For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
An alarming cautionary tale about how easy it is in the Internet age to ruin people’s lives while hiding behind a cloak of anonymity, the pic boasts a humorously titillating entry hook that soon gives way to engrossing conspiracy-thriller-like content.- Variety
- Posted May 9, 2016
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Reviewed by
Guy Lodge
Tempering the strong medicine of its social-justice protestations with a streak of outlandish melodrama, this “Monster” may not have quite as many facets as its title implies, but Pla’s formally deft manipulation of perspective keeps the pic both urgent and even-handed.- Variety
- Posted May 9, 2016
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Reviewed by
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Reviewed by
Guy Lodge
A fast, fizzy and frenetically entertaining extension of the manic gaming franchise.- Variety
- Posted May 7, 2016
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Reviewed by
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Reviewed by
Guy Lodge
Even when the director pushes too far...the film’s formal severity feels appropriately claustrophobic — another form of authority closing in on the light.- Variety
- Posted May 5, 2016
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Reviewed by
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Reviewed by
Dennis Harvey
This aptly colorful documentary doesn’t provide all that much insight into the act’s history, and the human conflicts aren’t fully illuminated, either. But it’s fun entering these performers’ universe even with a less than all-access pass.- Variety
- Posted May 5, 2016
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Reviewed by
Guy Lodge
Viva appealingly makes up for a coy approach with gutsy, grabby follow-through on the high notes.- Variety
- Posted May 5, 2016
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Reviewed by
Peter Debruge
The shattering of one’s noble ideals is a delicate thing to capture on film, and White plays the moment of rupture with a banality that threatens to undermine our faith in her as storyteller more than in the system itself.- Variety
- Posted May 5, 2016
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Reviewed by
Guy Lodge
The film has a knowingly conflicted engagement with millennial-generation feminism that freshens its outlook even as it unevenly rejigs many of its predecessor’s gags. Still, while a subtly clawed Chloë Grace Moretz proves a worthy new foil, it’s Zac Efron’s tragicomic anatomy of a dudebro that remains this series’ sharpest asset.- Variety
- Posted May 5, 2016
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Reviewed by
Andrew Barker
Being Charlie is far from a home run, but it’s the kind of solidly struck single after a string of strikeouts that can be just the thing to help set a veteran back on track.- Variety
- Posted May 4, 2016
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Reviewed by
Andrew Barker
A sensual, brainy, immersive experience that could invite plenty of festival love and attention for its first-time writer-director.- Variety
- Posted May 4, 2016
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Reviewed by
Guy Lodge
It’s Watkins’ lean, keen instinct for choreographing and cutting action set pieces that keeps Bastille Day afloat.- Variety
- Posted Apr 30, 2016
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Reviewed by
Jay Weissberg
Students of the astonishing body of films won’t find much that enhances their understanding, yet Thomsen’s footage offers more than mere scraps from a great career, and deserves inclusion in the corpus.- Variety
- Posted Apr 28, 2016
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Reviewed by
Joe Leydon
Disappointingly plodding and ham-fistedly obvious in its attempts to offer an up-close and personal portrait of a mood-swinging, self-loathing 59-year-old Ernest Hemingway.- Variety
- Posted Apr 28, 2016
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Reviewed by
Scott Tobias
Short of putting Emmanuel Lubezki through astronaut training, it’s difficult to imagine more rapturously beautiful images of the Earth from orbit than those supplied by A Beautiful Planet, the latest collaboration between Imax and NASA.- Variety
- Posted Apr 28, 2016
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Reviewed by
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Reviewed by
Guy Lodge
Whether or not they’re familiar with the source property, kids are unlikely to be bothered: There’s just enough blaring sound and color to this knowingly silly tale of interplanetary derring-do to adequately offset its impersonal corporate sheen.- Variety
- Posted Apr 28, 2016
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Reviewed by
Andrew Barker
Atrociously written, begrudgingly acted, haphazardly assembled and never more backward than when it thinks it’s being progressive.- Variety
- Posted Apr 28, 2016
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Reviewed by
Peter Debruge
Benefiting enormously from its evocative Sicilian setting, this widescreen experience makes bewitching use of space, time and sound, creating an almost meditative atmosphere in which patient-minded auds might respond to its themes.- Variety
- Posted Apr 25, 2016
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Reviewed by
Nick Schager
Gervais’ tale is primarily consumed with middle-of-the-road squabbling between its headliners, whose yin-yang chemistry never results in more than a few chuckle-worthy bon mots.- Variety
- Posted Apr 22, 2016
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- Variety
- Posted Apr 21, 2016
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Reviewed by
Guy Lodge
Cividino depicts the tricky male power games between the boys with tact and compassionate impartiality.- Variety
- Posted Apr 20, 2016
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Reviewed by
Justin Chang
A Hologram for the King arrives at its feel-good conclusion honestly enough, but its cultural engagement feels tentative, even secondhand: The movie conjures no shortage of potent images, but push a bit deeper and your fist closes on empty air.- Variety
- Posted Apr 20, 2016
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Reviewed by
Peter Debruge
While its sense of humor takes some gettin’ used to, the sheer spaciness of Liza Johnson’s stranger-than-fiction political satire ultimately proves its greatest asset.- Variety
- Posted Apr 18, 2016
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Reviewed by
Peter Debruge
King Cobra is all smut and no soul, a tacky, superficially titillating reunion between Franco and “I Am Michael” director Justin Kelly.- Variety
- Posted Apr 18, 2016
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Reviewed by
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Reviewed by
Andrew Barker
Even when not fighting with her makeup, Saldana’s Simone rarely feels fully formed.- Variety
- Posted Apr 18, 2016
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Reviewed by
Ben Kenigsberg
An environmental documentary that consists of roughly one-third doom-and-gloom to two-thirds wide-eyed optimism, and that is more potent in individual scenes than it is as a sprawling whole.- Variety
- Posted Apr 18, 2016
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Reviewed by
Dennis Harvey
Though the darker tonal shift toward the end is a bit jarring, director/scenarist Gilady demonstrates a deft, confident hand with the storytelling, cast and general packaging, and makes assertive use of the dramatic desert setting.- Variety
- Posted Apr 14, 2016
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Reviewed by
Justin Chang
This chronicle of an epic clash between two equally noble factions, led by Captain America and Iron Man, proves as remarkable for its dramatic coherence and thematic unity as for its dizzyingly inventive action sequences.- Variety
- Posted Apr 13, 2016
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Reviewed by
Richard Kuipers
“Hot Pot” loses focus with sloppy sentimentality and heavy-duty violence that dilutes the story’s early charm. The end result is entertaining enough if not particularly memorable.- Variety
- Posted Apr 13, 2016
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Reviewed by
Nick Schager
Detailing the eight-month build-up to the show’s debut, First Monday in May is most compelling when simply taking up residence alongside Bolton, Wintour and Wong as they oversee the myriad aspects of their production.- Variety
- Posted Apr 13, 2016
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Reviewed by
Andrew Barker
An almost bizarrely limp, emotionless, blank greeting card of a movie, this purported romantic comedy-drama contains little of the three, at best serving as a sort of extended L.L. Bean advertisement, full of fabulously shot footage of Eastern Canadian vistas and the well-dressed rustic yuppies who live there.- Variety
- Posted Apr 13, 2016
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Reviewed by