For 17,825 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,159 out of 17825
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Mixed: 7,029 out of 17825
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Negative: 1,637 out of 17825
17825
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
Bad in ways that sometimes provoke a disbelieving guffaw, but more often stir pained embarrassment.- Variety
- Posted Aug 28, 2019
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Reviewed by
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Reviewed by
Tomris Laffly
The weapons look fake, the stiff action sequences play like poor re-enactments, and you frequently wonder how anyone managed to keep a straight face while firing off some embarrassingly simple-minded lines of dialogue. Even the bright red, corn-syrupy blood splattered around looks like it’s from a different decade of cinema.- Variety
- Posted Dec 12, 2019
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Reviewed by
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Reviewed by
Guy Lodge
It’s a cheap, unloving death march of a movie — scarcely made more intriguing by the half-cooked theory it posits as to who (or how many) did the deed.- Variety
- Posted Jan 11, 2020
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Reviewed by
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Reviewed by
Jessica Kiang
“After” was merely awful. After We Collided is atrocious. Naturally, it’s proving an enormous pandemic-era hit.- Variety
- Posted Oct 26, 2020
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Reviewed by
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Reviewed by
Dennis Harvey
“Grizzly II” never finds a rhythm — not even a giddily camp one.- Variety
- Posted Jan 12, 2021
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Reviewed by
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Reviewed by
Tomris Laffly
Ideologically scheming and visually inelegant, this is truly tacky stuff.- Variety
- Posted Apr 1, 2021
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Reviewed by
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Reviewed by
Dennis Harvey
Just when you think this nothing-burger can’t get any more exasperating, it spends a full 10 post-fadeout minutes on final credits.- Variety
- Posted May 26, 2022
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Reviewed by
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Reviewed by
Jessica Kiang
When that final “to be continued…” title appears — and never has a girly, curly typeface looked more like a ransom note — it’s by far the most heart-clutching #Hessa moment so far, because we realize we’re still at least one whole movie away from release from our collective captivity to this absolute nonentity of a franchise.- Variety
- Posted Sep 5, 2022
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Reviewed by
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- Variety
- Posted Apr 27, 2022
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Reviewed by
Owen Gleiberman
I take no vicious pleasure in saying that Poolman, a movie that Pine co-wrote, directed, and stars in, is not only the worst film I saw during the fall festival season but would likely be one of the worst films in any year it came out.- Variety
- Posted Sep 25, 2023
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Reviewed by