USA Today's Scores

  • Movies
  • TV
For 4,670 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Amos & Andrew
Score distribution:
4670 movie reviews
  1. The picture is all Lawrence and Zahn, whose dynamics get something going, though not enough (please!) to spark a buddy sequel.
  2. Jumps at chance to be silly.
  3. This is one movie in which you don't feel the long-ish running time, in part because there always seems to be a surprise (as well as a new street guerrilla) around every corner.
  4. Not without some stupidly funny moments.
  5. May not be a straightforward bio, nor does it offer much in the way of Barris' motivations, but the film is an oddly fascinating depiction of an architect of pop culture.
  6. Hoffman stores the plane fuel in his house and even enjoys sniffing it. The movie might be a lot more fun as a suspense pic were he to take on a roommate who chained-smoked.
  7. More than any other example in recent memory, Chicago shows how much the element of surprise is missing from today's movies.
  8. While compellingly watchable, it's as overheated as Cage-the-actor's 1991 soft-core (and direct-to-video) "Zandalee," also set in New Orleans.
  9. With this 2002 Cannes Film Festival best-picture winner, Polanski skips the quirky flourishes and simply brings history to life.
  10. Max
    The movie keeps you mildly interested all the way up to an elaborately staged final scene, yet it might give viewers the same queasy fooling-with-the-Holocaust feeling some felt for Roberto Benigni's "Life Is Beautiful."
  11. This mid-19th century tale of survival after the death of a parent is still compelling today, and its message of strength and the importance of family continues to resonate.
  12. Richly layered, deliberately paced, dealing with difficult emotions and life decisions, it feels like a moody wintry afternoon.
  13. Catch offers mild fun but never as much as its animated '60s-retro opening credits portend. They're the cutest of the year.
  14. The movie features a musical score aimed more at boomer parents than their tykes.
  15. If anything, Grant seems to be getting funnier, and he now has the ability to elevate material the way another Grant -- Cary -- did.
  16. This may be the most uncompromisingly raw police drama since "Across 110th Street," starring Anthony Quinn and Yaphet Kotto.
  17. If Martin Scorsese's staggeringly ambitious one-of-a-kind finally has too many flaws to be great, it has as much greatness in it as any movie this year.
  18. This is the kind of well-made movie you wish well but you don't particularly wish to see again.
  19. Hour not only acknowledges the attacks -- they're a running theme. Lee opens his movie with a shot of the beaming blue spotlights that mark where the twin towers once stood.
  20. Epic battles, spectacular effects and multiple story lines make The Two Towers a most excellent middle chapter in The Lord of the Rings film trilogy.
  21. The powerful two-person drama gets watered down by documentary-style footage and voice-overs. But it's worth seeing just for Weaver and LaPaglia.
  22. Were the material not so thin, it would be even more fun than it is seeing Fiennes get to be loose on screen for once. He's pleasant, but we never feel this guy could get elected. Whenever he smiles, Fiennes brings to mind the title of Disney's deluxe new DVD: "The Complete Goofy."
  23. A simple, sentimental family drama for the holidays, Evelyn, alas, is also predictable and schematic.
  24. Nicholson has at least three magnificent moments in Hour 2. The best is a wedding toast that comes after another that will painfully remind you of every banal wedding toast you've ever heard.
  25. If it's conventional, it's also competent. Thanks to director Charles Stone III (of the famed "Whassuup?!" Budweiser spots), the clichés at least have a good beat.
  26. As spent screen series go, Star Trek: Nemesis is even more suggestive of a 65th class reunion mixer where only eight surviving members show up -- and there's nothing to drink.
  27. Stereotypical, banally written bloodbath.
  28. Though the picture falls apart whenever the two leads aren't on screen together, you can argue that That isn't that inferior to its predecessor.
  29. Whereas last year's exemplary "Sexy Beast" seemed to revitalize the British gangster movie, this equally brutal outing merely sustains it -- though with occasional twists that do linger in the memory.
  30. Even at its best, Adaptation is one of the movie year's most esoteric outings -- more so than even Paul Thomas Anderson's far superior "Punch-drunk Love." Too smart to ignore but a little too smugly superior to like, this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot.

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