Variety's Scores

For 17,833 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17833 movie reviews
  1. Pulse-pounding third act expertly pushes the audience’s buttons, to excruciatingly ironic and ultimately devastating effect. Pic does turn overwrought in the final stretch and would have been wise to end on an earlier note, though action fans won’t mind.
  2. Hieronymus Bosch: Touched by the Devil brings us literally closer to Bosch’s images than one could probably get in almost any museum. As directed by Pieter van Huystee, the film offers a true immersion in his artistry. But it’s also a little slipshod — an off-kilter window into the politics of the art world. It’s like a fascinating magazine feature with some missing pieces.
  3. Situated somewhere between neo-realist study and standard women in prison pic, Lion's Den too frequently wanders into common territories to make the material its own.
  4. Has a gaudy pop-culture personality that perfectly suits its subject.
  5. A perceptive, unsettling psychodrama marking the assured feature writing and directing debut of shorts filmmaker Kyle Henry.
    • 64 Metascore
    • 90 Critic Score
    With its emphasis on youthful idealism despoiled by treacherous, manipulative adults, Lady Jane emerges as a tragic historical romance tinged with a strong 1960s feeling...Performances are all top-drawer, beginning with newcomer Helena Bonham Carter in the title role.
  6. Moderately funny and strangely dated ... The blend of tired jokes and body horror here seems entombed in amber, as every lacerated scalp, loudly broken limb, and use of the C-word makes it feel that much less original.
  7. The film has a winning combo of excitement and topicality.
  8. The biggest laughs and most intriguing revelations are provided offstage in this slickly produced documentary, as O'Brien -- often pushing himself to the point of exhaustion before, during and after performances -- plays for keeps while playing for laughs.
  9. As a final, permanent showcase for a role Everett was born to play, then, The Happy Prince does the job. For all its passion-project hallmarks, however, it makes a shakier case for him being the filmmaker to bring it to screen.
  10. Despite all this boilerplate gangster-with-a-heart-of-gold stuff, there's an emotional payoff to "Joe May" that feels solid and right.
  11. This is the kind of sparsely plotted comedy that depends on compelling characters, but it stars two young actors defined by ironic detachment.
  12. Reed’s movie succeeds well enough as a genial diversion and sometimes a delightful one, predicated on the rarely heeded Hollywood wisdom that less really can be more.
  13. For all its obvious smarts and mildly provocative ideas, Mockingjay doesn’t seem to trust its audience quite as much as it clearly trusts its heroine.
  14. There’s something undeniably sharp and buoyant about Moore’s globe-trotting, grass-is-greener approach that compels indulgence and attention.
  15. In its own playful way, this tonally astounding, genre-confounding movie offers a variation on the famous chicken-and-egg debate, being a twisted inquiry into the characters’ origins and mankind’s own search for meaning.
  16. Big Time Adolescence isn’t bad, but it’s a trifle.
  17. Result is a loose personal piece of reportage that places people over ideas and larger issues, and reveals the pic's severe limitations long before a surprisingly upbeat ending.
    • 64 Metascore
    • 70 Critic Score
    Told with virtually no dialog, the story embodies a wide range of human emotion, depicted in actual on-scene photography which effects realism via semi-documentary feel.
  18. To track the transformation of John Lennon from adored Beatle to government-stalked peace advocate is David Leaf's stated intention for The U.S. vs. John Lennon, and the pic persuasively chronicles an artist sticking to his guns through activism.
  19. Competently constructed and nicely acted by Kate Beckinsale and Vera Farmiga.
  20. A slender but polished dramedy.
  21. An utterly brazen mix of screwball comedy, film noir and sharp social commentary that hits its own strange bullseye more often than not, Bozon’s third full-length feature (and first since 2007’s WWI musical, “La France”) benefits immeasurably from actors willing to go as far out on a limb as their intrepid director.
  22. If this wrap-up proves less than fully satisfying, Possum still casts an impressive spell.
  23. All this certainly constitutes an intriguing footnote to horror cinema history. But Roman Chimienti and Tyler Jensen’s film could’ve used more distance from its principal interviewee, a producer here.
  24. A deliciously sexy and hedonistic comedy of morals and manners, filmed amid some of Australia's most spectacular scenery. The blend of eroticism and humor, plus the formidable presence of supermodel Elle Macpherson, who is seen regularly in the buff in her featured role as an artist's model, will ensure wide interest in this engaging yarn from writer/director John Duigan.
  25. Jarecki has produced more of a Friar's Club roast than a document, with the negative aspects of the subject made funny, and the positive inflated.
  26. Unlike other filmmakers, who make it feel like we’re sitting back and watching someone else get to play, Gunn keeps the surprises coming, so audiences are actively engaged throughout, trying to manage multiple storylines and the ever-changing loyalties between characters.
  27. The film’s exhilaration is that it shows you, through its dangling-from-a-steel-beam footage, what love really is: scaling the heights of devotion, no matter how perilous, without a net.
  28. A golden opportunity to analyze the most vital and probably most creative contempo American playwright is missed in Freida Lee Mock's docu, Wrestling With Angels: Playwright Tony Kushner. Kushner's art demands a filmmaker of equally challenging artistry, able to plumb an opus based in polemics, politics and Brecht, instead of psychodrama.

Top Trailers