Variety's Scores

For 17,771 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17771 movie reviews
  1. Technically superb and witty in an old-fashioned, veddy British way that will delight many adults but will sail over the heads of young audiences.
  2. Bright and sassy, The Full Monty is a treat.
  3. Film gathers together only those who knew, loved and made music with "the quiet Beatle."
  4. Immensely entertaining and unabashedly inspirational.
  5. Theater veteran Recoing is utterly compelling. Both the script and the resourceful, subtle actor provide enormous insight into the troubled character.
    • 71 Metascore
    • 90 Critic Score
    Meticulously detailed thriller.
  6. Dowd's graciousness and enthusiasm, and the enormous respect afforded him by industryites on record here, make this a thorough and satisfying acknowledgement of one man's unique contribution to popular music.
    • 83 Metascore
    • 90 Critic Score
    Scabrous, brutal and hip, Trainspotting is a "Clockwork Orange" for the '90s.
  7. Jacobson produces a remarkably creepy piece of cinema that disturbs by suggestion, nuance and ambiguity.
  8. Elegantly constructed, deceptively complex documentary.
  9. George Lucas has reached deep into the trove of his self-generated mythological world to produce a grand entertainment that offers a satisfying balance among the series' epic, narrative, technological and emotional qualities.
    • 94 Metascore
    • 90 Critic Score
    Performances by the entire cast, and particularly William Holden and Gloria Swanson, are exceptionally fine.
  10. A rousing, well-crafted romp packed with ingenuity, duplicity, close calls and heroic gestures, Bon Voyage is true to its title.
  11. Craftily combining elements that speak directly to three different generations, this accomplished ensemble piece is shaping up to be the surprise homegrown hit of the season.
  12. A bona fide populist laugh riot.
  13. A gently and genuinely observed film whose subject is a garish, artificial display of mayhem.
    • 87 Metascore
    • 90 Critic Score
    Exquisitely acted, tightly directed and impressively assembled.
  14. Think of an Anthony Mann Western made by an experimental film director and you get an indication of the challenging components of The Tracker, the story of a manhunt that is politically sensitive because of its depiction of atrocities perpetrated on aboriginals by a fanatical white cop.
  15. Sad, tender, wise and beautiful film... It's a profound tribute to lives lived on the fringes of society -- to the introspective loners who are the most observant chroniclers of our times.
  16. Wonderfully acted and slickly mad. Acutely written with an eye to the motivations and ambiguities involved on both sides in such a relationship.
  17. A seductively structured and superbly acted suspenser that breathtakingly piles swindle upon scam without giving away the game until the very end.
    • 95 Metascore
    • 90 Critic Score
    The performances are uniformly excellent. Mastroianni is perfect in the key role of the basically good and honest boy who succumbs to the sweet life. Ekberg is a revelation as the visiting star, while Furneaux almost runs off with the picture as the reporter's instinctive, possessive mistress. (Review of original release)
  18. Develops into a powerfully emotional experience thanks to a career-best performance by Toni Collette.
  19. An entrancing ensemble piece, directed with calm assurance, acted by a fine ensemble, and structured and scripted with wit and precision.
    • 82 Metascore
    • 90 Critic Score
    Central to the film's success is a riveting, unfussy performance from Robbins. Freeman has the showier role, allowing him a grace and dignity that come naturally.
    • Variety
  20. An accomplished marriage of elaborate style and content.
  21. A highly accomplished, compact feature, which, while it may be light on depth, is rich in humor, rhythm, energy and inventiveness.
  22. Very much in line with his maiden screen efforts "In the Company of Men" and "Your Friends and Neighbors"...ends with a satisfying shudder of recognition at the extreme cruelty possible within human relationships, particularly those conceived by Neil LaBute.
  23. The film is traditionally and effectively made; it also is superbly acted.
  24. A sensitive, intimate, enormously touching drama.
  25. A rare example of indie filmmaking produced outside the Thai studio system, Blissfully Yours takes the good-humored nonsense of director Apichatpong Weeasethakul's first feature, "Mysterious Object at Noon," several steps further into the realm of non-communicative minimalism.
  26. As carefully constructed, handsomely crafted and flavorsomely acted as a top-of-the-line production from Hollywood's classical studio era, Francis Ford Coppola's screen version of John Grisham's The Rainmaker would seem to represent just about all a filmmaker could do with the best-selling author's patented dramatic formulas without subverting them altogether.
    • 80 Metascore
    • 90 Critic Score
    An intimate chamber piece for two, superbly acted by Susan Sarandon and Sean Penn, this is a mature, well-crafted movie.
  27. Taking advantage of a splendid cast, a sharply focused script and the fresh English setting, "Gosford Park" emerges as one of the most satisfying of Robert Altman's numerous ensemble pictures.
  28. This beautifully crafted and lively romp around the 1880s stage world should enjoy its longest life as a vid classic.
  29. Any negative stereotypes viewers might harbor about education in rural communities are sent packing by this magnificently lensed and cumulatively touching account from documaker Nicolas Philibert.
  30. Crucially for such an elaborately dressed production, the characters all come thoroughly alive with their ready wits and pulsing emotions, overcoming the two-century gap with seeming effortlessness.
  31. Massively inventive and spiked with perversely wicked humor.
    • 70 Metascore
    • 90 Critic Score
    Abel Ferrara's uncompromising Bad Lieutenant is a harrowing journey observing a corrupt NY cop sink into the depths, with an extraordinary and uninhibited performance by Harvey Keitel in the title role.
    • 86 Metascore
    • 90 Critic Score
    The poignant and candid Boys Don't Cry can be seen as a "Rebel Without a Cause" for these culturally diverse and complex times, with the two misfit girls enacting a version of the James Dean/Natalie Wood romance with utmost conviction.
  32. In the darkly humorous Fargo, iconoclastic filmmakers Joel and Ethan Coen manage the precarious balancing act of respecting genre conventions and simultaneously pushing them to an almost surrealistic extreme. Very funny stuff.
  33. A faithful, powerful and superbly acted adaptation of Andre Dubus III's international bestseller.
  34. This slow but brilliantly sustained journey into madness is fronted by a remarkable performance from Ralph Fiennes and superb backup from Miranda Richardson in a triple role.
  35. Brandishes the sort of intelligent wit and bracing nastiness that will make it more appealing to discerning adults than to teens who just want to have fun.
    • 48 Metascore
    • 90 Critic Score
    Bigger, sleeker and better than the first, sequel Charlie's Angels: Full Throttle is a joyride of a movie that takes the winning elements of the year 2000 hit to the next level.
  36. A script as fresh and distinctive as any produced in the States in recent memory.
  37. A barkingly funny new "mockumentary" that does for those canine pageants what the helmer's 1996 "Waiting for Guffman" did for smalltown theatrics.
  38. Darkly comic, vastly entertaining and utterly original.
  39. Wayne Kramer's sexy and often humorous feature directorial debut surrounds its sweet center with the energy, flash and risk of the gambling capital. Sterling performances by William H. Macy and Maria Bello as the long-shot lovers and Alec Baldwin as a temperamental casino operator.
  40. An arthouse film par excellence, a consummately made study of loneliness and frustration.
    • 90 Metascore
    • 90 Critic Score
    Al Pacino again is outstanding as Michael Corleone, successor to crime family leadership.
  41. Considerable intelligence and strategic finesse have been brought to bear on this handsomely mounted adaptation of Michael Cunningham's Pulitzer Prize-winning novel, which was hardly a natural for the bigscreen.
  42. Deconstructs time and space with Einstein-caliber dexterity in the service of a delectably disturbing tale of revenge.
  43. Sam Mendes' much-anticipated second effort after his Oscar-winning "American Beauty" finds him working in a very different key while displaying an even more pronounced attentiveness to tone, genre variations and artistic niceties.
    • 85 Metascore
    • 90 Critic Score
    Despite its p.c., humanistic overtones, the film manages to integrate the humor and action of a kid’s adventure tale and the message of a political allegory without beingheavy-handed.
  44. Captures the excitement of lightning in a bottle.
  45. A first-rate thriller with grit and intrigue to spare.
  46. Ominously atmospheric study of police corruption dangles danger and sinister motives at every turn.
  47. Pacing is on the button, and the film moves inexorably, without any flat moments, toward the suspenseful, if morally indefensible, finale.
  48. A dazzling delight.
  49. Loaded with pleasures, the greatest of which derive from the on location filming in Prague, the most 18th century of all European cities.
  50. Riveting, often haunting.
  51. Toy Story 2 is to "Toy Story" what "The Empire Strikes Back" was to its predecessor, a richer, more satisfying film in every respect.
  52. The very good news is that, in addition to stylistic innovation, the film sports a provocative and appealing story that's every bit the equal of this technical achievement.
  53. Barry Levinson goes deep with Liberty Heights, and the result is a grand slam.
    • 60 Metascore
    • 90 Critic Score
    Part III matches its predecessors in narrative intensity, epic scope, socio-political analysis, physical beauty and deep feeling for its characters and milieu.
  54. This richly textured parable feels every inch the work of a master.
    • 89 Metascore
    • 90 Critic Score
    Even those who don't rally to pic's fed-up feminist outcry will take to its comedy, momentum and dazzling visuals.
    • 83 Metascore
    • 90 Critic Score
    Hard-hitting, dark and tragic story that rarely lets up.
  55. Splendidly sinuous twister Red Lights sees Gallic helmer Cedric Kahn ("Roberto Succo") take his game to the next level with this inky comic thriller.
  56. A taut, suspenseful, linear approach, and a trio of excellent performances.
    • 72 Metascore
    • 90 Critic Score
    Costner's directing style is fresh and assured. A sense of surprise and humor accompany Dunbar's adventures at every turn, twisting the narrative gently this way and that and making the journey a real pleasure.
  57. Superior historical soap opera that shrewdly sidesteps all the cliches of British costume drama with its bold, often modern approach.
    • 78 Metascore
    • 90 Critic Score
    An intense, schematic, superbly made Vietnam War drama.
    • 92 Metascore
    • 90 Critic Score
    A vastly amusing satire of heavy metal bands.
  58. Exquisitely made love story.
    • 83 Metascore
    • 90 Critic Score
    Distinguished by superb ensemble acting, intelligent writing and stunning design.
    • Variety
  59. All but stealing the film is Cooper, who seizes a rare opportunity as an extroverted, rather than buttoned-up, character to bust loose like an uncaged alligator.
  60. A Thanksgiving family reunion comedy that sparkles with acerbic wit, original characters and genuine heart.
  61. Audiences will be excused for any feelings of déjà vu the new film might inspire. That won't prevent them from watching it in rapt, anxious silence, however, as the gruesome crimes, twisted psychology and deterministic dread that lie at the heart of Harris' work are laid out with care and skill.
  62. Delivers enough thrills, kicks and cool moments to satiate geeks, fans and mere general viewers worldwide -- until the "Revolutions" installment wraps up the trilogy in November.
  63. A riveting, thematically probing, richly atmospheric and just occasionally troublesome work, a deeply inquisitive consideration of the extent of trust and mutual knowledge possible between a man and a woman.
    • 81 Metascore
    • 90 Critic Score
    An intense, bloody, in-your-face crime drama about a botched robbery and its aftermath, colorfully written in vulgar gangster vernacular and well played by a terrific cast.
  64. A hilarious farce.
  65. Uses first-person on-camera accounts of the adventure by Simpson and fellow climber Simon Yates to backdrop newly shot you-are-there footage that brings home the awesome and harrowing aspects of their feat.
  66. This is not "E.T.," nor is it a kid's film nor even necessarily a major mass-audience film, although Spielberg's name, high public anticipation and the child-oriented campaign will make it perform like one.
  67. There's a kind of rawness on the screen that most movies never approach.
  68. The elusive, quicksilver nature of young love is often reduced to crude simplicities by the movies, but director Sebastien Lifshitz and writing partner Stephane Bouquet have observed it with a superb balance of aesthetics and insight in Come Undone.
    • 65 Metascore
    • 90 Critic Score
    The Harrison Ford-Sean Connery father-and-son team gives Last Crusade unexpected emotional depth, reminding us that real film magic is not in special effects.
    • 65 Metascore
    • 90 Critic Score
    This weirdly off-kilter suspenser goes well beyond the usual police procedural or killer-on-a-rampage yarn due to a fine script, striking craftsmanship and a masterful performance by Morgan Freeman.
  69. A spectacular demonstration of what modern technology can contribute to dramatic storytelling.
    • 77 Metascore
    • 90 Critic Score
    It's a terrific war yarn, a picture of palpable raw power which manages both Intense intimacy and great scope at the same time. (Review of Original Release)
  70. The sparks fly thanks to Moore's patented blend of curveball research, expedient juxtaposition, genuine satire and bottomless chutzpah.
    • 84 Metascore
    • 90 Critic Score
    Chillingly hilarious.
  71. Watson is a major find as Bess. Graced with delicate, expressive features, she gives an extraordinary performance.
  72. Brilliance of the action and effects are supplemented by a consistently superior and resourceful score by Tan Dun.
  73. The script is faithful, the actors are just right, the sets, costumes, makeup and effects match and sometimes exceed anything one could imagine.
  74. Wickedly funny.
  75. An intelligent, visually ravishing adaptation of Tracy Chevalier's best-selling novel.
  76. Bold, inventive, sustained adrenaline rush of a movie.

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