Variety's Scores

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For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,172 out of 17847
  2. Mixed: 7,036 out of 17847
  3. Negative: 1,639 out of 17847
17847 movie reviews
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  1. Diciannove
    Tortorici evidently remembers that disorienting sense of being released (or perhaps abandoned) into the world before you’ve quite found yourself; if you don’t, his funny, nervy, aptly unformed film will give you quivery flashbacks. It’s an auspicious arrival for both the filmmaker and his intense, mercurial young star Manfredi Marini, who holds the camera with the guilelessness of a newcomer and the ease of a natural.
  2. Mountainhead
    The ambition of Mountainhead is much lower than diagnosing the underlying dysfunction of the privileged few who run the world, settling for putting their dysfunction on caustically hilarious display.
  3. A Useful Ghost
    A Useful Ghost is an entertaining and moving – if also somewhat sprawling – fable of love and loss that isn’t quite like anything you’ve seen before.
  4. Meeting with Pol Pot
    The result is a hauntingly timeless depiction of power and its mechanisms, filtered down to an intimate tale of journalistic integrity.
  5. Hot Milk
    The film unfolds in a dreamy, liminal place in Sofia’s personal evolution, but lacks the tangible sense of vicariously experiencing it ourselves — a shame, since it’s a splendid location in which to be doing such intensive self-healing.
  6. The Ballad of Suzanne Césaire
    “Ballad” is assembled with such peculiar, calm exactness that it actually resembles a series of experiments in simplicity.
  7. Karate Kid: Legends
    It’s a movie that’s unapologetically basic and wholesome and, at 94 minutes, refreshingly stripped down. In its formulaic way, it works as an antidote to the bloat and clutter of your average “high-powered” teenage/kiddie flick.
  8. A Private Life
    While the ultimate destination somewhat underwhelms, it’s a thrill to see Foster navigating a fully bilingual role, while tossing off the kind of personal insights only an expat could feel toward the French — a tiny glimpse into Foster’s private life, perhaps.
  9. The Mysterious Gaze of the Flamingo
    Whether the love it features on screen is simple or complex, and whether it’s romantic, platonic or maternal, the film lands on tremendously moving moments that stir the soul by scrutinizing the dueling cruelty and tenderness found within its characters.
  10. The President's Cake
    While The President’s Cake mostly plays like a genial fairy tale, with superbly balanced humor and drama, Hadi's still unsparing about the ills of patriarchal society.
  11. My Father's Shadow
    As the audience is taken in by this intimate and well-observed drama, the rug gets pulled from beneath them by revealing the violence and strife that was simmering underneath. It’s a trick so devastating that it completely upends the movie, elevating it into a deeply humanist narrative.
  12. Yes
    A whirling, maximalist satire at once despairing and exuberant, subtle as a cannonball in its evisceration of the ruling classes and those who obey them, it’s both absurdist comedy and serious-as-cancer polemic: as grave as any film with an extended dance break to 2000s novelty hit “The Ketchup Song” can possibly be.
  13. Young Mothers
    Deeply moving but never manipulative, Young Mothers amounts to the brothers’ best film in more than a decade.
  14. Honey Don't!
    Honey Don’t! is a deliberate throwaway — a knowingly light and funny mock escapist thriller, one that’s just trying to show you a flaky good time.
  15. The Mastermind
    Very possibly her most accessible and enjoyable film to date, still it remains an unmistakably Reichardtian investigation into the fabric of ordinariness and what happens when it frays.
  16. Amrum
    There are no grand moments, enormous revelations or manipulatively overpowering scores in his delicately constructed and produced film — it is as narratively straightforward as movies come.
  17. Woman and Child
    The psychology simply doesn’t add up.
  18. Romería
    Simón’s sweetly sorrowful ode to lost family imagines what might have been, while acknowledging that not all memories can be passed down between generations — some die deliciously with us.
  19. Resurrection
    For those who miss the way the movies used to act on us, it is a reminder of the uniquely paradoxical pleasures of immersion and surrender: a dazzlingly cineliterate lesson in the lost art of letting go.
  20. Fear Street: Prom Queen
    Reprising high-school slasher cliches dating back at least to 1980’s “Prom Night,” minus any particular invention or irony, this new entry is a slick-enough but disappointingly unimaginative effort that can’t even be bothered to reference the mythology established in the prior films.
  21. The History of Sound
    The History of Sound is a movie that never fully finds a life beyond what it is on paper.
  22. Sentimental Value
    While not as stylistically radical as Trier’s last film, “The Worst Person in the World,” this layered family-centric drama (which was also written by Eskil Vogt) shares its ability to find fresh angles on sentiments you’d think that cinema would have exhausted by now.
  23. The Last Rodeo
    This thoroughly predictable but undeniably engaging faith-based drama is an inoffensively old-fashioned entertainment that, with only minor tweaking, could pass for a Walt Disney Studios release of yore.
  24. Fountain of Youth
    Despite Guy Ritchie’s herculean efforts to combine a whole lot of immediately familiar elements into a brisk, occasionally imaginative “adventure movie” potpourri, screenwriter James Vanderbilt’s reinvention of footnotes from his real-life family history never quite achieves the consistent balance between real-world seriousness and buoyant escapism demanded of a globe-trotting treasure hunt like this.
  25. Splitsville
    The push-pull kinetics keeping these increasingly raddled lovers together and apart eventually turn from manic to strenuous, not least because viewers are likely to be less invested than the film is in their final formation.
  26. Left-Handed Girl
    Left-Handed Girl is an assured and lovely portrait of difficult motherhood and painful daughterhood, but it’s perhaps most entrancing for its turning-kaleidoscope-view of the director’s native city, where the characters are the bouncing beads, but Taipei is the glitter and the dazzle.
  27. Eleanor the Great
    Johansson, however, while she does a perfectly efficient job of directing, doesn’t hone the tone of her scenes. She keeps the whole thing earnest and rather neutral in a plot-driven way, with Squibb as her wild card.
  28. Leave One Day
    It’s a trifle, and not even fully successful on its own small-bauble terms. But oh, is it ever meant to bathe you in a warm retro glow.
  29. It Was Just an Accident
    While the simple premise recalls certain post-WWII dramas in which survivors recognize the Nazi culprits who once terrorized them, the film’s chilling last scene feels like a call to action.
  30. Fuori
    Martone’s repetitive, tediously non-linear film attempts something more impressionistic and expansive, with emotionally muted and sometimes strangely exploitative results.
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