Though entertaining, Spurlock's lighthearted approach doesn't work as well here.

While he gets points for addressing the debate, the way in which Stein goes about it undermines his efforts to be even-handed and intellectually rigorous.

Though it features witty dialogue and good performances, the plot contrivances keep it from being an altogether winning enterprise.

Wastes a moderately intriguing premise by filling it with laughably clichéd dialogue, one-dimensional characters and implausible turns of events.

It is one of the year's most intriguing dramas, with a quartet of powerful performances.

A heartening and poignant affirmation of the transformative power of music.

More amiable than witty and relying heavily on the likability and charm of its lead actors, Leatherheads scores more points as a retro romantic comedy than a football saga.

Often ponderous, sometimes pretentious and mostly clichéd, this contrived meditation on longing and loss feels like a missed opportunity.

An entertaining, diverting adventure saga that offers excitement and a relatable heroine for children, and also will remind their parents of favorite classics from their own youth.

The genius of Scorsese's film, which is being shown in IMAX in 93 theaters, is that it reveals the Stones' mortality while celebrating all that makes them more than mere mortals.

Amiable, consistently amusing and surprisingly affecting, it has the flavor of a Nick Hornby novel, with its focus on an overgrown boy struggling to grow up and be a man.

While not exactly a zero, 21 lags and fails to measure up dramatically.

It's an uneven experience, with some evocative moments and others that don't resonate as much as they should.

As clunky and humorless as its title.

The Grand is in the grand tradition of Christopher Guest "mockumentary" comedy satires: Its greatest asset is its eclectic, quirky-funny cast.

A powerful and evocative account of the efforts undertaken to forge a perilous mother-and-child reunion. Told in Spanish with English subtitles, it is a moving tale of yearning, as well as unflagging courage and determination.

The look of the story is an undeniable treat, and the message it weaves is both funny and sweet. Horton Hears a Who! is razzle-dazzling and artful, and it builds on Seuss' words by the clever cart-full.

Portentous and dull, the film features one of the worst over-the-top performances by Dennis Hopper, who plays an abusive father.

So sadistic and disturbing, Games is easily the toughest movie to sit through since 1994's "Natural Born Killers."

Within a few minutes into the ponderous prehistoric pseudo-epic that is 10,000 B.C., you find yourself longing for George of the Jungle to crash into a tree or the Geico cavemen to amble up and put an end to the droning seriousness of this tedious tale.

Imagine a blend of "Snatch," "Ocean's 11" and "The Italian Job." Then juxtapose the staples of the caper genre with real events involving national security and high-level corruption, and the result is The Bank Job.

The tagline for College Road Trip is "You Can't Get There Fast Enough." But for those who sit through this humorless and massively predictable movie, a more apt phrase would be: "You Can't Get Out of There Fast Enough."

A good farce is hard to find. Particularly one that holds up for the entirety of the story and keeps us engrossed, while smiling. Miss Pettigrew Lives for a Day is a particularly effective and cheeky example.

An intriguing and somber tale of disintegrating and disappointing relationships fused with a coming-of-age story.

A poignant look at the legacies of fathers who abdicate their responsibilities.

An ambitious and occasionally illuminating hybrid documentary. But a cacophony of sights and sounds and a disjointed narrative dilute the message.

Can't quite figure out what it wants to be. At times it strains to be a stately period drama about 16th-century political intrigue. Then it devolves into soap opera muck and emerges as a rather tame bodice ripper.

Though the film has a strong cast, humor and a satirical take on celebrity culture, the story is spotty.