Variety's Scores

For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17760 movie reviews
  1. Blasting onto the screen at warp speed and remaining there for two hours, the new and improved Star Trek will transport fans to sci-fi nirvana.
  2. One doesn't know how (auto)biographical any or all of this is, but there's a tartness to the telling of what amounts to a well-shaped series of anecdotes that bespeaks distant pain or, at least, wincing memory twisted into mordant comedy by time and sensibility.
  3. Pitch perfect and brilliantly acted, 4 Months, 3 Weeks & 2 Days is a stunning achievement, helmed with a purity and honesty that captures not just the illegal abortion story at its core but the constant, unremarked negotiations necessary for survival in the final days of the Soviet bloc.
  4. Up
    A captivating odd-couple adventure that becomes funnier and more exciting as it flies along.
  5. Boldly and magnificently strange, There Will Be Blood marks a significant departure in the work of Paul Thomas Anderson.
  6. Enthralling...An ambitious, full-bodied crime epic of gratifying scope and moral complexity, this is seriously brainy pop entertainment that satisfies every expectation raised by its hit predecessor and then some.
  7. Porumboiu is one of the few helmers working today who so completely understands both the power of language and the power of visuals.
  8. Talky in the best sense, the film exhilarates with its lively, authentic classroom banter while its emotional undercurrents build steadily but almost imperceptibly over a swift 129 minutes. One of the most substantive and purely entertaining movies in competition at Cannes this year.
  9. A scorching blast of tense genre filmmaking shot through with rich veins of melancholy, down-home philosophy and dark, dark humor, No Country for Old Men reps a superior match of source material and filmmaking talent.
  10. Eco-activist documentaries don't get much more compelling than The Cove, an impassioned piece of advocacy filmmaking that follows "Flipper" trainer-turned-marine crusader Richard O'Barry in his efforts to end dolphin slaughter in Taiji, Japan.
  11. Mel Gibson is always good for a surprise, and his latest is that Apocalypto is a remarkable film. Set in the waning days of the Mayan civilization, the picture provides a trip to a place one's never been before, offering hitherto unseen sights of exceptional vividness and power.
  12. Ratatouille is delicious. In this satisfying, souffle-light tale of a plucky French rodent with a passion for cooking, the master chefs at Pixar have blended all the right ingredients -- abundant verbal and visual wit, genius slapstick timing, a soupcon of Gallic sophistication -- to produce a warm and irresistible concoction that's sure to appeal to everyone's inner Julia Child.
  13. One of the most wildly entertaining docs of recent years.
  14. Ever-eclectic director Jon Favreau, who briefly pops up onscreen as a Stark minion, maintains a brisk but not frantic pace, and, in concert with lenser Matthew Libatique, production designer J. Michael Riva and the first-rate visual effects team, has made an unusually elegant looking film for the genre.
  15. Uproarious. Line for line, minute to minute, writer-director Judd Apatow's latest effort is more explosively funny, more frequently, than nearly any other major studio release in recent memory.
  16. Staying at the top of his game when most of his contemporaries have long since hung up their gloves, Clint Eastwood delivers another knockout punch with Million Dollar Baby.
  17. Represents that filmmaking rarity -- a third part of a trilogy that is decisively the best of the lot. With epic conflict, staggering battles, striking landscapes and effects, and resolved character arcs all leading to a dramatic conclusion to more than nine hours of masterful storytelling.
  18. Rourke creates a galvanizing, humorous, deeply moving portrait that instantly takes its place among the great, iconic screen performances. An elemental story simply and brilliantly told, Darren Aronofsky's fourth feature is a winner from every possible angle.
  19. A rock-ribbed sense of committed, personal cinema and a core belief in people being able to pull themselves out of misery supports Ballast, an extraordinary debut by editor-writer-director Lance Hammer.
  20. Rarely has a book sprung so vividly to life, but also worked so enthrallingly in pure movie terms, as with Atonement, Brit helmer Joe Wright’s smart, dazzlingly upholstered adaptation of Ian McEwan’s celebrated 2001 novel.
  21. The mesmerizing performance of Phillip Seymour Hoffman as the celebrated writer dominates every scene, while director Bennett Miller and screenwriter Dan Futterman's penetrating study enthralls in every aspect.
  22. It’s a powerful film, an excellent credit for Scorsese, and a terrific showcase for the versatility of star Robert De Niro.
  23. A mystifying film that holds the audience in suspense over where it's going and what it might mean for almost its entire running time.
  24. This enjoyable French pic welds together drama, melodrama and comedy.
  25. Eye-poppingly intimate footage of various critters evolving from the fetal stage or eating, strolling, fighting and courting that can only be obtained via infinite patience with special equipment in exotic locations.
  26. An exquisite ode to a working-class hero, Cinderella Man takes the almost impossibly perfect elements of the saga of underdog boxer James J. Braddock and fills it with emotional gravitas, wrenching danger and a panoramic sense of American life during the Great Depression.
  27. Takes the viewer on a mysterious and sporadically fascinating trip into the darkness of the human heart and Thai legend.
  28. A brilliant portrait of adventure, activism, obsession and potential madness that ranks among helmer Werner Herzog's strongest work.
  29. A tightly plotted and paced thriller whose not-so-hidden agenda is to expose the bad conscience of the world's haves toward its have-nots, "Hidden" is one of Austrian helmer Michael Haneke's most watchable and pungent works.
  30. The concert film has never looked or sounded classier than Jonathan Demme's superbly crafted Neil Young: Heart of Gold.
    • 94 Metascore
    • 100 Critic Score
    A dramatically moving and technically breathtaking American art film, one of the great cinematic achievements of the 1970s.
    • 91 Metascore
    • 100 Critic Score
    Repulsion is a classy, truly horrific psychological drama in which Polish director Roman Polanski draws out a remarkable performance from young French thesp, Catherine Deneuve. (Review of Original Release)
  31. Intelligently written, brilliantly cast and thesped story of a German mail order bride in a Norwegian-American community in Minnesota just after WWI never hits a wrong note.
  32. Anthropology and entertainment are marvelously married in Rolf de Heer's Ten Canoes. The first feature in an Australian Aboriginal language feels authentic to the core as it tells a cautionary tale set 1,000 years ago.
  33. As certain to get auds singing as the man himself, Pete Seeger: The Power of Song is a terrific, multilayered portrait of a singer whose legacy extends beyond music and into every major social action movement since the 1940s. Always enjoyable, this docu proves that a few rare people actually deserve the hagiography treatment.
  34. A gloriously cinematic documentay of epic, poetic sadness.
  35. Emotionally powerful and stylistically sure-handed, this true story-inspired drama begins small with the disappearance of a young boy, only to gradually fan out to become a comprehensive critique of the entire power structure of Los Angeles, circa 1928.
  36. An intensely political film so wildly inventive and witty that it will become a touchstone for years to come, Il Divo is a masterpiece for maverick helmer-scribe Paolo Sorrentino.
  37. Musically and visually sumptuous.
  38. A kind of classic of American sports history.
  39. This educational eye-popper should prove an excellent draw for science lovers of all ages.
    • 89 Metascore
    • 100 Critic Score
    In every respect it is outstanding.
  40. An astonishingly good and daring film that richly develops several intertwined thematic lines, The Crying Game takes giant risks that are stunningly rewarded.
  41. Reveals Soderbergh in peak form, as he endows Leonard’s postmodern yarn with a meticulously detailed mise en scene that helps each member of his terrific ensemble soar.
    • 90 Metascore
    • 100 Critic Score
    Among the considerable achievements of Michael Cimino's The Deer Hunter is the fact that the film remains intense, powerful and fascinating for more than three hours.
    • 78 Metascore
    • 100 Critic Score
    One of the most entertaining, best executed, original road pictures ever.
  42. Enormously ambitious and masterfully made, Traffic represents docudrama-style storytelling at a very high level.
    • 85 Metascore
    • 100 Critic Score
    An outstanding motion picture...It’s still raw, tough dramatic stuff of great entertainment pull for adult ticket buyers. Only a few will find it too strong for their effete tastes. Importantly, the distaffers will like it.
    • tbd Metascore
    • 100 Critic Score
    Words can't do justice to the visual masterpiece Baraka.
    • 97 Metascore
    • 100 Critic Score
    Ran
    It’s a dazzlingly successful addition to [Kurosawa's] distinguished career.
  43. An irresistible treat with enough narrative twists and memorable characters for a half-dozen films.
    • 89 Metascore
    • 100 Critic Score
    Balkan probably gives her best performance to date to create a woman tormented by instability, sexual drive and psycho demons -- disjointedly portrayed in the script.
    • 92 Metascore
    • 100 Critic Score
    An outstanding picture.
    • 79 Metascore
    • 100 Critic Score
    A mesmerizing reconstruction and investigation of a senseless murder. It employs strikingly original formal devices to pull together diverse interviews.
    • 86 Metascore
    • 100 Critic Score
    Spielberg has deftly veiled proceedings in a sense of mystical wonder that makes it all the more easy for viewers to suspend disbelief and settle back for the fun.
    • 86 Metascore
    • 100 Critic Score
    A sexy, nuanced, beautifully controlled examination of how a quartet of people are defined by their erotic impulses and inhibitions.
    • 84 Metascore
    • 100 Critic Score
    An inordinately good low-budget film noir thriller...Performances are top-notch all around, Walsh in particular conveying the villainy and scummy aspects of his character with convincing glee.
  44. A stunning work, revisiting controversial events with journalistic objectivity and a meticulous eye for detail.
  45. The gleefully assured tale of a professional knife-thrower who finds a quirky new target... hits the bull's-eye.
  46. A wonderfully acted, acutely observed psychological drama.
  47. Stunningly made and incisively acted by a large and terrific cast, Michael Mann's ambitious study of the relativity of good and evil stands apart from other films of its type by virtue of its extraordinarily rich characterizations and its thoughtful, deeply melancholy take on modern life.
    • 94 Metascore
    • 100 Critic Score
    Apocalypse Now was worth the wait. Alternately a brilliant and bizarre film, Francis Coppola’s four year ‘work in progress’ offers the definitive validation to the old saw, “war is hell.”
    • 94 Metascore
    • 100 Critic Score
    One of the wildest fabrications any author has ever tried to palm off on a gullible public. But the fascinating thing is that, from uncertain premise to shattering conclusion, one does not question plausibility of the events being rooted in their own cinematic reality.
    • 84 Metascore
    • 100 Critic Score
    A blazing, cinematic comic book, full of virtuoso moviemaking, terrific momentum, solid performances and a compelling story.
  48. Looks and sounds wonderful, and while more information about these giants of African-Latin music might have been welcome, the music's the thing.
    • 77 Metascore
    • 100 Critic Score
    Annie Get Your Gun is socko musical entertainment on film, just as it was on the Broadway stage. (Review of original release)
  49. Takes the refined work of Iranian helmer Abbas Kiarostami up another notch to ever more metaphoric ground.
    • 79 Metascore
    • 100 Critic Score
    A richly textured and thoroughly engrossing drama that ranks with indie filmmaker John SaylesJohn Sayles' finest work.
    • 83 Metascore
    • 100 Critic Score
    The climactic sequences assault the senses and the intellect with pure cinematic terror.
    • 100 Metascore
    • 100 Critic Score
    Italy's top bestseller of recent literary history, Giuseppe Tomasi Di Lampedusa's The Leopard comes to the screen in a magnificent film, munificently outfitted and splendidly acted by a large cast dominated by Burt Lancaster. (Review of Original Release)
  50. Seems destined to go down in film history as a technical tour de force.
  51. A searingly visceral combat picture, Steven Spielberg’s third World War II drama is arguably second to none as a vivid, realistic and bloody portrait of armed conflict.
  52. di Florio emerges with a serenely powerful, handcrafted film that navigates into a place Dr. Martin Luther King Jr. once called "the tangled discords of our nation."
  53. An instant ancillary classic for music fan.
  54. Ten
    10 dazzling and perceptive snapshots of women with which femmes everywhere can identify.
  55. Originally conceived as one film, the two-parter that has finally emerged can now be seen as a truly epic work.
  56. The first-ever screenplay written in the Inuit language, Inuktitut -- and the first time's a charm.
    • 90 Metascore
    • 100 Critic Score
    He (Allen) makes nary a misstep from beginning to end in charting the amorous affiliations of three sisters and their men over a two-year period.
    • 76 Metascore
    • 100 Critic Score
    The Usual Suspects is an ironic, bang-up thriller about the wages of crime. A terrific cast of exciting actors socks over this absorbingly complicated yarn that's been spun in a seductively slick fashion by director Bryan Singer.
  57. Trenchantly witty and acutely insightful.
    • 90 Metascore
    • 100 Critic Score
    A magnificent film. George Lucas set out to make the biggest possible adventure fantasy out of his memories of serials and older action epics, and he succeeded brilliantly.
  58. Rare proof that a gigantic production in contemporary Hollywood can possess a distinctive personality and its own approach to storytelling, Master and Commander: The Far Side of the World proves as bracing as a stiff wind on the open sea.
    • 100 Metascore
    • 100 Critic Score
    Emerges as a sumptuously produced period piece that is also a rich tapestry of childhood memoirs and moods, fear and fancy, employing all the manners and means of the best of cinematic theatrical from high and low comedy to darkest tragedy with detours into the gothic, the ghostly and the gruesome. (Review of Original Release)
  59. With its masterful grasp of comedy, pathos, social commentary and mystical weirdness, Tokyo Godfathers takes anime to a whole new level.
  60. After shooting his most expensive film, Godard returned to the streets of Paris for the rough-hewn Band of Outsiders, which is 95 minutes of brilliant visual jazz. [31 Mar 2003, p.42]
    • Variety
  61. Haneke demonstrates profound insight into the essence of human behavior when all humility is pared away, raw panic and despair are the order of the day, and man becomes more like wolf than man.
  62. Robert Shaw [is] absolutely magnificent as a coarse fisherman finally hired to locate the Great White Shark; and Richard Dreyfuss, in another excellent characterization as a likeable young scientist.
    • 95 Metascore
    • 100 Critic Score
    A spectacularly entertaining piece of pop culture, Pulp Fiction is the "American Graffiti" of violent crime pictures.
    • Variety
    • 95 Metascore
    • 100 Critic Score
    Evinces an artistic rigor and unsentimental intelligence unlike anything the world's most successful filmmaker has demonstrated before.
  63. A gemlike picture crafted with rare and immaculate precision.
  64. A film destined to divide Manoel de Oliveira's fans but also to win him new ones, A Talking Picture is his simplest, most linear story in memory.
  65. One-liners and dry sight gags still abound, but the ennui-sodden formlessness of "Slacker" doesn't fly as well in this $ 6 million, smoothly lensed package, which calls for shapelier narrative and resolution.
  66. The film pulls no punches, takes no prisoners and flies in the face of feel-good pictures.
  67. The film's unhurried pace will target it for discerning audiences only, but its wry humor and coolly amused observation of contemporary Japan should score with smart urbanites.
  68. An out-and-out charmer. It's almost impossible to do justice in words either to the visual richness of the movie, which melanges traditional Japanese clothes and architecture with both Victorian and modern-day artifacts, or to the character-filled storyline, with human figures, harpies and grotesque creatures.
  69. Clint Eastwood has crafted a tense, hard-edged, superbly dramatic yarn that is also an exceedingly intelligent meditation on the West, its myths and its heroes.
  70. Elusive and elliptical as it is, this is one of the most accessible films in Oliveira's recent repetoire.
    • 86 Metascore
    • 100 Critic Score
    A mesmerizing thriller that will grip audiences from first scene to last.
    • 73 Metascore
    • 100 Critic Score
    Possesses a stylistic boldness and verisimilitude that is virtually matchless.
  71. Devilishly inventive and so far out there it's almost off the scale.

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