Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. An undemandingly pleasant, mildly amusing fantasy.
  2. The pic reveals itself as a horror-action-comedy a la "Evil Dead," with amusing twists of fate and over-the-top gore.
  3. In 82 minutes, Murray wrangles enough data to make his point that biology can't keep up with sophisticated fishing technologies and worldwide demand; attacks high-end restaurants such as Nobu for putting endangered species on the menu; praises Alaska as a paragon of responsible fishing.
  4. Not the slickest or most crowd-pleasing among many recent performance-competition docus, it's nonetheless absorbing for the light it casts on those many Afghanis who want an end to guns and fanaticism, and the return of a social liberalism.
  5. With appreciably greater emphasis on action than its predecessors, and clever use of 3-D trickery to enhance storytelling as well as offer spectacle, Ice Age: Dawn of the Dinosaurs could prove the third time really is the charm.
  6. Joyously funky documentary.
  7. Basically a comedy but with typically Meadowsian dark edges, it forms an affectionate tribute to cross-cultural friendship and the rapidly changing landscape known as Somers Town.
  8. Emotionally potent performances, gently offbeat humor and writer-helmer Max Mayer's assured touch guide this tender New York love story to a quietly hopeful conclusion.
  9. With both feet planted firmly on the sticky accelerator of the torture-porn vehicle, The Collector is a surprisingly stylish and confident high-concept thriller.
  10. Antic horror comedy I Sell the Dead nods to the '60s Hammer heyday of fog-swirling Victorian chillers, as well as that period's penchant for teaming genre favorites (Boris Karloff, Basil Rathbone, Peter Lorre, etc.) in genial sendups.
  11. In the showdown between mother and mother-in-law, the proceedings are peppered with spasm of violence that are alternately sick-funny and downright chilling, but don't cancel out the intelligence, or at least drollery, with which so much of the film is put together.
  12. A classic about the Irish "troubles." Despite the unavoidably convoluted facts of the real-life story, pic boasts plausibly written, solidly acted characters and a conflict that pushes the viewer's righteous-indignation buttons.
  13. A genuinely funny but amateurishly constructed laffer from Derrick Comedy, a troupe of YouTube-savvy NYU grads with promising writing careers ahead of them.
  14. Boasting strong performances by Jeff Bridges and Justin Timberlake.
  15. A dishy and engrossing peek inside the fashion world’s corridors of power -- every bit as slickly packaged as the publication it seeks to uncover.
  16. Carriers has moments of genuinely communicable horror.
  17. Goes down far easier than, say, an all-natural, fiber-enriched peanut butter sandwich without a glass of soy milk. It's that rare doc (these days) that could go theatrical, largely because it's a film about a couple, more than a movement.
  18. Vincenzo Natali's outlandish sci-fier sustains a grotesque and funny fascination throughout its slightly protracted runtime.
  19. Anchored by another marvelously quirky yet deadly serious performance from John Malkovich, and likely to be relished by the fan base of J.M. Coetzee's Booker Prize-winning novel, this is a strong, perceptive, old-school arthouse picture.
  20. A sometimes hilarious, often wrenching pas de deux between actors Stanley Tucci and Patricia Clarkson.
  21. Finds its titular merry pranksters up to yet more capitalist-critiquing chicanery and fat-cat-fooling fun.
  22. Call it the best '80s babysitter-in-peril movie never made. The House of the Devil delivers about as much as one could reasonably hope from the not-quite-alone-in-the-house category, with the bonus of authentically re-creating the low-budget look and feel of that era's classic horror entries.
  23. End result is at once intelligent, wry and -- there's no way around it -- quintessentially Jewish, in the best sense.
  24. As usual, Sokurov's unhurried pacing will test the patience of more fidgety viewers, although the script is more accessible than some of his recent efforts.
  25. Before it bogs down in one too many moments of cathartic reckoning, The Vicious Kind is an unpredictable, off-kilter and scabrously funny piece of work.
  26. It's a sign of that pic's dramatic durability that "Kid" manages to be as absorbing as it is, despite its nearly 2½-hour running time.
    • 36 Metascore
    • 70 Critic Score
    Scores a goal for kids and adults alike.
  27. What at first looks like a heartwarming portrait of a highly blended modern family turns into a no less engrossing illustration of that situation's possible pitfalls in Off and Running.
  28. Delivers the essential suspense goods with overall skill and a modicum of intelligence.
  29. A thoughtful, niche-oriented portrait of four off-the-beaten-path characters trying to find their way.
  30. Key casting is aces, led by a deglammed Kim, forcefully low-key as the mother who seems capable of anything to protect her son.
    • 56 Metascore
    • 70 Critic Score
    It's a spry, fluffy comedy.
  31. As a study of stasis and of people conscious of not living the lives they had imagined for themselves, the picture offers a bracing undertow of seriousness beneath the deceptively casual, dramatically offhand surface.
  32. A conventionally enjoyable making-and-breaking-of-the-band saga.
  33. The helming debut of thesp Fisher Stevens, who mixes swell ensemble acting with eye-popping animation for a witch's brew of good sex, bad timing and very funny dialogue.
  34. Any buyer who's had success with Troma fare in the past will find the makings to delight the self-selecting audience that generates grosses from gross-out humor.
    • tbd Metascore
    • 70 Critic Score
    Thoughtful and mostly very watchable picture, with its emphasis on how war dehumanizes the individual soldier.
  35. A feel-good comic ensembler that's hard to resist.
  36. Pic drifts onto a familiar obstacle course for its wide-eyed hero, but displays a spirited, open-hearted goodness along the way. Combination of warmth, humor, danger and a cosmopolitan take on young, urban Eire sets pic distinctly apart.
    • 80 Metascore
    • 70 Critic Score
    Tornatore is an able storyteller who knows the value of cute kids and easy emotion.
  37. A string of striking set pieces hung on a dramatically shaky clothesline.
  38. Has the built-in curiosity value of watching real people evolve on camera -- a fascination increased by subjects' original, variably sustained commitment to countercultural ideals.
  39. Hurt is quietly affecting as Dave Purcell, a fine chef but a lousy businessman whose sticksville cafe, the Auk, is named after a rare, possibly extinct kind of duck.
  40. Walks the line between conviction and camp with a not entirely steady step.
  41. Engrossing despite its chaotically fragmented form.
  42. Despite occasional awkwardness in character motion, viewers will be swept away by the luxuriant creation of alternate universes.
  43. Rigorous but creepy drama.
  44. Succeeds far more often than not in delivering a credible, kaleidoscopic portrait of creative, and often famous, individuals.
  45. Always imaginative, often arresting, but sometimes just too clever by half.
  46. Hell House is a slice of contempo life many viewers will find bizarre and disturbing, not necessarily in the precautionary-moral way its subjects intend. Briskly paced docu is well handled in tech departments.
  47. Succeeds as light entertainment -- even if at the cost of the material's greater potential.
  48. Harris effectively interweaves home movies of his 8th birthday party and his two-year stay in Tanzania into a mesmerizing autobiography.
  49. Takes the viewer deep into the heart of the Israeli-Palestinian conflict with the powerful immediacy of raw images, some of them very hard to look at.
  50. Uses humor and high spirits to entertain while spreading the Good Word. Much of this slick and sprightly CGI feature is sufficiently funny to amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings.
  51. Balances intelligent humor, slapstick, Blighty reserve and Yank spunk along with environmentalism.
  52. An adept if necessarily limited translation of uncinematic material, The Guys retains the potency of its stage original as a poignant, ingeniously simple tribute to firefighters lost in the World Trade Center disaster.
  53. Soberly and intelligently examines the fear, frustration, anxiety, animosity and boredom of waiting to advance into the terrifying other world that lies over the lip of the trenches.
  54. Formulaic but effectively gritty inner-city crime drama.
  55. It goes down as easy as a cherry Coke.
  56. A smoothly made period romancer that's elevated by strong playing from its whole cast, led by John Turturro and Emily Watson as the starstruck lovers.
  57. Boasts engaging characters, inventive situations and a series of satisfying punchlines that will send viewers out with a smile.
  58. Overall, this smooth, glossy, enjoyable film showcases an impressive new authorial voice.
  59. Highly engaging, beautifully played romancer.
    • 53 Metascore
    • 70 Critic Score
    Emerges as an intelligent portrayal of the repercussions of single-minded religious fervor, and of the way the willingness to suffer for a cause does not necessarily translate into selfless acts.
  60. Works best as a straightforward appreciation of the music. Though docu's structure wears out full viewer interest after an hour or so, few will come away with staid prejudices (i.e. that turntablism isn't "real" musicianship) intact.
  61. Like a really, really high-tech version of a high school class trip to the planetarium.
  62. All-encompassing drama.
  63. Charmingly eccentric light comedy.
  64. Pleasant rather than rollicking entertainment.
  65. Engaging, intermittently insightful but too glib to wring full value out of its subject matter.
  66. A smart and sassy comedy with a playful sensibility and subtle sensitivity.
  67. The moments of inspired originality are all too infrequent. There's enough eye candy and marvels on screen, however.
  68. Fine new chapter in the long-running franchise should score well with family audiences.
    • 42 Metascore
    • 70 Critic Score
    Smarter and more appealing than many other recent romantic comedies.
  69. Gains much greater texture from the intercutting between the two performers than had it remained simply a Seinfeld promotional project.
  70. Numerous lovely, quirky moments.
  71. A winning look at cross-cultural romance.
  72. The happiest marriage yet of the disparate propagandistic and narrative influences inherent in the subgenre of "religious" cinema.
  73. Fitfully amusing and two leads generate engaging chemistry.
  74. A retro sci-fi tale that takes its time stoking a low-key absurdism to high silliness. Initial slow going pays off in cumulative laughs.
  75. A fine cast brings the believable, sometimes humorous characters to life and gradually draws the viewer into a well-crafted, well-paced story.
    • 41 Metascore
    • 70 Critic Score
    Camera compositions are curious, even poorly framed at times, but helmer's gift is in directing actors and building scenes around physical actions, much like silent filmmakers.
  76. Utterly unsentimental but profoundly moving,The Way Home" is a tiny gem from South Korea.
  77. Fresh and offbeat tale of vendetta.
  78. A typically deftly layered meditation on men, women, friendship and the prospect of romance.
    • 48 Metascore
    • 70 Critic Score
    Must-see fare for fans of the bosomy camp horror queen.
  79. Samuel L. Jackson instantly takes the mantle from Mr. Shaft himself, Richard Roundtree, and runs with it on pure style and charisma.
  80. Docmeister Arthur Dong brings empathetic balance and emotional heft to the discord between fundamentalist Christian parents and their gay children.
  81. Besides "Midnight Cowboy" and "American Gigolo," there aren't many mainstream movies centered on straight male prostitutes. Sonny is a worthy, if indie-style, addition to the list.
    • 76 Metascore
    • 70 Critic Score
    The film works on both a human-interest level -- focusing on the travails of the band members now finally receiving their well-earned due -- and as a slice of Motown's early history.
  82. Provides powerful drama thanks to its trenchant core story and harrowing re-creation of the brutal chaos of war.
    • 58 Metascore
    • 70 Critic Score
    Pic, which may be too cutesy for some tastes, is lacking in substance in some areas but it has a wonderfully nuanced, constantly surprising perf by Mary-Louise Parker, who elevates the intermittently charming insider spoof.
  83. Adult fans of good thesping in the service of a lightweight but thoroughly entertaining story should bask in the antics.
  84. A chilling history lesson in realpolitik.
  85. Slick, grisly and determinedly umbral, German cop thriller Tattoo is a largely effective "Se7en" wannabe that gradually develops its own character after an over-derivative start.
  86. Demonstrates the impossibility of separating the private from the public dimensions of politics, and the pain involved in trying to account for behavior that cannot withstand rational examination.
  87. An unbeatable cast lends satisfying emotional texture.
  88. Builds and sustains considerable interest through its unexpected characterizations, unusual milieu and atmospheric style.
  89. "Big Night" meets "The Sopranos" in Dinner Rush.
  90. A film whose charms are odd and indefinable by design.

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