machines hurtling over the 10 top road and track courses of Europe, the US and Mexico – the Grand Prix circuits – are the prime motivating forces of this actioncrammed adventure that director John Frankenheimer and producer Edward Lewis have interlarded with personal drama that is sometimes introspectively revealing, occasionally mundane, but generally a most serviceable framework.
  6. The genius of Pavarotti’s voice is that it had the power to heal. The movie pays ample testament to how that voice, for 40 years, poured out of him, rapturous and tragic, soaring on wings of pure emotion, at times wracked with a spiritual pain that was surely his own, but always lifting his audience to the mountaintop of beauty, saying, “This is where I live. And you can too.”
    • 57 Metascore
    • 70 Critic Score
    Greased Lightning is a pleasant, loose and relaxed comedy starring Richard Pryor in an excellent characterization based on real-life racing driver Wendell Scott.
    • 74 Metascore
    • 70 Critic Score
    After a fumbling start which looks like bad editing for TV, The Last American Hero [based on two articles by Tom Wolfe] settles into some good, gritty, family Americana, with Jeff Bridges excellent as a flamboyant auto racer determined to succeed on his own terms and right a wrong to his father, played expertly by Art Lund.
  7. For those on Zhao’s wavelength, the movie is a marvel of empathy and introspection.
  8. That uncommon and all-too-welcome gift — like some kind of fragile wildflower, emerging tentatively through cracks in the concrete: a film about kindness.
  9. A Bollywood movie about a rapper from the slums may sound derivative, but what does that matter when “Gully Boy” revels in high-wattage screen chemistry and an inclusive social message, all served up in a slickly enjoyable production showcasing Ranveer Singh’s many charms?
  10. As drama, Mr. Jones sometimes struggles to get out of its own way, but its message still lands with concrete force.
  11. This is a film with a mature, heartbroken understanding of how we hold onto things.
  12. Slight as a Varda film, but shot through with its maker’s characteristic pluck and whimsy, Varda by Agnès gives her newly recruited fans everything they’ve come to see.
  13. Even the most racing-averse auds will have to agree this entertaining whiz around the 2010 Isle of Man TT racing event puts across the thrill of the sport.
    • 51 Metascore
    • 70 Critic Score
    Ice Castles combines a touching love story with the excitement and intense pressure of Olympic competition skating.
  14. Dune is out to wow us, and sometimes succeeds, but it also wants to get under your skin like a hypnotically toxic mosquito. It does…until it doesn’t.
  15. Fast-paced, determinedly silly, with sharp slangy dialogue and funny situations (particularly once we arrive at the ace sight gag of a half-dozen Johns stirring chaos), the film hits just the right absurdist notes to sustain its joke.
  16. Director Frant Gwo’s adaptation of the 2000 novella by Liu Cixin is no genre classic, but its furious pace, spectacular visuals, and fanciful plot deliver decent escapist entertainment.
    • 42 Metascore
    • 70 Critic Score
    Jake Speed is fun - a deliberately mindless adventure that keeps tongue firmly in cheek.
    • 54 Metascore
    • 70 Critic Score
    Excellent animation and montage shore up a plot which has a few howls, several chuckles and many smiles.
  17. When a movie taps a nerve with the public, it doesn’t need to be a masterpiece to become a phenomenon, which might explain why Matsoukas puts greater attention on the look, feel and musical signature of the project than she does the plot, which feels thin and familiar.

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