Variety's Scores

For 17,771 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17771 movie reviews
  1. Incredible and enraging in equal doses, the project plays like a tense spy thriller as Rodchenkov is assigned a security team and shuffled from one safe house to another, while enemies of the state — Sergei Skripal and Alexei Navalny — are poisoned with the Russian nerve agent Novichok.
    • 89 Metascore
    • 90 Critic Score
    Even those who don't rally to pic's fed-up feminist outcry will take to its comedy, momentum and dazzling visuals.
    • 89 Metascore
    • 80 Critic Score
    The cinema of paranoia and persecution reaches an apogee in After Hours, a nightmarish black comedy from Martin Scorsese. Anxiety-ridden picture would have been pretty funny if it didn't play like a confirmation of everyone's worst fears about contemporary urban life.
  2. Lee takes time to explain the stories behind the stories, to unearth revealing details under-reported in other accounts, and to identify individuals among the faceless masses of unfortunates.
  3. Chung transforms the specificity of his upbringing into something warm, tender and universal.
    • 89 Metascore
    • 90 Critic Score
    Ryan O'Neal's excellent performance captures the shallow opportunism endemic to the title character who is brought down as much by his own flaws as by the mores of the ordered social structure of 18th-century England. Casting, concept and execution are all superb.
  4. What makes The Farewell so effective is that in delving into such a specific case, the film invites audiences to reflect on the passing of relatives close to them.
  5. A remarkable first feature from director Nuri Bilge Ceylan, The Town is a strikingly original, vibrantly sensitive look at an extended family living in a remote Turkish village.
  6. One of the year’s few masterpieces.
  7. The Tale of Princess Kaguya is a visionary tour de force, morphing from a childlike gambol into a sophisticated allegory on the folly of materialism and the evanescence of beauty.
  8. In another director’s hands, the residents might be labeled “eccentric” and condescendingly depicted for laughs, but Ewan McNicol and Anna Sandilands approach this touch-and-go community with curiosity and humanism, capturing what feels like a deciding moment in a series of struggles so far off the grid, they would otherwise escape our notice entirely.
    • 89 Metascore
    • 90 Critic Score
    Captain Blood, from the Rafael Sabatini novel, is a big picture. It's a spectacle which will establish both Errol Flynn and Olivia de Havilland. Director Michael Curtiz hasn't spared the horses. It's a lavish, swashbuckling saga of the Spanish main.
    • 89 Metascore
    • 80 Critic Score
    Heart-warming story of good earth, family ties and the love of the 11-year-old Jody Baxter for the faun which he is compelled to put out of his life as it becomes a yearling.
  9. Meise’s film is an exquisite marriage of personal, political and sensual storytelling, its narrative and temporal drift tightened by another performance of quietly piercing vulnerability from Franz Rogowski.
    • 89 Metascore
    • 90 Critic Score
    A Star Is Born was a great 1937 moneymaker and it’s an even greater picture in its filmusical transmutation.
  10. With an accountant's eye for precision and a political scientist's grasp of the machinations that move national policy, Charles Ferguson's No End in Sight itemizes the errors, misjudgments and follies that have defined the Bush Administration's invasion of Iraq.
    • 89 Metascore
    • 90 Critic Score
    Frank Capra and James Stewart, in returning to films after long years in uniform, endow the pic with its most telling contributions. Herewith, Stewart touches the thespic peak of his career. He hasn’t lost a whit of his erstwhile boyish personality (when called to turn it on) and further shows a maturity and depth he seems recently to have acquired.
    • 89 Metascore
    • 80 Critic Score
    The effective strategy of Bennett, who adapted his 1991 play for the screen, is to demythologize the members of the royal family without trivializing their lives. Hawthorne brings to his complex part a strong screen presence, light self-mockery and pathos that set divergent moods throughout the film.
  11. Because Petzold is such a gifted storyteller, with the lean, driving narrative sense of the film noir masters, he also keeps those twists and turns chugging smoothly along, building to a climax so expertly orchestrated that one imagines he started with it in mind and worked the rest of the movie backward from there.
  12. The spirit of slow cinema is alive and languid in this stunningly mounted, politically rigorous work, which confronts any viewers hoping for a sweeping biographical romp with a frank post-colonial perspective, thoroughly and violently dismantling any romanticized legacy trailing the eponymous Portuguese navigator.
  13. Utterly engrossing dual-character study, unfolding with a serene disregard for indie quirkiness, Goodbye Solo radiates authenticity.
  14. Its radiantly beautiful imagery and gently immersive storytelling aren’t in service of a single browbeating message, but a broader, holistic view of where we and the animals we rear, use and consume fit into a single circle of life.
  15. A low-key but sharply observed work that benefits from real local flavor and a gift for lyric image making.
  16. All of this should build, slowly and inexorably, in force and emotion. But for a film that’s actually, at heart, rather tidy and old-fashioned in its triangular gamesmanship, “The Power of the Dog” needed to get to a more bruising catharsis. In its crucial last act, the film becomes too oblique.
  17. [A] lengthy but absorbing and illuminating documentary.
  18. The Winding Stream is cogent and compelling as a pop-culture history lesson, and genuinely uplifting while it shows how contemporary artists — along with descendants like Rosanne and John Carter Cash — keep the legacy of A.P., Mother Maybelle, June and Johnny alive and thriving.
    • 89 Metascore
    • 70 Critic Score
    Sullivan’s Travels is a curious but effective mixture of grim tragedy, slapstick of the Key- stone brand and smart, trigger-fast comedy.
    • 89 Metascore
    • 90 Critic Score
    Redford contributes a sensitive, interesting portrayal. His interpretation is many-faceted and probing. Hackman’s characterization is virile and thoroughly human.
  19. The hypnotically paced drama carried by the serendipitous odd-couple pairing of John Cho and Haley Lu Richardson is lovely and tender, marking Kogonada as an auteur to watch.

Top Trailers