For 17,782 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,136 out of 17782
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Mixed: 7,010 out of 17782
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Negative: 1,636 out of 17782
17782
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Justin Chang
Even when he’s dealing with this boilerplate material, Collet-Serra brings an understated intensity and a subtle emotional pull to every scene, aided immeasurably by actors who invest their roles, big and small, with just the right degree of conviction.- Variety
- Posted Mar 10, 2015
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Reviewed by
Justin Chang
Benson displays more energy and assurance behind the camera than he does in front of it; even still, his tonal command of his own narrative is wobbly at best, employing cynical humor and climactic eruptions of violence to jazz up what is ultimately an overly earnest and predictable cautionary tale.- Variety
- Posted Mar 9, 2015
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Reviewed by
Justin Chang
Heigl’s performance as a coolly murderous model housewife is the only real reason to even consider watching Home Sweet Hell, an otherwise flailing and risible tale of adultery, extortion and suburban malaise that suggests a poor woman’s “Gone Girl” — one stripped of all tension, style and subtext, and instead rendered with a level of over-the-top gore that would give even David Fincher pause.- Variety
- Posted Mar 9, 2015
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Reviewed by
Scott Foundas
Beneath the sitcom cutesiness and boldfaced sentimentality, the film manages to keep just enough reality coursing through to stay grounded.- Variety
- Posted Mar 9, 2015
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Reviewed by
Peter Debruge
Unimaginative and downright predictable by grownup standards, but bursting with elements sure to appeal to younger auds.- Variety
- Posted Mar 8, 2015
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Reviewed by
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Reviewed by
Dennis Harvey
The richness of the tale told here makes this competently packaged feature a keeper nonetheless.- Variety
- Posted Mar 7, 2015
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Reviewed by
Guy Lodge
Penn’s veiny, sweat-glazed biceps are the most objectively impressive feature of this rote, humorless thriller, a distinctly unconvincing attempt to refashion the star — who also co-wrote and produced — as a middle-aged action hero in the Liam Neeson mold.- Variety
- Posted Mar 6, 2015
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Reviewed by
Dennis Harvey
This feature directing debut for Adam Carolla and frequent writing/producing collaborator Kevin Hench is an amiable, nicely assembled semi-autobiographical fiction that will please the former’s fans.- Variety
- Posted Mar 5, 2015
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Scott Foundas
About as appealing as day-old beer littered with cigarette butts, the abysmal caper drama Kidnapping Mr. Heineken is one of those international co-productions produced for all the right tax-credit reasons and none of the right artistic ones.- Variety
- Posted Mar 5, 2015
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Reviewed by
Justin Chang
Intelligence, artificial or otherwise, is one of the major casualties of Chappie, a robot-themed action movie that winds up feeling as clunky and confused as the childlike droid with which it shares its name.- Variety
- Posted Mar 4, 2015
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Reviewed by
Justin Chang
A comedy with its heart in the right place and everything else bizarrely out of joint.- Variety
- Posted Mar 4, 2015
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Reviewed by
Dennis Harvey
An Honest Liar is a highly entertaining portrait of James “the Amazing” Randi.- Variety
- Posted Mar 3, 2015
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Reviewed by
Joe Leydon
The naturalistic style of the storytelling is stealthily enthralling, as is the lead performance by Margita Gosheva as a provincial Bulgarian schoolteacher who is slowly, inexorably driven to the edge by crushing debt.- Variety
- Posted Mar 2, 2015
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Reviewed by
Joe Leydon
Ganem has sufficient verve and appeal to sustain interest in both of her characters, and the sporadic tweaking of telenovelas and the fans who love them is often quite clever.- Variety
- Posted Mar 1, 2015
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Reviewed by
Jay Weissberg
There are moments when audiences will wonder if laughing about gangland whackings isn’t in bad taste, yet it becomes increasingly clear that the helmer-scripter is using humor to cut Mafia bosses down to size, thereby turning an accusatory glare at an Italy that granted these people power.- Variety
- Posted Feb 27, 2015
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Reviewed by
Dennis Harvey
It’s a bizarre story not entirely clear in the telling — partly because we can’t be entirely sure when the subject is telling the truth — but absorbing nonetheless.- Variety
- Posted Feb 27, 2015
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Reviewed by
Dennis Harvey
The lead actors are solid as usual, but you can feel them all knocking their heads against the low ceiling of material that’s afraid to take any risks — playing it so safe that the film ends up lacking anything in the way of real personality, scares or plot surprises.- Variety
- Posted Feb 26, 2015
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Peter Debruge
Though billed as a documentary, this 59-minute doodle barely rises above homemovie status.- Variety
- Posted Feb 26, 2015
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Reviewed by
Ben Kenigsberg
This sort of doc is a legal minefield, but it never seems to sacrifice urgency or cogency, although like Dick’s previous films, it may irk those who prefer a wonkier, less button-pushing approach.- Variety
- Posted Feb 26, 2015
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Reviewed by
Guy Lodge
Its visual and sonic verve more than compensate for some overworked symbolism.- Variety
- Posted Feb 26, 2015
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Reviewed by
Justin Chang
This slickly assembled exploitation-movie wankfest gets some mileage out of its star’s fully committed performance, though not enough to offset the grim, monotonous tenor of the proceedings — or the glib, fetishistic recycling of Asian thriller tropes.- Variety
- Posted Feb 26, 2015
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Reviewed by
Guy Lodge
Campillo’s original screenplay demands any number of trusting leaps from its audience and characters alike, yet maintains credibility thanks to the studied assurance of its most elaborate setpieces, and the wealth of socioeconomic detail in its portrayal of both Daniel’s aging-yuppie lifestyle and the nervous group dynamic of the immigrants.- Variety
- Posted Feb 26, 2015
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Reviewed by
Geoff Berkshire
“Lazarus” shamelessly steals from superior genre efforts and lacks any distinguishing traits beyond a wildly overqualified cast.- Variety
- Posted Feb 26, 2015
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Reviewed by
Scott Foundas
The disparate tones never gel, and the movie has an airless, stop-and-go feel, as if a studio-audience laugh track were intended but never inserted.- Variety
- Posted Feb 26, 2015
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Reviewed by
Peter Debruge
While Lautner is to be admired for his physical commitment to the role, the below-the-line team lighting, shooting and choreographing his moves deserves equal credit. The film wouldn’t have worked without such a versatile team, which otherwise operates without a trace.- Variety
- Posted Feb 26, 2015
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Reviewed by
Dennis Harvey
One part inspiration to two parts exasperation, Andrew T. Betzer’s debut feature, Young Bodies Heal Quickly, is an initially arresting road trip for some off-the-wall characters that takes its sweet time going nowhere in particular.- Variety
- Posted Feb 25, 2015
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Reviewed by
Justin Chang
Levine’s script does a clever job of keeping numerous balls in the air over the taut 99-minute running time, and the writer is especially good at using the information he feeds us in unexpectedly resourceful, double-edged ways.- Variety
- Posted Feb 25, 2015
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Reviewed by
Peter Debruge
While not quite the “art” it’s billed to be, if the perfect con is about diverting one’s focus, then this one keeps you distracted till the end.- Variety
- Posted Feb 25, 2015
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Reviewed by
Peter Debruge
Edmands maintains too measured a pace as he cycles through the various lives affected, to the extent that one begins to wonder when things will start kick in.- Variety
- Posted Feb 24, 2015
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Reviewed by
Maggie Lee
The decision to binge on CGI action setpieces overwhelms the romantic spark of the central characters, played by impossibly beautiful leads Lee Bingbing and Aloys Chen Kun, while the film’s themes of class division, human desire and hypocrisy find darker, more riveting expression only toward the end.- Variety
- Posted Feb 24, 2015
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