Variety's Scores

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For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,159 out of 17825
  2. Mixed: 7,029 out of 17825
  3. Negative: 1,637 out of 17825
17825 movie reviews
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  1. Echo In the Canyon
    Echo in the Canyon offers a richly evocative and star-studded overview of the 1960s Laurel Canyon music scene.
  2. Judy
    Director Rupert Goold and resurgent star Renée Zellweger have pulled off something unusual and affecting in Judy: a biographical portrait in which performer and subject meet halfway, illuminating something of each other in the process.
  3. It Must Be Heaven
    Whimsical and wistful yet infused with a yearning for the stability of place.
  4. Little Joe
    An artfully unnerving, austerely hypnotic horror movie about a very sinister plant.
  5. The Wild Goose Lake
    It may refer inescapably to genre classics from elsewhere, but The Wild Goose Lake is like an organic feature of the Chinese cinematic landscape, as though it pooled onto the screen in all its oily, murky glory, having welled up from deep inside the ground. Suddenly, China feels like the noirest place on Earth.
  6. Invisible Life
    Anyone already familiar with Aïnouz’s work will know to expect a florid sensory experience, but even by the Brazilian’s standards, this heartbroken tale of two sisters separated for decades by familial shame and deceit is a waking dream, saturated in sound, music and color to match its depth of feeling.
  7. Adam
    Taking the stories of two women, both frozen in existential stasis, and bringing them together in a predictable yet deeply satisfying manner, the writer-director ensures this scrupulously even two-hander about grief, shame, and the redemption of motherhood doles out emotional comfort food that’s neither too sweet nor too heavy.
  8. The Swallows of Kabul
    An involving adaptation of Yasmina Khadra’s elegant literary fiction.
  9. Nina Wu
    Nina Wu is a thrillingly complicated sort of corrective, living out the progressive ideal of giving the victim back her story, even when that story, told with lacerating self-criticism and a deep undercurrent of dismay, includes a great deal that falls far short of progressive ideals.
  10. The Climb
    Beautifully written and performed by the director and real-life BFF Kyle Marvin, Covino’s film gets precisely the balance of dependency and denial that keeps a bad bromance afloat.
  11. Deerskin
    A loopy entertaining WTF lark. ... The fact that it holds you, for 77 minutes, is a testament to the debauched rigor of Dupieux’s filmmaking.
  12. First Love
    First Love may be a fluffier, more eager-to-please bauble than Miike’s more challengingly outré titles, but like the cutesy mechanical toy puppy that turns up yapping in the middle of the film, it is wired to explode, and it is a blast.
  13. The Cordillera of Dreams
    Taken as a completed project, Guzmán’s late-career trinity is a stunning achievement in the cinema of the hidden pattern and the startling, unexpected connection.
    • 85 Metascore
    • 80 Critic Score
    Harakiri
    This stunning film is a sombre tragedy [from Yasuhiko Takiguchi's novel] giving off deep rage against militarism, political systems and beliefs that do not allow for a rational human outlook or future change.
    • 75 Metascore
    • 80 Critic Score
    The Longest Day
    A solid and stunning war epic.
    • 83 Metascore
    • 80 Critic Score
    The Miracle Worker
    Where the picture really excels, outside of its inherent story values, is in the realm of photographic technique. It is here that director Penn and cameraman Ernest Caparros have teamed to create artful, indelible strokes of visual storytelling and mood-molding.
  17. Stuber
    It’s both funny and familiar to see these two incredibly different personalities thrust together for what’s meant to be a short ride. [SXSW work-in-progress review]
  18. The Invisible Man
    This gratifyingly clever and, at times, powerfully staged thriller is too rooted in our era to be called old-fashioned — its release, in fact, feels almost karmically synched to the week of the Harvey Weinstein verdict. Yet there’s one way that the movie is old-fashioned: It does an admirable job of taking us back to a time when a horror film could actually mean something.
  19. John Wick: Chapter 4
    The movie is conceived as a knowingly overstuffed gift to “John Wick” fans, and on that level it succeeds.
    • 91 Metascore
    • 80 Critic Score
    Frankenstein
    Looks like a Dracula plus, touching a new peak in horror plays and handled in production with supreme craftsmanship.
    • 76 Metascore
    • 80 Critic Score
    A Place in the Sun
    Stevens has mounted his production lavishly. Undoubtedly cognizant of the shortcomings of the story itself as popular entertainment, studio toppers have wisely permitted the film every possible compensating advantage. The result is a big picture in both concept and execution.
  22. Joy
    If all the performances here feel lived-in, it’s because they’re literally just that — but even within that context, Alphonsus is an electric find, silently signaling Joy’s clashing moral impulses with a complexity that would defeat many a professional.
  23. An Easy Girl
    Ultimately, An Easy Girl challenges what society thinks of those who leverage their desirability as Sofia does, leaving intriguing questions about one’s values — and value — in her wake.
    • 93 Metascore
    • 80 Critic Score
    Stagecoach
    Sweeping and powerful drama of the American frontier, Stagecoach displays potentialities that can easily drive it through as one of the surprise big grossers of the year. Without strong marquee names, picture nevertheless presents wide range of exploitation to attract, and will carry far through word-of-mouth after it gets rolling.
    • 91 Metascore
    • 80 Critic Score
    Bringing Up Baby
    Bringing Up Baby is constructed for maximum of laughs, with Ruggles and Catlett adding to the starring team’s zany antics. There is little rhyme or reason to most of the action, but it’s all highly palatable.
    • 88 Metascore
    • 80 Critic Score
    A Woman Under the Influence
    This is a disturbing portrait of a slightly-mad housewife. Its serious treament of a downbeat subject is hypoed by a fine performance from Peter Falk and a bravura one from Gena Rowlands.
  27. Sea of Shadows
    Told with straightforward investigative nous and a judicious teardrop of anguished sentimentality, the film makes a virtue of its many clashing participants: journalists, scientists, activists, navy officials and fishermen, each with a slightly different stance on the matter.
  28. The Survivor
    The Survivor is a Holocaust movie that’s fresh enough to make you laugh between the tears, the gasps of terror, the long road out of the inferno.
  29. The Lavender Scare
    Essential and absorbing documentary.
  30. Three Peaks
    Superbly crafted, utterly gripping.
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