USA Today's Scores

  • Movies
  • TV
For 4,670 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Amos & Andrew
Score distribution:
4670 movie reviews
  1. As the couple stand on the bluffs overlooking San Francisco Bay, you may find yourself wishing Forlani would push Prinze in.
    • USA Today
  2. This movie doesn't make you think you are watching art. It's closer to a high-end TV movie with lots of familiar faces.
  3. Even at its best, the movie plays like a clip reel.
  4. It's a pretty good ride even if it blatantly steals some of its best stunts from "American Graffiti" and "Grease."
  5. It's just too soon after those silly talking dinosaurs to put up with any movie about a talking horse.
  6. There's something about a plus-size floral housedress that brings out the best in many male comics, and Lawrence is no exception.
    • USA Today
  7. This one looks like a sure bet for seven weeks (at least) of audience good fortune.
  8. Pretty hard to buy into at all.
  9. It's tough to think of another child-adult pairing in a long screen tradition with so little emotional kick.
  10. There's also a nice cheekiness to the material written by Robert Towne ("Chinatown"), and the usual cool high-tech toys are deployed.
  11. Fossilized script spoils effects.
    • USA Today
  12. Though this is a tough movie to dislike, it plays more like a second draft than a final product.
  13. We all know grossly moronic behavior can, in the right situation, generate hearty guilty-pleasure guffaws - at least until overkill wears out the welcome.
  14. Would not even make a decent five-minute TV sketch. At any length, it smells.
    • USA Today
  15. It's so predictable, you can set your watch to when the bulimic will sneak away to the bathroom.
    • USA Today
  16. Clumsy on every level.
  17. The script, based on a novel by Scientology founder L. Ron Hubbard, is deeply dumb, depressingly derivative (ripping off "Planet of the Apes" the most) and just plain nonsense.
    • USA Today
  18. But all the devices and upgrades do little to bring the poetry's meaning into clearer and more relevant focus for today's audiences.
    • USA Today
  19. Someone has seen "Trainspotting" too many times, and it's writer/director Justin Kerrigan.
    • USA Today
  20. For novelty value, you can do worse than seeing Sean Penn in a rare chance to don evening-wear on screen, but this isn't a sight to sustain a two-hour haul.
  21. While Basinger admirably invests her role with deep passion and looks splendid in her Kenya khakis, the true story she stars in is disappointingly tame and dramatically inert.
    • USA Today
  22. Instead of the heat of humanity, what lingers on in the mind is the cool of the computerized effects.
  23. This surprisingly sentimental science-fiction thriller boasts enough fresh twists to satisfy time-travel junkies.
    • USA Today
  24. Now and again, the bizarre occurs, such as when Fred and Barney don showgirl outfits and seem to be doing their version of "The Birdcage." But mundane is more the norm.
    • USA Today
  25. The Wal-Mart of cinematic soap operas. One-stop shopping for your emotional movie needs.
    • 75 Metascore
    • 88 Critic Score
    A tiny treasure: grown-up, tight, sexy, suspenseful and with a mildly ambiguous wrap-up that stimulates the mind rather than confusing it.
  26. A glossy wisp of a cautionary tale.
    • USA Today
  27. One would be hard-pressed to name another submarine movie that lingers so little in the memory two days after seeing it.
  28. In contrast to big-screen bummers we see every week, this movie conveys genuine sorrow.
  29. One wishes producer Spike Lee had stepped in to give the dialogue some sass.

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