For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
Audiences will be excused for any feelings of déjà vu the new film might inspire. That won't prevent them from watching it in rapt, anxious silence, however, as the gruesome crimes, twisted psychology and deterministic dread that lie at the heart of Harris' work are laid out with care and skill.- Variety
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Reviewed by
Todd McCarthy
Delivers enough thrills, kicks and cool moments to satiate geeks, fans and mere general viewers worldwide -- until the "Revolutions" installment wraps up the trilogy in November.- Variety
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Reviewed by
Todd McCarthy
A riveting, thematically probing, richly atmospheric and just occasionally troublesome work, a deeply inquisitive consideration of the extent of trust and mutual knowledge possible between a man and a woman.- Variety
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An intense, bloody, in-your-face crime drama about a botched robbery and its aftermath, colorfully written in vulgar gangster vernacular and well played by a terrific cast.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Uses first-person on-camera accounts of the adventure by Simpson and fellow climber Simon Yates to backdrop newly shot you-are-there footage that brings home the awesome and harrowing aspects of their feat.- Variety
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Reviewed by
Todd McCarthy
This is not "E.T.," nor is it a kid's film nor even necessarily a major mass-audience film, although Spielberg's name, high public anticipation and the child-oriented campaign will make it perform like one.- Variety
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Reviewed by
Scott Foundas
There's a kind of rawness on the screen that most movies never approach.- Variety
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Reviewed by
Robert Koehler
The elusive, quicksilver nature of young love is often reduced to crude simplicities by the movies, but director Sebastien Lifshitz and writing partner Stephane Bouquet have observed it with a superb balance of aesthetics and insight in Come Undone.- Variety
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The Harrison Ford-Sean Connery father-and-son team gives Last Crusade unexpected emotional depth, reminding us that real film magic is not in special effects.- Variety
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This weirdly off-kilter suspenser goes well beyond the usual police procedural or killer-on-a-rampage yarn due to a fine script, striking craftsmanship and a masterful performance by Morgan Freeman.- Variety
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Reviewed by
Todd McCarthy
A spectacular demonstration of what modern technology can contribute to dramatic storytelling.- Variety
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It's a terrific war yarn, a picture of palpable raw power which manages both Intense intimacy and great scope at the same time. (Review of Original Release)- Variety
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Reviewed by
Lisa Nesselson
The sparks fly thanks to Moore's patented blend of curveball research, expedient juxtaposition, genuine satire and bottomless chutzpah.- Variety
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- Variety
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Reviewed by
David Stratton
Watson is a major find as Bess. Graced with delicate, expressive features, she gives an extraordinary performance.- Variety
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Reviewed by
Todd McCarthy
Brilliance of the action and effects are supplemented by a consistently superior and resourceful score by Tan Dun.- Variety
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Reviewed by
Todd McCarthy
The script is faithful, the actors are just right, the sets, costumes, makeup and effects match and sometimes exceed anything one could imagine.- Variety
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- Variety
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Reviewed by
Todd McCarthy
An intelligent, visually ravishing adaptation of Tracy Chevalier's best-selling novel.- Variety
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- Variety
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Reviewed by
Todd McCarthy
An intensely imaginative piece of conceptual filmmaking that also delivers the goods as a dread-drenched horror movie.- Variety
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Reviewed by
Deborah Young
An acid portrait of contemporary Austria (and by extension, the whole middle class) as unspeakably dull, violent and stupid. The film itself, miraculously, is just the opposite: vibrantly inventive, aesthetically rigorous, sardonic and occasionally quite brilliant.- Variety
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Reviewed by
Emanuel Levy
The endlessly resourceful Nicolas Cage, as a celestial angel, and a terrifically engaging Meg Ryan, as a pragmatic surgeon, create such blissful chemistry that they elevate the drama to a poetic level seldom reached in a mainstream movie.- Variety
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Reviewed by
Todd McCarthy
This full-bodied adaptation of Dennis Lehane's involved and involving 2001 bestselling crime novel about old friends in Boston's working-class Irish neighborhood finds Clint Eastwood near the top of his directorial game with a cast of first-rate actors.- Variety
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Deborah Young
Scorsese's heartfelt love letter to Italian movies up to 1961.- Variety
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- Variety
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Joltingly violent, wickedly funny and rivetingly erotic, David Lynch's Wild at Heart [based on the novel by Barry Gifford] is a rollercoaster ride to redemption through an American gothic heart of darkness.- Variety
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Reviewed by
Todd McCarthy
Bears all the earmarks of a magnum opus for Martin Scorsese: Fascinating and fresh material about his beloved New York City, an epic reach, an equally epic gestation period, a dynamic criminal element, combustible socio-political-religious elements, outstanding actors and sophisticated allusions to cinema history that inform and enrich the experience.- Variety
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Reviewed by
Brian Lowry
A fresh, disarmingly bright and at times explosively funny comedy well worth a trip to the mall, even if it eventually runs out of gas.- Variety
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