USA Today's Scores

  • Movies
  • TV
For 4,677 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Amos & Andrew
Score distribution:
4677 movie reviews
  1. Pure nonsense is hard to sustain for an entire feature-length movie.
    • USA Today
  2. Eventually evolves into a murder mystery that isn't very compelling.
  3. Emmerich might have had a masterpiece, but he'll have to settle for what comes close to being a must-see movie today.
  4. It's not dumb-good. It's dumb-stupid.
    • USA Today
  5. A little slapstick, a little action, rich characters and a whopping serving of wit. All baked to near-perfection.
    • USA Today
  6. Visually impressive but woefully dumbed-down.
  7. It's fast, easy on the eyes, full of funny putdowns and cast well enough to have two memorable villains.
  8. As the couple stand on the bluffs overlooking San Francisco Bay, you may find yourself wishing Forlani would push Prinze in.
    • USA Today
  9. This movie doesn't make you think you are watching art. It's closer to a high-end TV movie with lots of familiar faces.
  10. Even at its best, the movie plays like a clip reel.
  11. It's a pretty good ride even if it blatantly steals some of its best stunts from "American Graffiti" and "Grease."
  12. It's just too soon after those silly talking dinosaurs to put up with any movie about a talking horse.
  13. There's something about a plus-size floral housedress that brings out the best in many male comics, and Lawrence is no exception.
    • USA Today
  14. This one looks like a sure bet for seven weeks (at least) of audience good fortune.
  15. Pretty hard to buy into at all.
  16. It's tough to think of another child-adult pairing in a long screen tradition with so little emotional kick.
  17. There's also a nice cheekiness to the material written by Robert Towne ("Chinatown"), and the usual cool high-tech toys are deployed.
  18. Fossilized script spoils effects.
    • USA Today
  19. Though this is a tough movie to dislike, it plays more like a second draft than a final product.
  20. We all know grossly moronic behavior can, in the right situation, generate hearty guilty-pleasure guffaws - at least until overkill wears out the welcome.
  21. Would not even make a decent five-minute TV sketch. At any length, it smells.
    • USA Today
  22. It's so predictable, you can set your watch to when the bulimic will sneak away to the bathroom.
    • USA Today
  23. Clumsy on every level.
  24. The script, based on a novel by Scientology founder L. Ron Hubbard, is deeply dumb, depressingly derivative (ripping off "Planet of the Apes" the most) and just plain nonsense.
    • USA Today
  25. But all the devices and upgrades do little to bring the poetry's meaning into clearer and more relevant focus for today's audiences.
    • USA Today
  26. Someone has seen "Trainspotting" too many times, and it's writer/director Justin Kerrigan.
    • USA Today
  27. For novelty value, you can do worse than seeing Sean Penn in a rare chance to don evening-wear on screen, but this isn't a sight to sustain a two-hour haul.
  28. While Basinger admirably invests her role with deep passion and looks splendid in her Kenya khakis, the true story she stars in is disappointingly tame and dramatically inert.
    • USA Today
  29. Instead of the heat of humanity, what lingers on in the mind is the cool of the computerized effects.
  30. This surprisingly sentimental science-fiction thriller boasts enough fresh twists to satisfy time-travel junkies.
    • USA Today

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