Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. The film exquisitely balances character study with shrewd commentary on the precarious hierarchy of class distinctions, the turbulent persistence of sexual desire and the lingering privileges of Paraguay’s elite.
  2. Ruizpalacios spins an irresistibly inventive and unusually intelligent tall tale from this kernel of truth. All the mischief, however, is precisely counterbalanced by a deep affection for his funny, flawed (largely fictional) characters and shot through with a surprisingly biting assessment of the compromised nature of the museum trade.
    • 93 Metascore
    • 100 Critic Score
    A bracing, stimulating and technically superb close-up look at the LA punk scene, pic is pitched at a perfect distance to allow for simultaneous engagement in the music and spectacle, and for rueful contemplation of what it all might mean.
  3. King in the Wilderness is a searing film because it takes Martin Luther King Jr. down from the mountaintop. You glimpse the real glory of who he was: not a walking monument but a human being with fear, humor, guts, and (amazing) grace under pressure.
    • 86 Metascore
    • 100 Critic Score
    The entire cast is excellent, top to bottom. Dog Day Afternoon is, in the whole as well as the parts, film-making at its best.
    • 81 Metascore
    • 100 Critic Score
    Visually it probably is one of the most beautiful pix ever seen, with Aussie flora and fauna and wonderful blue skies. Everything has been carefully re-created with loving exactitude.
  4. It’s a tender, wrenching, and beautifully made movie, and part of what’s revelatory about it is that it’s a story of boomers who are confronting the ravages of old age (disease and death, the waning of dreams), yet they’re doing it with a stubborn echo of the hopes and desires they had when they were younger.
  5. Not only does this rank among Miyazaki’s finest achievements, it reflects his personal love of aviation, his political concerns and his fullest expression to date of a non-fantasy world resembling our own.
    • 63 Metascore
    • 100 Critic Score
    The Robert Wise production is a warmly pulsating, captivating drama set to the most imaginative use of the lilting R-H tunes, magnificently mounted and with a brilliant cast headed by Julie Andrews and Christopher Plummer which must strike a respondent chord at the box office.
    • 77 Metascore
    • 100 Critic Score
    Paul Schrader's directorial debut is an artistic triumph. Schrader has transformed a carefully researched original screenplay penned by him and his brother Leonard into a powerful, gritty, seamless profile of three automobile assembly line workers banging their heads against the monotony and corruption that is the factory system.
  6. The degree to which Burning succeeds will depend largely on one’s capacity to identify with the unspoken but strongly conveyed sense of jealousy and frustration its lower-class protagonist feels, coupled with a need to impose some sense of order on events beyond our control.
  7. At once charming and heart-wrenching, this exquisitely performed film will steal the hearts of both art-house and mainstream audiences.
  8. Erlingsson’s genius lies in how he puts it all together with such witty intelligence, arranging beautifully shot picaresque episodes around a central figure who lives the ideals of the heroes she has hanging on her wall, Mahatma Gandhi and Nelson Mandela.
  9. Even more than in his previous film, Ceylan and his fellow scriptwriters (wife Ebru Ceylan along with Akın Aksu, also acting) develop astonishingly complex spoken recitatives that weave philosophy, religious tradition, and ethics together into a mesmerizing verbal fugue.
  10. Beautiful, yet flawed film.
  11. With breathtaking elegance and stunning assurance, Ramón Salazar takes a melodramatic chestnut and makes it flower with unexpected emotion in Sunday’s Illness.
    • 96 Metascore
    • 100 Critic Score
    There has never been anything in the theatre quite like Walt Disney's Snow White and the Seven Dwarfs, seven reels of animated cartoon in Technicolor, unfolding an absorbingly interesting and, at times, thrilling entertainment. So perfect is the illusion, so tender the romance and fantasy, so emotional are certain portions when the acting of the characters strikes a depth comparable to the sincerity of human players, that the film approaches real greatness.
  12. It’s an investigation into memory, intolerance, corporate-labor conflicts and race relations that’s as audacious as it is timely — and further confirms that director Robert Greene is one of America’s finest new voices in nonfiction.
  13. Affording viewers a trip to the Chilean desert to gaze up at the crystal-clear sky, Cielo is a rapturous act of cinematic contemplation.
    • 97 Metascore
    • 100 Critic Score
    Supporting characters turn in excellent portrayals. Camera work on an exceptionally high plane, and in his painstaking direction Carol Reed lives up to his high reputation.
  14. Ray & Liz is formally arresting and rigorous, though not at the expense of its direct emotional force.
  15. It’s a riveting and spectacular documentary.
    • 100 Metascore
    • 100 Critic Score
    Production and directorial skill of Alfred Hitchcock combine with a suspenseful story and excellent performances to make Notorious force entertainment.
    • 72 Metascore
    • 100 Critic Score
    All the ingredients that made Rodgers & Hammerstein's [1951] The King and I a memorable stage experience have been faithfully transferred to the screen. The result is a pictorially exquisite, musically exciting, and dramatically satisfying motion picture.
  16. The intense abuse captured in Marta Prus’s brilliant, diamond-hard documentary portrait of a Russian rhythmic gymnast’s punishing road to the 2016 Olympics is all too vividly real — just watching it induces veritable stomach cramps, though it’s impossible to turn away from the film’s whipcrack construction and expert manipulation of perspective.
    • 99 Metascore
    • 100 Critic Score
    Pinocchio is a substantial piece of entertainment for young and old. Both animation and photography are vastly improved over Walt Disney's first cartoon feature, Snow White. Animation is so smooth that cartoon figures carry impression of real persons and settings rather than drawings.
  17. The effect is ecstatic; she sounds like the holiest of trumpets, with every note piercingly bright yet as soft as velvet. Listening to Franklin, you feel like you could ride that voice into the heavens. She’s not just a singer, she’s a human chariot.
  18. This ballad of sad losers mixed with satire on parochial politics is convulsively funny yet uncompromisingly bleak, bridging art with entertainment.
    • 68 Metascore
    • 100 Critic Score
    The Turning Point is one of the best films of its era. It's that rare example of synergy in which every key element is excellent and the ensemble is an absolute triumph.
  19. This grounded, frequently brutal and nearly three-hour film noir registers among the best of the genre, even if — or more aptly, because — what makes the film so great is its willingness to dismantle and interrogate the very concept of superheroes.

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