Variety's Scores

For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17825 movie reviews
  1. Bad in ways that sometimes provoke a disbelieving guffaw, but more often stir pained embarrassment.
  2. The weapons look fake, the stiff action sequences play like poor re-enactments, and you frequently wonder how anyone managed to keep a straight face while firing off some embarrassingly simple-minded lines of dialogue. Even the bright red, corn-syrupy blood splattered around looks like it’s from a different decade of cinema.
  3. It’s a cheap, unloving death march of a movie — scarcely made more intriguing by the half-cooked theory it posits as to who (or how many) did the deed.
  4. “After” was merely awful. After We Collided is atrocious. Naturally, it’s proving an enormous pandemic-era hit.
  5. “Grizzly II” never finds a rhythm — not even a giddily camp one.
  6. Ideologically scheming and visually inelegant, this is truly tacky stuff.
  7. Just when you think this nothing-burger can’t get any more exasperating, it spends a full 10 post-fadeout minutes on final credits.
  8. When that final “to be continued…” title appears — and never has a girly, curly typeface looked more like a ransom note — it’s by far the most heart-clutching #Hessa moment so far, because we realize we’re still at least one whole movie away from release from our collective captivity to this absolute nonentity of a franchise.
  9. It’s piping hot trash.
  10. I take no vicious pleasure in saying that Poolman, a movie that Pine co-wrote, directed, and stars in, is not only the worst film I saw during the fall festival season but would likely be one of the worst films in any year it came out.

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