Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. Boyega is the most interesting thing about the movie — specifically, the way he portrays this tragic, psychologically damaged individual fighting for what matters to him — although it’s also noteworthy for featuring Michael Kenneth Williams’ final performance as the hostage negotiator.
  2. This is not an autobiography. Take Me Home is instead a deeply felt examination of the challenges so many face when familial love is swamped by economic reality. The director puts a lot on her characters’ shoulders to illustrate how unsupported and isolated illness and disability can be.
    • 66 Metascore
    • 50 Critic Score
    Uneven but quite pleasant as a two-hour experience that acknowledges the idealized Paris people carry in their heads while wisely veering off the beaten track.
  3. The genius of Pavarotti’s voice is that it had the power to heal. The movie pays ample testament to how that voice, for 40 years, poured out of him, rapturous and tragic, soaring on wings of pure emotion, at times wracked with a spiritual pain that was surely his own, but always lifting his audience to the mountaintop of beauty, saying, “This is where I live. And you can too.”
  4. Not all of Diallo’s thematic queries land, and at times, she weakens her ideas by over-explaining them. Nevertheless, her fearless interrogation resonates like a penetrating scream you can’t unhear.
  5. This robust, action-packed adventure benefits from a headier sense of forward momentum and a steady stream of 3D-enhanced thrills.
  6. Out there, to say the least, but rescued from risibility by its well-matched lead performances and crazy low-budget ambition.
  7. An exquisitely tender tale of two young Euro immigrants trying to find themselves (but not each other) in contempo London, Unmade Beds has a lively, romantic spirit that recalls the playfulness and spontaneity of the French New Wave.
  8. A rollicking, violent, Western-cum-comedy that serves many masters, but adds up to an entertaining hot pot of wry political commentary and general mischief.
  9. First-time writer-director Aurora Guerrero beautifully captures the fluctuating dynamics of friendship between 15-year-old girls in Mosquita y Mari.
  10. A dynamic and immersive piece of you-are-there verite.
    • 66 Metascore
    • 70 Critic Score
    McLeod's direction blends the music and comedy into fast action and sock chuckles that will please followers of the series.
  11. Mid90s, though made by a Hollywood star, isn’t a nostalgic indie “fable” in gritty skate-punk drag. It’s something smaller and purer: a slice of street life made up of skittery moments that achieve a bone-deep reality.
    • 66 Metascore
    • 70 Critic Score
    Engaging doc should stir psychologists and feminists.
    • 66 Metascore
    • 70 Critic Score
    Within its very limited range, pic has verve, a fine control of tone and a stylish look given its low budget and three-week sked. Spacey dominates, but Whaley makes a convincing transition from goody-goody to icy insider, and Forbes manages well despite being forced to flip-flop on command between sarcastic bitchiness and softer intimacy.
  12. A mostly slick, entertaining and emotionally involving recombination of fresh and familiar elements.
  13. The film gradually thaws out the stark, frozen mystery at its heart, but the warm-blooded, breathing truth of Linda’s life is no less tragic than that of her cold death.
  14. The film comes alive in its second half, which deepens and complicates the story we thought we were watching, about a disgraced cop trying to run away from the violence that’s set to cost him his job and his reputation. For some, the tender empathy that runs through the film’s latter half may not be enough to offset its choice of sympathetic leading man.
    • 66 Metascore
    • 50 Critic Score
    The Adrian Locke Langley novel was a long time coming to the screen since first purchased by the Cagneys for filming. Along the way it lost a lot of the shocker quality and emerges as just an average drama of a man's political ambitions.
  15. The lovably ridiculous bike-messenger thriller Premium Rush is a welcome throwback.
  16. That it succeeds more often than not is due in no small part to Heche and Oh, who are wonderfully unafraid to make their characters deplorable people, and also able to invest their downfalls with sincere pathos, complicating any schadenfreude one might be expecting to find.
  17. There’s just enough of an interesting theme and strong production value (it’s impossible not to succumb to the breathtakingly imposing landscapes) to earn The Convert some grace.
  18. Prows and company don’t simply play the often outrageous (and occasionally grisly) content for tasteless sensationalism, comic or otherwise. They treat it with an interesting, empathic yet slightly detached tone somewhere between the respectful and the droll.
  19. A highly satisfying low-budget horror-thriller from helmer/co-writer Jim Mickle.
  20. Stylish and substantial enough to prompt even a couch potato to action, Kelly Duane's Monumental: David Brower's Fight for Wild America delivers a stirring and visually dense account of the life and times of Brower.
  21. A movie that’s a loosely structured ramble can work, and about half of “Tommaso” feels more vital than anything Ferrara has made in a while. But the film should have been shapelier and 20 minutes shorter, with a more focused dramatic psychology.
    • 66 Metascore
    • 80 Critic Score
    Action dwells upon the misadventures of the pair as they pursue the outlaw trail, but more importantly, packs the type of fast movement the title indicates.
  22. By approaching Marshall as an idealistic young trial lawyer, the film stands on its own as a compelling courtroom drama, complete with surprising revelations — and while we hope things will go his way, this case could just as easily prove the one that motivated his future crusade.
  23. Vincenzo Natali's outlandish sci-fier sustains a grotesque and funny fascination throughout its slightly protracted runtime.
  24. The movie works, but there has to be a more original way in to the Thai cave rescue story, other than through the main entrance, high-fiving its heroes at every step. For starters, it might have spent a little more time on the “Thirteen Lives” on the line.

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