USA Today's Scores

  • Movies
  • TV
For 4,670 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Amos & Andrew
Score distribution:
4670 movie reviews
  1. A World War II thriller without enough thrills.
  2. This is a powerful, poignant and provocative film, told in an unconventional and effective fashion.
  3. While the story does not quite come to magical life, the themes of courage, hope and decency are sweetly inspiring.
  4. Yes, yes, it's Liar Liar 2.
  5. The Class is a deeply moving film about the challenges of educating children in a complex and often turbulent world.
  6. While it doesn't break any new ground or provide any revelations, Seven Pounds is unabashedly emotional and cautiously hopeful. It's the feel-good movie for these feel-bad times.
  7. The story has its clichéd and sentimental moments. It's no "Raging Bull," more like "Rocky" shot with a handheld camera. But Rourke's wounded tough guy is undeniably captivating.
  8. The story, an updated version of the 1951 classic about a portentous extraterrestrial visit, feels musty and derivative, and not only because it's a remake.
  9. The story is tedious, noisy and banal. It is also rather dark and convoluted for children, though it does have the familiar bombast of a video game.
  10. By eloquently probing the state of uncertainty and its accompanying discomfort and confusion, Doubt compels viewers to examine their own assumptions as they become caught up in this fascinating tale.
  11. Earnest and understated, Gran Torino is an unflinching examination of themes that have fascinated Eastwood in most of his recent films: family, war, loss, faith and unexpected human connection.
  12. This year's warm and fuzzy Christmas movie. It's a generally winning diversion, thanks mostly to its likeable ensemble cast.
  13. Like "The Departed" and "Gone Baby Gone," What Doesn't Kill You is an engrossing, gritty, sharply written and well-acted drama set on the mean streets of South Boston.
  14. Che
    Che is a mass of contradictions, perhaps like the iconic revolutionary himself.
  15. Though the effort is uneven, it's a well-acted romance that becomes a less compelling courtroom drama.
  16. An evocative film with a believable and subtly enthralling lead performance that gets deeply under your skin.
  17. It's hard to imagine how a film built around one-on-one interviews could be entertaining, but Frost/Nixon could not be more enthralling.
  18. The film features too little about Berry (an engaging Mos Def), who crosses over to great fame.
  19. The dialogue is beyond clichéd, and performances feel cobbled together from other movies.
  20. Somehow Statham comes out of this improbable thriller with his dignity intact.
  21. The film has its funny moments, but they are too few to make the holiday excursion worthwhile.
  22. Penn's Oscar-caliber transformation is breathtaking, and the saga of one man's fight for human rights is engrossing.
  23. Bolt borrows amiably from a host of sources, including "The Incredible Journey," "Lilo and Stitch" and "Toy Story 2."
  24. Despite questionable casting, wooden acting, laughable dialogue and truly awful makeup, nothing is likely to stop young girls from swarming to this kitschy adaptation of Stephenie Meyer's popular novel.
  25. Like the last two "Pirates" movies, Australia is ambitious more than awe-inspiring, grandiose rather than grand, full of spectacle but not spectacular.
  26. The stunts are as muscular and the film as handsome to look at as the hero who so ably pulls them off. But the story linking it all together is thin and weak.
  27. If feuds, drunken outbursts and thoughtless bed-hopping sound like fun, then A Christmas Tale is a hoot. Some wry humor runs through the course of the overly long saga. But there's not enough dark wit to mitigate the tedium and pretentiousness.
  28. Director Danny Boyle's riveting and kaleidoscopic tale, based on Vikas Swarup's debut novel "Q and A," is exquisitely adapted to the screen by Simon Beaufoy.
  29. Misfits and misanthropes are the heroes of Role Models, a surprisingly clever comedy.
  30. JCVD is a whimsical twist on the biopic, sending up heist movies and breaking cinematic rules to interesting effect. At a critical moment, Van Damme rises out of a tense hostage situation to look into the camera and speak movingly to the audience. He has never seemed more convincing.

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