Variety's Scores

Select another publication »
For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,172 out of 17847
  2. Mixed: 7,036 out of 17847
  3. Negative: 1,639 out of 17847
17847 movie reviews
view
per page
  1. Sushi: The Global Catch
    Sushi: The Global Catch offers an intriguing mix of history, process and state-of-the-fish reports, advocating a reversal of the world's assault on bluefin tuna fisheries and a short course on the alternatives.
  2. Soldiers of Fortune
    The script is so thinly written that the main characters are defined almost entirely by the actors playing them. Fortunately, seasoned pros Slater, Rhames and Cromwell are able to flesh out their boilerplate parts.
  3. Craigslist Joe
    He's a nondescript protagonist, his benefactors, and he's never truly in need; as is made clear at the start, he has a comfortable life to return to whenever he chooses. So the picture becomes simply the moderately diverting record of an offbeat vacation.
  4. The Campaign
    Roach, who also counts such lowbrow laffers as "Austin Powers" and "Meet the Fockers" on his resume, manages to keep things broad without sacrificing smarts.
  5. Chicken with Plums
    The same winning balance of seriousness and humor that made "Persepolis" such a hit works equally well in Chicken With Plums.
  6. ParaNorman
    Few movies so taken with death have felt so rudely alive as ParaNorman, the latest handcrafted marvel from the stop-motion artists at Laika ("Coraline").
  7. Assassin's Bullet
    Much of this makes little sense, but it's hard to care.
  8. Dreams of a Life
    A riveting tale of a onetime vivacious personality, described by those who knew her as "stunning," "lovely," and "very well liked," but who nevertheless died alone, friendless and seemingly missed by nobody.
  9. Mosquita y Mari
    First-time writer-director Aurora Guerrero beautifully captures the fluctuating dynamics of friendship between 15-year-old girls in Mosquita y Mari.
  10. The Babymakers
    Yet another attempt to mix raunchy excess and romantic-comedy sweetness in an anything-goes raucous farce, The Babymakers offers a few big laughs between ho-hum stretches of frenetic vamping.
  11. You've Been Trumped
    Collectivist in spirit, this mostly entertaining film lacks an official host or voiceover narration, which first works swimmingly but eventually becomes too diffuse.
    • 54 Metascore
    • 60 Critic Score
    Diary of a Wimpy Kid: Dog Days
    Formulaic in adhering to the sitcom-style tone of the first two films, picture finds the chronically underappreciated Greg facing a summer break replete with parental expectations and anxiety over his first crush.
  13. Total Recall (2012)
    Crazy new gadgets, vigorous action sequences and a thorough production-design makeover aren't enough to keep Total Recall from feeling like a near-total redundancy.
  14. Rites of Spring
    Helmer-writer Padraig Reynolds creates a dizzying pastiche of genre conventions, and he has a terrific actress in Anessa Ramsey, who's that rare thing in horror, a thoroughly convincing victim.
  15. Hope Springs
    Hope Springs is an altogether pleasant surprise: a mainstream dramedy that frankly and intelligently addresses the challenges facing a couple after 31 years of marriage.
  16. Celeste and Jesse Forever
    Celeste & Jesse Forever earns points for bucking formula, but its fusion of snark and sincerity has a calculated slickness that rings increasingly hollow.
  17. Burning Man
    Grief doesn't rate high among emotional states suited to high-octane presentation; hence the disconnect between excessive style and sober content in Burning Man, a feature-length montage posing as a serious drama about loss and anger.
  18. Goats
    This monotonously deadpan coming-of-age comedy has little to recommend it beyond some beautiful widescreen cinematography and the momentary kick of seeing David Duchovny looking like a stoned Jesus as Goat Man.
  19. The Watch
    What's onscreen feels as half-assed and juvenile as it was probably always envisioned to be, suggesting an umpteenth retelling of "Invasion of the Body Snatchers" by way of "The Hangover," or perhaps a far less inspired version of "Attack the Block" transplanted to small-town Ohio.
  20. Big Boys Gone Bananas!*
    A David-and Goliath story that delves into corporate scare tactics, legal effrontery, brand protection, media manipulation, online propagandizing and craven behavior.
  21. Step Up Revolution
    Step Up Revolution, the fourth entry in the venerable dance franchise, is a narrative failure but a triumph of sheer spectacle.
  22. Ai Weiwei: Never Sorry
    The film is a good start, but such an important artist deserves a more rigorous portrait.
  23. Sacrifice
    Sacrifice is practically a chamber piece, and duly draws its strength from its performances, especially those of Ge and Wang.
  24. 2 Days in New York
    The French are smelly, vulgar, racist and oversexed, or so it would seem based on 2 Days in New York, a scattershot culture-clash comedy that goes down like yesterday's foie gras.
  25. Red Hook Summer
    For those expecting Mookie's mid-career encore to signify a return to Spike Lee's roots, Red Hook Summer instead surprises -- and to some extent delights -- as yet another radically unique entry in the director's iconoclastic oeuvre.
  26. 360
    With a multilingual cast of mostly unfamiliar faces, plus a few stars, 360 feels too abstract, orchestrating break-ups and hook-ups in a passionless vacuum.
  27. 30 Beats
    The jazz-scored picture relies heavily on quirkiness to round out shaky characterizations and inject interest into otherwise forgettable pairings.
  28. Killer Joe
    The family that slays together pays together in Killer Joe, a nasty little Texas noir that transfers Tracy Letts' 1993 play from page to screen with generally gripping results before devolving into an over-the-top splatterfest.
  29. Shut Up and Play the Hits
    Much like the band's self-conscious synth-pop itself, "Shut Up" is initially satiric but ultimately disarming in its emotional resonance.
  30. Wagner's Dream
    Tension flows organically from every phase of this dangerous endeavor, making for a highly entertaining outing for operaphiles and operaphobes alike.
  31. The Well Digger's Daughter
    The humanist spirit of Gallic novelist-director Marcel Pagnol is alive and well in the old-fashionedly sincere The Well-Digger's Daughter, a competent remake of Pagnol's eponymous 1940 melodrama about a working-class girl impregnated by a young pilot who's sent off to war.
  32. The Dark Knight Rises
    While The Dark Knight Rises raises the dramatic stakes considerably, at least in terms of its potential body count, it doesn't have its predecessor's breathless sense of menace or its demonic showmanship, and with the exception of one audacious sleight-of-hand twist, the story can at times seem more complicated than intricate.
  33. Compliance
    In taut, gripping and deeply disturbing fashion, writer-director Craig Zobel measures the depths to which rational individuals will sink to obey a self-anointed authority figure in Compliance.
  34. Grassroots
    Registers like a quaint display of local color.
  35. Ruby Sparks
    There's little doubt that Kazan has written a sly, amusing portrait of male self-absorption and artistic tyranny.
  36. Deconstructing Dad: The Music, Machines and Mystery of Raymond Scott
    Though the picture meanders somewhat in the absence of a clear throughline, the focus on Scott's music and electronic experimentation remains strong throughout, thanks to an eclectic roster of musicians and scholars and a generous sampling of his compositions.
  37. The Queen of Versailles
    This timely and involving documentary elicits both sympathy and schadenfreude, as Greenfield regards her all-too-vilifiable subjects with a complexity that should impress viewers of all economic and political persuasions.
  38. Farewell, My Queen
    A well-observed but emotionally muted costume drama that might well have been titled "My Week With Marie Antoinette."
  39. The Imposter
    The Imposter makes slick work of its wily subject, using atmospheric reenactments and stark, soul-baring interviews to explore a mind-boggling case of false identity.
  40. Alps
    The cumulative force of the screenplay and Yorgos Mavropsaridis' editing is not as hypnotic as in "Dogtooth," perhaps in part because those familiar with Lanthimos' m.o. will know what to expect.
  41. Easy Money
    Maria Karlsson's multilayered screenplay makes the film much more than just a crime thriller, beautifully incorporating themes of parents and children, misplaced values, and greed and corruption.
  42. Red Lights
    Instead of adding to the experience, the picture's ill-conceived twists amount to a severe miscalculation on Cortes' part.
  43. China Heavyweight
    As he did in his Three Gorges Dam documentary "Up the Yangtze," Chang examines how a particular strain of Western culture promises opportunity and prosperity for Chinese youth, even as it remains a continual source of intergenerational tension.
  44. United in Anger: A History of ACT UP
    If the AIDS crisis has crested, it's due in large part to the radical advocacy group so intelligently portrayed in United in Anger: A History of ACT UP, a documentary that could have been a lot angrier but aims to educate rather than agitate.
  45. Katy Perry: Part of Me
    Seemingly composed in a laboratory from stray bits of Betty Boop, Sailor Moon and Daphne from "Scooby-Doo," pop princess Katy Perry is the closest thing to a human cartoon the music business has produced since Kiss. This is an impression that concert-tour documentary Katy Perry: Part of Me looks to round out and humanize, and it's successful in a number of strange, seemingly accidental ways.
  46. Crazy Eyes
    These two non-lovers have real chemistry, and it's hard not to be intoxicated by the strange cocktail of watching them together, even as the story appears to be going nowhere.
  47. The Do-Deca-Pentathlon
    A delightfully scrappy backburner passion project from Jay and Mark Duplass.
  48. Madea's Witness Protection
    The interaction among opposites inspires an abundance of predictable race-based jokes, many of which have the saving grace of actually being funny.
  49. Savages
    Savages never quite captures the novel's diamond-hard sarcasm, it offers other satisfactions in its visceral immediacy, its overriding sense of danger and a clutch of performances that, whatever one's reservations about the characters, can't help but court the viewer's emotional investment.
  50. Ice Age: Continental Drift
    Now, the action takes to the sea, where pirates, original songs and a minx-like Jennifer Lopez character make for harmless diversion.
    • 68 Metascore
    • 80 Critic Score
    Last Ride
    Depicting a father-son relationship that's as tough as the Outback, engrossing road movie Last Ride reclaims the Australian landscape from the cartoonish cuteness of Baz Luhrmann's "Australia."
  52. Searching for Sugar Man
    A winning musical detective story about a failed, forgotten early '70s rocker.
  53. The Amazing Spider-Man
    A mostly slick, entertaining and emotionally involving recombination of fresh and familiar elements.
  54. Magic Mike
    Ladies are gonna love Magic Mike, a lively male-stripper meller inspired by Channing Tatum's late-teen, pre-screen stint as an exotic dancer.
  55. Take This Waltz
    Despite a few tonal and structural missteps, this intelligent, perceptive drama proves as intimately and gratifyingly femme-focused as Polley's 2006 debut, "Away From Her."
  56. Ted
    A predictably irreverent satire that's sweeter and, sadly, less funny than you might expect.
  57. Beasts of the Southern Wild
    A stunning debut that finds its dandelion-haired heroine fighting rising tides and fantastic creatures in a mythic battle against modernity.
  58. Stella Days
    Although Martin Sheen often goes full cherub in his depiction of the film's central Catholic priest, the pictue is also a frank assessment of a cleric's crisis of faith and the church's rather ruthless efforts to maintain medieval control in the face of modernization.
  59. Abraham Lincoln: Vampire Hunter
    A Civil War-era actioner of questionable taste and historical accuracy but surprisingly consistent entertainment value.
  60. Nate & Margaret
    Moving, engagingly low-key curio.
  61. Seeking a Friend for the End of the World
    The end of the world can't come fast enough in Seeking a Friend for the End of the World, a disastrously dull take on the disaster-movie formula.
  62. The Girl from the Naked Eye
    Gets one's attention but doesn't keep it, due to ill-cued flashbacks, groan-inducing dialogue and wooden performances.
  63. To Rome with Love
    This pleasantly diverting, none-too-strenuous arthouse excursion feels like a throwback to Allen's short-story anthologies, with the added pleasure of seeing a game cast play along.
  64. People Like Us
    If they never fully sell the situation, the actors nonetheless deliver strong, emotionally accessible work.
  65. The Invisible War
    An aptly infuriating expose of sexual abuse within the U.S. military, Kirby Dick's documentary The Invisible War calls high-ranking officials to account for turning a blind eye to a violent epidemic.
  66. Cellmates
    Director Baget clearly strives to replicate the ersatz Dixie flavors of "O Brother, Where Art Thou?" right down to the vintage '30s music in a film set in the 1970s, but nailing the Coen brothers' precisely calibrated style is far harder than it looks.
  67. One Day on Earth
    The rush of watching images made in such rare locales as Andorra and Sao Tome quickly wears thin as the montage whips through considerably meaty topics (water issues, climate change, immigration, religious faith) like an impatient Web surfer.
  68. Ikland
    Though generally engrossing, Ikland's multiscreen displays and cross-cultural theatrical experiments prove more distracting than effective.
  69. Sexual Chronicles of a French Family
    Offers diverting date-night fare for open-minded heterosexual couples and swingers, though its superiority (artistic or otherwise) to actual porn is debatable.
  70. That's My Boy
    All in all, it could have been worse. Puerile, crotch-fixated and very occasionally, inanely funny, Adam Sandler's raunchiest star vehicle in years has a small saving grace in Andy Samberg's performance.
  71. Americano
    Though Demy's approach breaks no new ground, directorially speaking, Martin's personal journey finds a fresh angle on a universal piece of wisdom. Every mother's son believes he's the star of his own life; Americano captures that humbling moment where one realizes perhaps he has only been a bit player in his parents' story, not the star, as initially believed.
  72. Marina Abramovic: The Artist Is Present
    An intelligent overview that makes a radical artist's work comprehensible to audiences with no previous awareness of her or her chosen path.
  73. Brave
    Brave offers a tougher, more self-reliant heroine for an era in which princes aren't so charming, set in a sumptuously detailed Scottish environment where her spirit blazes bright as her fiery red hair.
  74. Everyday Sunshine: The Story of Fishbone
    Effortlessly entertaining.
  75. Extraterrestrial
    Results are offbeat and amusing, but also a bit thin as the whole essentially amounts to one long shaggy-dog joke.
  76. Rock of Ages
    Absent the infectious live-audience energy of Chris D'Arienzo's legit hit, this affectionate glam-rock-a-thon reps a visually bland staging of frankly insipid material, never tapping into the raucous, go-for-broke energy that would spin the show's cliches into gold, let alone platinum.
  77. Battlefield America
    A picture so thoroughly generic as to suggest a contraption assembled from spare parts with the aid of a how-to manual.
  78. 6 Month Rule
    Ensemble is sharp, although Adams and Dave Foley (as an obnoxious gallery owner) make more caricatured impressions.
  79. OC87: The Obsessive Compulsive, Major Depression, Bipolar, Asperger's Movie
    OC87 serves both its subject and its viewers well by chronicling a process that is actually insightful, entertaining and apparently successful.
  80. Dark Horse
    Result is far less abrasive than some of its predecessors, but for that very reason seems unlikely to generate the attention needed to meet Solondz's already modest commercial standards.
  81. Elena
    A wise and impeccably controlled drama that finds Russian helmer Andrei Zvyagintsev in outstanding form.
  82. Paul Williams Still Alive
    An engrossing and satisfying picture, one that can be enjoyed even by people who have never before heard of its subject.
  83. Corpo Celeste
    Rohrwacher's picture offers a Dardennes-esque look at a working-class teen's growing pains in a backwater parish in southern Italy. Minor tonal inconsistencies are overcome by this intimate tale's naturalistic thesping and loose lensing style.
  84. Safety Not Guaranteed
    Develops into an endearingly scrappy and romantic romp that serves up some nice soul-searching moments alongside a steady stream of laughs.
  85. Peace, Love, & Misunderstanding
    May not be great cinema, but its broad, crowdpleasing qualities should make it a welcome night out for femmes.
  86. Lola Versus
    It's one girl against the world in Lola Versus, a snappy yet sincere romantic comedy that begins where others end, with the proposal and wedding plans pointing toward happily ever after.
  87. Bel Ami
    "I had no conception of the depths of your emptiness!" a character shrieks in Bel Ami, and her words take on an unintended resonance as addressed to Robert Pattinson in the lead role.
  88. U.N. Me
    Covering a lot of ground in colorful, pacey fashion, the documentary is nonetheless somewhat compromised itself by co-director Ami Horowitz's insistence on playing the Michael Moore/Morgan Spurlock role of onscreen provocateur.
  89. For Greater Glory
    Despite enough good intentions to pave a four-lane highway, the ardently sincere but dramatically unfocused For Greater Glory plays like a multipart miniseries that has been hacked down to feature length.
  90. Snow White and the Huntsman
    Handsome but hollow, Snow White & the Huntsman is easily among the stranger additions to a roster of rebooted fairy tales.
  91. Richard's Wedding
    Turkel constantly undermines the feel-good with the ridiculous and vice versa, vacillating between infantile insults and professions of affection, a duality that ultimately wears thin.
  92. Crooked Arrows
    The story of a ragtag Native American team rediscovering the tribal roots of the game to defeat preppie champions is rife with tired tropes, and lacking in three-dimensional characters or colorful plot-twists. Happily for this Onandaga-financed production and vet director Steve Rash, gifted Native American lacrosse players lend hard-hitting impact to the game scenes.
  93. Music from the Big House
    The performances are fun, if musically only adequate -- there are no evident virtuosi languishing within Angola's walls -- and Chiarelli's attempts to frame matters philosophically fall a little flat.
  94. Prometheus
    Elaborately conceived from a visual standpoint, Ridley Scott's first sci-fier in the three decades since "Blade Runner" remains earthbound in narrative terms, forever hinting at the existence of a higher intelligence without evincing much of its own.
  95. A Cat in Paris
    Delightfully old-school on the animation side, but too old-fashioned on the story side, French 2D toon A Cat in Paris is easy enough on the eyes yet never quite justifies feature-length status.
  96. Found Memories
    Though the focus is on one older woman (effectively played by Sonia Guedes) the film's spirit is embodied by the whole town, which lingers in the memory.
  97. 5 Broken Cameras
    An undeniably powerful record of the Palestinian village of Bil'in's course of civil disobedience from 2005 to the present...the pic is also shamelessly sentimental and manipulative in its construction.
  98. Redlegs
    Filmmaker magazine editor/critic Brandon Harris' debut feature, Redlegs, puts its indebtedness to Cassavetes upfront -- or rather, in back, spelled out clearly amid the closing acknowledgements -- as three protagonists act out a junior version of "Husbands'" epic drunken wake.
  99. Jack and Diane
    If Benicio del Toro designed Hallmark cards, or if "Lady and the Tramp" were lesbians, they'd have a lot in common with Jack & Diane, a well-constructed, well-intentioned but too deliberate attempt to provoke the unprovokable.
  100. The Loved Ones
    Transcends mere torture porn -- though there's plenty for the squeamish to squirm over here -- in its deftly controlled mix of empathy, grotesquerie and sardonic humor.
Page:

Top Trailers

See all »
See all trailers »