Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. Spurlock brings his usual good-humored approach to the subject, nicely balancing absurdity with genuine human interest.
  2. Michod’s sophomore feature isn’t exactly something we’ve never seen before, but it has a desolate beauty all its own, and a career-redefining performance by Robert Pattinson that reveals untold depths of sensitivity and feeling in the erstwhile “Twilight” star.
    • 64 Metascore
    • 90 Critic Score
    Absence of Malice is the flipside of All The President's Men, a splendidly disturbing look at the power of sloppy reporting to inflict harm on the innocent.
  3. It is far from unpleasant to watch an attractive cast led by Kirsten Dunst parading around Versailles accoutered in Milena Canonero's luxuriant costumes to the accompaniment of catchy pop tunes. But the writer-director's follow-up to her breakthrough second feature, "Lost in Translation," is no more nourishing than a bonbon.
  4. Gere breaks through with what may or may not be his best performance.
  5. Unlike "Four Weddings," which ultimately was moralistic and conservative in its message --—About Adam is a frolic free of any judgments, and marked by Stembridge's sparkling wit.
  6. Arresting at first but gradually trails off under the weight of its hyper-derivativeness and anxiety to please.
  7. An absurdist piece about a rural community of clueless cretins who careen through life like poorly played pinballs, Napoleon Dynamite represents the definition of the comedy of condescension and ridicule.
  8. While it's clear where the filmmaker's sympathies lie, the view presented is relatively balanced.
  9. Picture represents considerable progress for Katz, a founding member of the mumblecore movement.
  10. Adapting Mizuki Tsujimura’s novel of the same name helps impose more of a narrative framework than is typically found in Kawase’s oeuvre, although the film’s mix of genres — from marital drama to teen romance to social commentary — don’t gel.
  11. Carey Mulligan gives an affecting, skillfully modulated performance that lends a certain coherence to this assemblage of real-life incidents, composite characters, noble sentiments, stirring speeches and impeccable production values — all marshaled in service of a picture whose politics prove rather more commendable than its artistry.
    • 64 Metascore
    • 70 Critic Score
    First writing-directing effort by vet producer Irwin Winkler squarely lays out the professional, ethical and moral dilemmas engendered by the insidious political pressures brought to bear on filmmakers in the early 1950s. Robert De Niro is excellent as a top director brought down by reactionary paranoia. But the drama comes to life only fitfully.
  12. Les Nôtres” remains — right up to its tight, repressed ending — a deeply disquieting, superbly performed evocation of a very banal sort of evil.
  13. It’s not a comedy, but as you watch it you can almost see Woody Allen standing off to the side, chuckling at the human folly he’s showing you.
  14. Afforded a comparatively rare chance to stretch out in a complex lead role, Buscemi is excellent.
  15. For a guerrilla-style, no-budget Yank indie to even tackle issues of jihad terror and naive Western thinking is noteworthy in itself, but Gamazon and Dela Llana inflame the issues with a gutsy, athletic filmmaking package that shows what can be done with a minimum of tools.
  16. Continually tickles the mind while leaving a heavy lump in the chest, establishing and sustaining a unique low-key tone of mystery and dread.
  17. With a commanding performance by Sun Haiying as the unbending, ornery father, and a glammed-down Joan Chen remarkable as the boy's devoted mom, pic serves up solid dramatic values instead of being yet another panorama of social and political changes in China during the late 20th century.
  18. While the gorgeous widescreen landscapes have a pencil-and-aquarelle quality, the characters themselves are literally rougher-edged, a clever reminder of the hand-drawn, sketchlike quality of traditional animation.
  19. A sensationally entertaining mash-up of historical drama, “Dirty Dozen” style shoot-‘em-up, spaghetti Western-flavored flamboyance, and extended action setpieces that suggest a dream-team collaboration of Sergio Leone, John Woo and Steven Spielberg.
  20. It’s mostly interested in the off-kilter but natural chemistry of its leads, who despite their differences come across as comrades who genuinely care about each other, and whose bond is solidified by their shared hangups.
  21. This Is Home gestures toward a more detailed, heterogeneous understanding of these war victims as human beings, characterizing its four chosen families in detailed, individual terms, and listening attentively to their varied expressions of ambition and concern for their new future.
    • 64 Metascore
    • 50 Critic Score
    Only Hunt in the femme role breaks through a script that rarely rings new.
    • 64 Metascore
    • 60 Critic Score
    Attempting a hard-hitting pic on the grimy realities of Hollywood Boulevard street life, and blessed with a cast bursting with up-and-comer names and a technically adept cameraman, Where the Day Takes You inevitably winds up giving the runaway's life the kind of romantic-tragic scope that appeals to troubled teens.
  22. In this witty, windblown modern fable, man, nature and machine get to take turns being the enemy and the savior.
  23. While the craft team here feel at the top of their game, delivering scene after scene of perfectly composed glossy, grimy, sweaty tableaux, the script could have used a bit more time to sharpen up. Still, there are some zingy, zesty sequences here that really pop.
  24. Colours of Time doesn’t want to surprise so much as to please, and the multiple, largely antagonist-free storylines are just charming enough to keep the absence of real conflict from becoming a problem.
  25. Like a collapsing star, Sunshine initially burns brightly but finally implodes into a dramatic black hole.
  26. The join-the-bullet-holes nature of Mean Dreams' storytelling would be less of a problem if the characterization were a little more textured, but for all the picturesque anguish on display, the febrile messiness of actual human life is little in evidence.

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