USA Today's Scores

  • Movies
  • TV
For 4,677 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Amos & Andrew
Score distribution:
4677 movie reviews
  1. Wedding feels a bit anachronistic. Still, not every low-budget movie must be quirky or bleak, and a happy ending is no cinematic sin.
  2. Of course, The Rock looks the part, though with a headband and buckskin, he'd also look like Tonto on steroids.
  3. The result is two or three cuts above genre standard.
  4. If you want a brain puzzler that will ensure a lively conversation on the way home, Nine Queens is the real deal.
    • USA Today
  5. If it's not conventionally speedy, it is almost always gripping.
  6. The payoff isn't worth the time invested, but at least the actor-turned-filmmaker underplays an inherently queasy project that could have been over the top.
  7. Aspires to be a cinematic "Sex and the City," but it's more like South Park Goes West.
  8. It's no crime the movie has one or two endings too many, given that many thrillers of the past quarter-century have had the same. But Judd's latest is too harmless to be anything but a misdemeanor.
  9. The script is consistently humorous, even if a few punch lines are predictable and the wit is neither highbrow nor split-a-gut funny.
  10. Even by teen gross-out movie standards Van Wilder makes "Sorority Boys" look like "Some Like It Hot."
  11. After "Chocolat" and this, how about a moratorium on candy-centered comedies?
  12. Even when there are lulls, the emotions seem authentic.
  13. Smoochy, like the cuddly character, tries to be loved and ends on an unrealistically upbeat note. But it's in better, wittier form just being vicious and biting.
  14. Tries and winds up with a pleasant, if forgettable, romp of a film.
  15. Things move fast enough to make it a movie to enjoy and then forget.
  16. Snipes gives a looser, cooler performance this time around, though emotionally, it's closer to dead than undead. Blade II is for the horror faithful only; others will be grasping their crucifixes.
  17. One of the best films of the year.
  18. Evil's one strong presence is lead Milla Jovovich -- and not because the script gives her supercop/soldier anything interesting to say.
  19. Can be taken on many levels, and that's why it works so completely.
  20. De Niro's scowl and Murphy's sass are inherently funny, though in this case both actors are forced to call in moviegoers' long-established goodwill.
  21. As far-fetched as it sometimes seems, the film resonates in the wake of the murder of Wall Street Journal reporter Daniel Pearl.
  22. A minor delight but a delight just the same.
  23. Drab as it is, the movie is not impossible to endure -- in part because the concept has a timeless appeal.
  24. Such overkill might seem like an asset to teenage boys (and those who think like them). The rest of us are better off not wasting our Washingtons.
  25. This also is the rare combat movie that deals substantially with mourning widows on the home front.
  26. Within a certain narrow range, Hartnett shows some comic flair -- though not enough to carry the picture over its considerable rough spots.
  27. If you're going because you want to see an entertaining horror movie, good luck.
  28. Some of the movie's best scenes -- knockouts, in fact -- involve musical interludes.
  29. When Kevin Costner goes into sensitive-guy mode, beware.
  30. Less a movie than a mind-numbingly dull road trip.

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