For 17,831 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,163 out of 17831
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Mixed: 7,031 out of 17831
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Negative: 1,637 out of 17831
17831
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
Artfully observed, it's content to let Linda be the sole, compelling focal point.- Variety
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Reviewed by
John Anderson
Although the trio's work as "troop greeters" is the film's ostensible subject, their renewed and somewhat tenuous sense of purpose gives the doc its bite.- Variety
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Reviewed by
Dennis Harvey
One of the more bizarre illustrations of racial injustice under apartheid is dramatized in Skin.- Variety
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Reviewed by
Joe Leydon
A wildly uneven but compulsively watchable mix of high camp and grand passions, soap opera and softcore sex. Very much in the deliriously lewd style of Pedro Almodovar.- Variety
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Reviewed by
Rob Nelson
Typically sharp work by d.p. Agnes Godard and lead thesp Isabelle Huppert.- Variety
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Reviewed by
John Anderson
Often wryly hilarious, completely overboard and unpredictable.- Variety
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Reviewed by
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- Variety
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- Critic Score
Smartly structured, crisply lensed docu Pop Star on Ice is a fascinating portrait of outspoken Olympian and three-time U.S. figure skating national champion Johnny Weir.- Variety
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Reviewed by
Alissa Simon
Quietly devastating picture reps a natural draw for gay, Jewish-interest and upscale audiences.- Variety
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Ronnie Scheib
For some, the documentary will represent the endorsement of a self-hater spouting traitorous ideas; for others, it celebrates the courage of a reviled, truth-telling martyr to the cause of academic freedom.- Variety
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Reviewed by
Derek Elley
3 Idiots takes a while to lay out its game plan but pays off emotionally in its second half.- Variety
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Reviewed by
Dennis Harvey
A decent political thriller set in Taiwan with the requisite Western-market-friendly lead and a determinedly pro-independence message embedded in a formulaic but diverting tale of intrigue and oppression.- Variety
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Eddie Cockrell
A beautifully atmospheric vessel that will seem infinitely deep to some and chafingly dry to others.- Variety
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- Variety
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Reviewed by
Dennis Harvey
While the black-white-and-red-clad duo's mystique survives intact, there's some backstage insight.- Variety
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- Variety
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Reviewed by
Ronnie Scheib
At a leisurely 172 minutes, the pic takes on the desultory rhythms of rural stagnation, its rigorous compositions imparting aesthetic weight and meditative scope to everything in its purview.- Variety
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Reviewed by
Leslie Felperin
This offbeat but compelling take on the tale, arguably the first serial-killer yarn, emphasizes sisterly bonds but still gets to the original story's heart of mysterious darkness with impressive results.- Variety
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Reviewed by
David Rooney
The intimately personal chronicle is more impressive for Famiglietti's disarming self-exposure than for any fully formed cinematic style or consistency of tone, but the modest production has a genuine, warm spirit.- Variety
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Reviewed by
Alissa Simon
Ultimately rewards the viewer's patience with a potent sense of Ethiopian history and culture.- Variety
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Reviewed by
Richard Kuipers
A tasty neo-noir from the James M. Cain school of lust-driven dirty dealings, The Square reps a promising debut by Aussie stuntman-turned-helmer Nash Edgerton.- Variety
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John Anderson
Ultimately an entertaining story about a deeply lonely man.- Variety
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Jay Weissberg
Has striking moments comparable to the best of Neshat's potent imagery. But the script jettisons most of the book's more powerful sections.- Variety
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Reviewed by
Ronnie Scheib
Gleefully piles on everything anyone could want in a docu on the fabulous Kuchar brothers, whose deliriously campy zero-budget mellers -- with titles like "Hold Me While I'm Naked" or "Sins of the Fleshapoids" -- enlivened many otherwise somber evenings of '60s underground cinema.- Variety
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Reviewed by
Boyd van Hoeij
Calling the Strobbe clan a working-class family would imply that some of its members worked (or had class), but none of the lowlife protags do in the visually robust and often hilarious Flemish tragicomedy The Misfortunates.- Variety
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Reviewed by
Andrew Barker
Sound is crystal-clear, and unobtrusive stereoscopic footage looks great throughout the 99-minute feature, though some weird compositional snafus scuttle the desired concert experience, and the set's lack of variety makes it a fans-only proposition.- Variety
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Reviewed by
Ronnie Scheib
The women's outspoken commentaries prove consistently colorful and their long-ago stripteases -- feathers flying, tassels spinning -- still pack a sensual, sassy, what-the-hell punch.- Variety
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Reviewed by
John Anderson
Strangely moving, insightful and entertaining documentary.- Variety
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Reviewed by
Derek Elley
East meets West meets East again, with palate-tingling results, in The Good the Bad the Weird, a kimchi Western that draws shamelessly on its spaghetti forebears but remains utterly, bracingly Korean.- Variety
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Reviewed by
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- Variety
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