USA Today's Scores

  • Movies
  • TV
For 4,670 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Amos & Andrew
Score distribution:
4670 movie reviews
  1. Derrickson (Sinister) crafts a trippy phantasmagoria for Strange to fly screaming through as he begins his path to sorcerer supreme. The only thing missing is a Doors jam as the sequence unfolds a dizzying blend of psychedelia, geometric oddities and nightmarish dreamscapes.
  2. In its own terms, Dumb Money probably should sell off sooner – nothing kills storytelling momentum like congressional Zoom hearings – but you’ll be hard-pressed to find a better big-screen combo of rising stock prices and rousing joy.
  3. Although entertaining throughout, it suffers from a certain lack of focus – bouncing from screwball humor to war-movie gravitas – before settling into a buoyant conspiracy thriller with real-life historical relevance and a satisfying exploration of friendship and kindness.
  4. This portrait of the soldier as an old man is deeply moving.
  5. A vigorous spy thriller that consistently beckons the viewer to catch up with its narrative twists and turns. Bordering on convoluted, it works best when in combat mode.
  6. But be warned, fellow best actress contenders: The power of Gaga is undeniable as she rules House of Gucci with powerful panache and addictive swagger.
  7. We are happy to report there is intelligent life in feature animation beyond planet Disney and the gaseous ball of foul language known as South Park.
  8. With enough plot to take in a mercy killing and massive train wreck, Cecil B. DeMille's extravaganza is often cited as the worst movie to have taken the Oscar, as if a lot of lackluster picks (from Cimarron to Crash) were half as entertaining. [07 Apr 2008, p.10A]
    • USA Today
  9. Compelling, poignant and gently funny.
  10. Rather than a glossy, superficial movie-star vanity project, In the Land of Blood and Honey feels like the sober, hard-hitting work of a humanitarian.
  11. This is a powerful, poignant and provocative film, told in an unconventional and effective fashion.
  12. The movie is successful at finding little details that make it feel lived-in and authentic.
  13. Though there are helmets deeper than this movie, you do have to admire the level of screen showmanship .
    • USA Today
  14. A haunting and disturbing film, set in 1938, about "widow houses." Though occasionally overwrought, it emerges as life-affirming.
  15. Trade unflinchingly sheds light on a heinous crime. Yes, it's tough to sit through. But don't let that keep you away.
  16. Survivor is a pummeling, frenzied ride, one of fall's most charged action films. The gunfights and rocket-propelled grenades are palpable, and Berg manages to make the chaos followable.
  17. The warden implores the prisoners to relinquish their weapons, and out of the cells come flying a zillion blades of all sizes. In a Mel Brooks movie, this bit would be funny. Here, it sums up the chilling situation in five seconds.
  18. Pitt is undoubtedly luminous as the brightest star of Ad Astra, an engaging and even hopeful exploration about the consistency of human feelings, no matter where you are in the galaxy.
  19. This pop-culture-infused mistaken-identity thriller ultimately grabs hold and beguiles, though its convoluted plot takes a while to get going.
  20. The chuckles here come from the leads' interplay, crying on each other's shoulders and cheering each other up.
  21. The best thing Hustle & Flow has going for it is Terrence Howard's powerful performance.
  22. This meaty Irish stew isn't arty or elliptical. It ought to connect with anyone who's survived sibling tension or romantic fence-sitting. [9 August 1995, Life, p.5D]
    • USA Today
  23. Producer Jerry Bruckheimer, in an atypically high-minded and low-budget frame of mind, manages to breeze through most of the gridiron genre's obstacles with his admirable, crowd-pleasing Titans.
  24. The granddaddy of prison pics opens with a lecture on overcrowding and ends with a high mortality rate, in which Chester Morris, a bald Wallace Beery and stoolie Robert Montgomery (Elizabeth's father) are players. [24 Jun 1994, p.3D]
    • USA Today
  25. A solid courtroom drama that most fans of the genre have seen before. But great acting, an engaging real-life tale and moments of heartfelt honesty – with a fair bit of rousing satisfaction – elevate director Destin Daniel Cretton’s true-life story.
  26. Salvaged by its rally, Reloaded seems less tired than "X2," its current sequel rival. But since its creators have said it's only half of a movie, we won't really know until The Matrix Revolutions arrives Nov. 5 whether this chunk is fizzle or sizzle.
  27. The film employs a largely British cast that is perhaps the most impressive ensemble of any movie this year.
  28. Thanks in part to McQueen, you can almost mention this in the same breath with director Don Siegel's best. [30 Mar 1990, p.3D]
    • USA Today
  29. One of the year's most clever and visually arresting computer-animated films, enlivened by a well-developed and credible cast of characters who just happen to be superheroes.
  30. Cult director Don Siegel bookended Dirty Harry with this esteemed toughie. [08 Mar 1996]
    • USA Today

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