Though dully directed and a bit prettified by Martin Ritt, James Wong Howe's outdoor Pennsylvania vistas often combine stirringly with Henry Mancini's score. [26 Jul 1996, p.3D]

This is a blueprint for mainstream moviegoing, but be forewarned that the finale is surprisingly down-and-dirty. In this case, though, the violence blisteringly redeems what has been a merely OK thriller. [8Nov1996 Pg.01.D]

The Fall is aptly named not only because it pertains to a tragic descent but because viewers will feel as if they have plunged headlong into an alternate universe with this dazzling adult fairy tale.

A surprisingly savory treat, though it doesn't bear much resemblance to the charming classic children's book on which it's based.

An often breathlessly exciting action thriller told with humor and intelligence.

Stately but static. [23 December 1997, p.3D]

Ruffalo and Knightley make an engaging pair of colleagues and their musical adventure together results in an enchanting, gently funny and occasionally poignant story.

Sarandon is worth leaving home for, even if Jeff won't.

These characters are interesting for their flaws and wounds, but the movie doesn't delve deeply into the sources of their pain. See this movie for its humor and talented cast and you won't be disappointed.

The car chases are unremarkable, but the stunts — which comically juxtapose Tatum's athletic grace and Hill's stocky clumsiness — are a hoot.

Even tonal issues can’t upend the magic this movie taps into putting Thor and Hulk together as new best buddies, whether they’re throwing down in an arena or having a bromantic heart-to-heart.

While its narrative is unnecessarily complex and its story influences obvious, director Karyn Kusama (“The Invitation”) is mostly successful juggling a noir style, shifty denizens and shadowy dealings under L.A.’s bright sun.

With “Tragedy of Macbeth,” something wicked this way comes – something familiar to anyone who remembers high school English classes but also at times a darkly enchanting delight.

Farmiga never seems to strike a false note in any role, but this is perhaps her most reflective and multi-layered performance.

Despite an abrupt ending and the worst title of the year, Arbitrage manages to leverage real tension from its veteran stars in one of Hollywood's first pedigreed films of the fall.

Like "Anchorman," the secret to the inspired absurdity of Talladega Nights: The Ballad of Ricky Bobby is in the improv.

More than a quarter-century ago, Redford played a young CIA employee in "Three Days of the Condor." Someday, it will make a great living-room double bill with Spy Game -- the actor then and now.

Entertainingly epic eye candy.

Neighbors is the "Animal House" for an era in which food fights seem quaint.

This fun-filled adventure avoids formula with a whimsical story and terrific voice casting.

While it's too hastily and neatly resolved, Hello I Must Be Going is a funny, well-written, involving and emotionally honest tale.

Brutally intense and elegantly crafted, the film showcases the stellar acting chops of Andrew Garfield and Vince Vaughn, and it’s director Mel Gibson’s best work behind the scenes since 1995’s Oscar best-picture winner Braveheart.

The story has just the right blend of child-centered silliness and winking adult humor.

In the Heart of the Sea really gives Hemsworth a chance to shine. He’s not just the hammer-slinging Thor: The Aussie continues to make the most of his dramatic work — as in Howard’s 2013 Formula 1 film "Rush" — and showcases a considerable amount of gravitas.

It's consistently funny -- with witty dialogue and offbeat banter that stays in your head for days.

A deep and adventurous exploration of canines as man's (and one particular kid's) best friend.

The movie has a couple of surprises, including a major plot turn at the end that leads to a memorable resolution somewhere between happy and wistful.

The illegal goings-on move to New York, where the plot plods until the crew gets together and the movie unleashes its secret comedic weapon: Anne Hathaway.