Variety's Scores

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For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,172 out of 17847
  2. Mixed: 7,036 out of 17847
  3. Negative: 1,639 out of 17847
17847 movie reviews
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  1. Invisible
    Begins as a morosely melancholy study of a thirtysomething couple on the verge of divorce, then devolves into an unpleasant thriller about their confrontation with psychos.
  2. A Touch of Spice
    Using the familiar device of cuisine as a metaphor for national identity and personal feelings, bitter-sweet pic about a man torn between his ethnicity (Greek) and the country of his birth (Turkey) makes its points lightly and entertainingly, with only a routine third act letting down the package.
  3. Eating Out 2: Sloppy Seconds
    Sequel is no more than a cheapo campy goof, but this edition does contain a higher quota of laugh lines and an unsubtle message that efforts to make gay youth "go straight" is destined to fail.
  4. Our Daily Bread
    Looks at the agricultural industry across Europe through sound and images alone. Pic offers a tabula rasa in which some auds will see a horrifying indictment of the industry's cruelties, others a realistic depiction of mechanized farming, and some a soft-spoken tribute to manual labor. Meanwhile, precisely composed lensing and painstaking sound design create moments of sublime beauty.
  5. The Fountain
    Suffered from production fits and starts and reportedly has been cut down from a longer running time to a still tedious and repetitious hour and a half.
  6. Deck the Halls
    A lifeless, workmanlike comedy conceived to provide holiday shoppers an inoffensive respite from the mall.
    • 59 Metascore
    • 80 Critic Score
    Deja Vu
    Cinema's natural felicities for time and action have seldom felt as beautifully dovetailed.
  8. Tenacious D in The Pick of Destiny
    Not surprisingly, the pic struggles at times to flesh out even its relatively brief 90-odd-minute duration, but it delivers some genuine if generally low-brow laughs along the way.
  9. Backstage
    With its booming soundtrack of songs -- written by Laurent Marimbert and sung by Seigner herself -- and good chemistry between Le Besco and Seigner, pic at times has an operatic emotional intensity that will turn off some viewers but provide a guilty pleasure for others.
  10. Opal Dream
    From the first frames, when lollypops are offered to the camera, there's no escaping the saccharine miasma of whimsy enveloping Peter Cattaneo's Opal Dream.
  11. Sun Kissed
    Without the songs, the underdeveloped bisexual triangle would seem shapeless. Even with the music, the film is a poorly crafted grab-bag of ideas barely elaborated upon enough to sustain a 20-minute short.
  12. The History Boys
    Audiences coming cold to this largely faithful adaptation of Alan Bennett's clever but contrived classroom comedy won't be so wowed, given picture's irrevocably stagy feel. Nicholas Hytner's flat-footed direction doesn't help, nor do picture's younger cast members' over-rehearsed performances, although the seasoned thesps shine.
  13. Casino Royale
    Craig comes closer to the author's original conception of this exceptionally long-lived male fantasy figure than anyone since early Sean Connery.
  14. Happy Feet
    One of the very best directed animated films on record. Not surprisingly from the force behind the "Babe" movies, the attention to detail is phenomenal, the humor ample.
  15. Let's Go to Prison
    Unlike the vast majority of rude bigscreen comedies these days, "Prison" may actually improve with repeat viewings, since its best aspects are offhand enough to be missed the first time around.
    • 57 Metascore
    • 60 Critic Score
    Candy
    Life, love and addiction make a mostly bitter, but occasionally sweet, concoction in Oz drama Candy, which is sometimes hard to swallow.
  17. Fast Food Nation
    Richard Linklater's rough-hewn tapestry of assorted lives that feed off of and into the American meat industry is both rangy and mangy; it remains appealing for its subversive motives and revelations even as one wishes its knife would have been sharper.
  18. For Your Consideration
    It will garner critical huzzahs from those it lampoons, which will broaden the duo's (Christopher Guest and Eugene Levy) fan base.
  19. The PianoTuner of EarthQuakes
    Impresses as a visually exquisite, rigorously intellectual but dauntingly obscurantist fable about automatons, opera singers and herniated desire that will appeal exclusively to arthouse auds with rarefied tastes.
  20. Bobby
    Emilio Estevez's Bobby is a passionate outcry for peace and justice in America that becomes deeply involving by the final climactic scene.
  21. The Aura
    The Aura is far from being simply "Nine Queens2." Leisurely paced, studied, reticent and rural, The Aura is a quieter, richer and better-looking piece that handles its multiple manipulations with the maturity the earlier picture sometimes lacked.
  22. Encounter Point
    Picture offers unique glimpses into the hearts and minds of those who have turned reasons for hatred into a crusade for tolerance, braving the scorn of enemies and compatriots alike.
  23. Flannel Pajamas
    Visually, the film is without flair or ambition, conveying no sense of atmosphere or mood. But the performances put it over.
  24. A Good Year
    A simple repast consisting of sometimes strained slapsticky comedy, a sweet romance and a life lesson learned, this little picnic doesn't amount to much but goes down easily enough.
  25. Harsh Times
    A psychotic seizure of a performance by Christian Bale dominates Harsh Times, the directorial debut of David Ayer that channels "Taxi Driver."
  26. The Return
    Forgettable PG-13 pic will particularly strike fans of harder-edged recent horror pix as much ado about not much.
  27. Stranger Than Fiction
    Sometimes becomes too self-consciously clever, and it doesn't entirely resolve its own central dilemma. But it remains inventive and funny to the end, features fine performances from Will Ferrell and especially Emma Thompson.
  28. Iraq in Fragments
    As beautiful as it is unrevealing, James Longley's Iraq in Fragments rests on a debatable but firm premise -- that the embattled country is irrevocably separated by its three dominant groups, Shiites, Sunnis and Kurds -- but brings back nothing journalistically substantial from the war front .
  29. Fur: An Imaginary Portrait of Diane Arbus
    Picture is impressively crafted and acted but far too narrowly and benignly conceived to satisfy even on its own terms.
  30. Come Early Morning
    Despite her (Judd's) efforts and those of a generally talented cast, picture just pokes along and offers nothing out of the ordinary in terms of drama, characterization or insight. Judd's presence notwithstanding, this one would be more at home on small than on big screens.
  31. Color of the Cross
    Once the revisionist frisson of a black Jesus, not to mention Mary, Joseph and Judas, has worn off, one is stuck with more mundane matters such as story dynamics, visual style and character verisimilitude, much to the misfortune of the audience.
  32. The Cave of the Yellow Dog
    Davaa's strong visual sense, engaging cast and respect for basic film grammar make this slim exercise in managed reality go the distance.
  33. Copying Beethoven
    Helmer Agnieszka Holland's Copying Beethoven joins 1994's "Immortal Beloved" in the ranks of mediocre dramatic interpretations of Beethoven's biography.
  34. Captive
    Gripping drama.
  35. Fuck
    The offensive word that provides the title for Steven Anderson's penetrating documentary/social critique has either enriched or infected Western culture to the point that we're either drowning in a "floodtide of filth" or blessed with the best verbal relief valve ever devised by man.
  36. Night of the Living Dead 3D
    A juiceless quasi-remake of George Romero's 1968 classic that, cardboard glasses aside, brings absolutely nothing new to the party.
  37. Coffee Date
    Full of unlikely misunderstandings.
  38. Linda Linda Linda
    This aimless, lifeless time-killer about four teenage girls prepping for their rock-band gig in a school talent show proves entirely the wrong choice.
  39. The Magic Gloves
    Sporadically charming and quite amusing, but torpidly paced.
  40. Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
    Uproariously funny mockumentary.
  41. Flushed Away
    Result is a kidpic long on invention but short on likability.
  42. The Santa Clause 3: The Escape Clause
    Not unlike the shiny snow globe at its center, The Santa Clause 3: The Escape Clause is a thing of consummate craftsmanship, a smoothly engineered and fundamentally lifeless object that's nevertheless capable of giving even the grinchiest moviegoers a brief attack of the warm-and-fuzzies.
  43. Volver
    Peopled with superbly drawn, attractive characters smoothly integrated into a well-turned, low-tricks plotline, Volver may rep Almodovar's most conventional piece to date, but it is also his most reflective, a subdued, sometimes intense and often comic homecoming that celebrates the pueblo and people that shaped his imagination.
    • 36 Metascore
    • 50 Critic Score
    Shottas
    Gangster tale Shottas feels like a Jamaican "Scarface," offering a vivid slice of the underground street culture of Kingston. Still, the violence is senseless and the plot full of holes.
  45. Wondrous Oblivion
    Full of charming moments, but swinging hither and thither between mainstream entertainment and an over-cooked anti-racist tract.
  46. Commune
    Often mocked and rarely understood, the movement in communal living that blossomed with Flower Power in the '60s gets its most honest appraisal yet on film with Jonathan Berman's Commune.
  47. Death and Texas
    Audiences won't show much clemency toward Death & Texas, an uneasy (and very unfunny) marriage of sports culture satire and death penalty polemic.
  48. Unknown
    Brand has assembled a cast of world class improvisers, yet doesn't take advantage of their own particularized, inflected rhythms, as each ritualistically experiences a jump-cut fragmentary flashback in front of the same bathroom mirror.
    • 62 Metascore
    • 70 Critic Score
    The Great Warming
    A more diffuse and prettier case for global calamity that accents the positive and stresses the possibility of reversing the planet's headlong rush to extinction.
  50. En soap
    Casts an entrancing spell thanks to understated perfs by leads and Christensen's featherlight touch with Kim Fupz Aakeson's screenplay.
  51. Romántico
    Engrossing pic is impressively shot, edited and scored.
  52. Babel
    Effectively building dread and emotional tension as tragic incidents triggered by human stupidity and carelessness steadily multiply, this film, like "21 Grams" in particular, employs a deterministically grim mindset in the cause of its philosophical aspirations, but is gripping nearly all the way.
  53. Catch a Fire
    Stories of resistance to oppression will never become obsolete, but this feels like a picture that should have been made a long time ago.
  54. Saw III
    Unlike the disturbingly mysterious original, Saw III is a neatly wrapped-up package that explains everything -- including Jigsaw's evil contraptions and the background of his crazed female assistant.
  55. Climates
    Immaculately shot and composed as always, and moving at Ceylan's usual measured pace, this one is slightly enlivened by more likable perfs and a trim 98-minute running time.
  56. Conversations with God
    More polished and better acted than many "inspirational" biopics.
  57. Shut Up & Sing
    It's the rare thorough documentary on a musical act whose dilemmas are faced in the here and now, one that should win over fans of the Chicks on the fence and of music docus and perhaps create a little cultural stir as well.
  58. Death of a President
    Disappointingly, Death of a President shrinks from its promise as a piece of genuinely radical or adventurous speculative fiction.
  59. Cocaine Cowboys
    A rogues gallery of flamboyant gangsters paint an anecdote-rich portrait of the drug trade, while a steady stream of cops, coroners and crime reporters furnish social commentary.
  60. 20 Centimeters
    Showing a stylistic bravura and confidence rare among upcoming Spanish helmers, Ramon Salazar's campy 20 Centimeters is a self-regarding but vastly entertaining sophomore effort that fuses a wide range of influences -- Hollywood musicals, neo-realism and early-Almodovarian kitsch -- into a distinctive, giddy whole.
  61. Absolute Wilson
    A surprisingly conventional portrait of a decidedly unconventional man.
  62. The Bridge
    Compelling result is handled with enough dignified artistry to quell most fears of exploitation.
  63. The Wild Blue Yonder
    Should stand with the likes of "Fata Morgana" and "Lessons of Darkness" as one of helmer's best efforts at smudging the lines between docu and fiction.
  64. The Cabinet of Dr. Caligari
    Result: An undeniably clever commingling of a new cast (and spoken dialogue) with a silent classic. But pic fails to engage consistently on its own terms, and begins to coast on novelty value around the midway point.
  65. Exit: The Right to Die
    Pic's quiet lucidity and matter-of-fact procedurals pack a cumulative emotional punch.
  66. Marie Antoinette
    It is far from unpleasant to watch an attractive cast led by Kirsten Dunst parading around Versailles accoutered in Milena Canonero's luxuriant costumes to the accompaniment of catchy pop tunes. But the writer-director's follow-up to her breakthrough second feature, "Lost in Translation," is no more nourishing than a bonbon.
  67. Running with Scissors
    Writer-director Ryan Murphy strives mightily to capture the bracing hilarity, pathos and surreal incident of Burroughs' bestselling memoir, but this rudderless adaptation never gets a firm grip on the author's deadpan tone or episodic narrative style.
  68. Flags of Our Fathers
    Ambitiously tackling his biggest canvas to date, Clint Eastwood continues to defy and triumph over the customary expectations for a film career in Flags of Our Fathers.
  69. Flicka
    It's not really either an animal or a kids' film but rather a young adult drama that rings emotionally true.
  70. The Prestige
    Clearly, director Nolan is aiming for something else. But the delight in sheer gamesmanship that marked his breakout "Memento" doesn't survive this project's gimmickry and aspirations toward "Les Miserables"-style epic passion.
  71. Sleeping Dogs Lie
    A game and winning performance by Melinda Page Hamilton is the only saving grace.
  72. Jonestown: The Life and Death of Peoples Temple
    PBS-bound docu constitutes a revealing look at a poorly understood chapter in American history.
  73. Requiem
    Stunningly played story of faith vs. family.
  74. Conventioneers
    Filmmakers' own left-leaning sympathies are occasionally felt around the margins, but Conventioneers achievement lies in its honoring the sincerity and passion on both sides.
  75. Masai: The Rain Warriors
    Overall, film may feel too slow and didactic for contempo urban kids conditioned by video games. However, the script is never smarmy or complacent, and shows young people engaged in collective problem-solving and decision-making that is often, quite literally, a matter of life and death.
  76. Sweet Land
    Intelligently written, brilliantly cast and thesped story of a German mail order bride in a Norwegian-American community in Minnesota just after WWI never hits a wrong note.
  77. 51 Birch Street
    A tonal triumph of true-life storytelling told with equal measures of tension and redemption.
  78. Hair High
    While his static backgrounds and stuttering character movement aren't likely to win over traditional animation fans, Hair High reps the high end of this "Sick 'n' Twisted"-type toonery.
  79. Justice
    Already a master of the objective eye, Ramos uses her unobtrusive camera to uncover the frustrations inherent in a vastly imbalanced society where hope is scarce and the future is dim.
  80. The Grudge 2
    Story is incidental here, as auds merely anticipate the scares.
  81. Man of the Year
    A curious hybrid -- a political/action/comedy/thriller in which Robin Williams becomes president of the United States. A movie as uneven as it sounds, "Man" is less laugh-out-loud funny than topical and suspenseful.
  82. The Marine
    Junky, jokey and sometimes both at once, pic marks yet another attempt by World Wrestling Entertainment to establish one of its burly superstars as a movie lead.
  83. Deliver Us from Evil
    So harsh and damning is the pic toward the current Catholic leadership -- personified by Los Angeles-based Cardinal Roger Mahony, who oversaw O'Grady's stewardship at various central California parishes in the 1970s and '80s, that charges the church operates "like the Mafia" sound spot-on.
  84. Driving Lessons
    Basically conservative yet titillatingly "eccentric" British laffer could succeed in the "Full Monty" import slot.
  85. Infamous
    Writer-director Douglas McGrath's boldest stroke is to impose a more overtly gay interpretation on a central relationship in which the attraction was generally supposed to be unspoken.
  86. Nearing Grace
    Without Smith's graceful presence, which more than once resembles Zach Braff's slightly older but observant New Jerseyite in "Garden State," Nearing Grace would be pure video fodder.
  87. The Ritchie Boys
    Christian Bauer's engaging The Ritchie Boys captures the excitement, ironies and "good war" feel of World War II.
  88. Tideland
    Dragged down by a sputtering script and torpid pacing. Way too disturbing for kids and too weird for most grown-ups.
  89. Zerophilia
    Plays like a throwback to such transformative adolescent anxiety romps as "Teen Wolf" and "Just One of the Guys," this time aiming at a slightly less innocent crowd.
  90. Alex Rider: Operation Stormbreaker
    A shake 'n' bake Brit teen-spy actioner, without a smidgeon of originality, humor or involving characterization, Stormbreaker is a high-profile bust.
  91. One Night with the King
    Blessed with abundant production values and a minimum of campy excess, One Night With the King is a surprisingly satisfying attempt to revive the Old Hollywood tradition of lavishly appointed Biblical epics aimed at mainstream auds.
  92. Hard Scrambled
    Picture's retro feel is rendered pleasing overall by scribe's linguistic flair and the enjoyable cast.
  93. So Much So Fast
    Access and affection, which can fog the lens of the documaker, are precisely what make So Much So Fast so moving and engaging.
  94. The Departed
    This reworking of a popular Hong Kong picture pulses with energy, tangy dialogue and crackling performances from a fine cast.
  95. Little Children
    Like "In the Bedroom," Little Children, at well over two hours, is somewhat long for an intense, intimate drama, and arguments could run many ways concerning what could be tightened or excised.
  96. Employee of the Month
    Falling short of being truly memorable but sharper than the general slagheap of comedies.
  97. The Texas Chainsaw Massacre: The Beginning
    Liebesman hews close to the 2003 pic’s bile-tinged snuff-film aesthetic. His approach falls somewhere between the overwrought sadism of the “Saw” series and the giddy gore-for-gore’s-sake energy of “The Devil’s Rejects,” sharing those films’ twisted notion that today’s auds are willing to embrace such homicidal maniacs as heroes.
  98. 49 Up
    It doesn't make for involving drama, unless the audience is already invested in the subjects' fortunes. Thus, 49 Up will have more appeal for long-time followers than newcomers.
  99. Black Gold
    The Francises are aces behind the camera, displaying an elegant sense of composition that makes their subject visually ravishing. Andreas Kapsalis' gorgeous score lends doc a grand quality.
  100. El Cortez
    An ambitious, low-budget neo-noir, Stephen Purvis' El Cortez navigates the genre's tawdry twists and crosses and double-crosses with intermittent flair.
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