USA Today's Scores

  • Movies
  • TV
For 4,670 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Amos & Andrew
Score distribution:
4670 movie reviews
  1. The movie's pleasures extend even to the visuals, which are more lustrous than in any other Altman movie.
  2. This Paramount release doubles the insult because it rips off the title of one of the studio's best-remembered Jerry Lewis comedies.
  3. You'd be hard-pressed to find a purer expression of rapture in a film this year than the one that opens Billy Elliot.
  4. It's a dated effort.
  5. Compelling and provocative -- though not memorable.
  6. On both technical and conceptual levels, Bamboozled is a movie that will leave Spike Lee fans bewildered.
  7. With near-Swiss precision, director/producer Jay Roach and his writers make sure familiarity breeds hilarity.
  8. A coming-of-age tale that truly floats like a butterfly and stings like a bee.
    • USA Today
  9. Producer Jerry Bruckheimer, in an atypically high-minded and low-budget frame of mind, manages to breeze through most of the gridiron genre's obstacles with his admirable, crowd-pleasing Titans.
  10. Burdened with so many poky scenes that it approaches the level of the distributor's "Drowning Mona" and "Whipped," both candidates for the year's worst.
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  11. This giggle does for dog shows what Rob Reiner's "This Is Spinal Tap" (in which Guest plays Nigel Tufnel) did for heavy metal.
  12. All coy and fey -- and painless to digest.
  13. This is the kind of movie that has always polarized serious film folk, while the public usually elects to stay home and prune shrubs.
  14. Worth a look. It's easy to overrate -- but just as easy to undervalue.
  15. Proves there are Holocaust stories still to be told.
    • USA Today
  16. Has less substance and depth than its title.
    • USA Today
  17. The ensemble cast, struggling with wanly written characters, hits more clunkers than high notes.
  18. A movie that is easily likable.
  19. Gives new meaning to the phrase "not for the squeamish."
  20. Observing Zellweger as she dispenses her brand of movie magic definitely is good for what ails you.
  21. It's still the same sick story. Even the small touches seem stale.
  22. A cynical sex comedy that manages to be infantile and jaded at the same time.
    • USA Today
    • 21 Metascore
    • 63 Critic Score
    Zealots flip over Endgame.
    • USA Today
  23. Director Christian Duguay's gimmicky "thriller" demonstrates that he has not begun to master the art of suspense.
    • USA Today
  24. It could be worse.
    • USA Today
  25. Flimsy little comedy unworthy of its portentous title.
  26. Often livens up stale material with disarming loopiness and zest.
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  27. Both the material and the way it's delivered by the movie's comic quartet are so funny.
  28. A film dealing fully with Hoffman's final years might have had a lot more punch.
  29. There's so little action or suspense that this Cell isn't too likely to multiply itself into a sequel.
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  30. May be dull, but the familiarity of it all makes it feel ceremonial, a reassuring ritual.
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  31. A cheesy crock of religious mumbo jumbo.
    • USA Today
  32. Where once Waters was brilliantly polluted, now he comes off diluted.
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  33. One of those movies that goes for a jarringly new emotion every 30 seconds or so while the story's foundation is collapsing.
  34. Gere has never seemed more squirrelly.
    • USA Today
  35. This quirky, winning sleeper from first-time director Jenniphr Goodman has its pokey moments, but it's no insult to say that it is as pleasantly easygoing as its slacker hero.
  36. Though not quite up to "The Full Monty" or "Waking Ned Devine," there's just enough left in that overseas whimsy stockpile to generate good buzz (the word-of-mouth moviegoer kind).
  37. Preposterous to the extreme.
  38. As shallow as a shot glass.
  39. Ultimately the title is most revealing. It's hollow, man.
    • USA Today
  40. When have we seen the same performer playing both parts in a sexual situation? It happens here, not once but twice.
  41. Paradis is a most striking subject, but the movie is a winner as well, starting with a story full of black-comic possibilities exploited fully by the great French director Patrice Leconte.
    • USA Today
  42. If Wonderland is difficult to embrace, it is easy to admire.
  43. What do you call a filmmaker who thinks imitating a screen benchmark can make up for emotions that are evading her actors -- Clueless.
  44. A largely irresistible puff piece.
    • USA Today
  45. Never reaches much beyond the surface, and what lies there is all too predictable.
  46. What do you have to smoke to understand this?
  47. The five stories in The Five Senses flawlessly and even artfully create a unified mood.
    • USA Today
  48. Missing are well-choreographed action scenes, likable characters and involving plot twists.
  49. Its premise is so promising that you long for more than Arteta's low-key approach can deliver.
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  50. This boomer-coddling comic fantasy, in which a callous adult on the brink of 40 has a chance encounter with his pudgy, lisping 8-year-old self, is an iffier what-if.
  51. Maybe I'm just too old to appreciate the startling sight of a phallus jammed into someone's ear.
  52. So much water. Such a dramatic washout.
  53. Pure nonsense is hard to sustain for an entire feature-length movie.
    • USA Today
  54. Eventually evolves into a murder mystery that isn't very compelling.
  55. Emmerich might have had a masterpiece, but he'll have to settle for what comes close to being a must-see movie today.
  56. It's not dumb-good. It's dumb-stupid.
    • USA Today
  57. A little slapstick, a little action, rich characters and a whopping serving of wit. All baked to near-perfection.
    • USA Today
  58. Visually impressive but woefully dumbed-down.
  59. It's fast, easy on the eyes, full of funny putdowns and cast well enough to have two memorable villains.
  60. As the couple stand on the bluffs overlooking San Francisco Bay, you may find yourself wishing Forlani would push Prinze in.
    • USA Today
  61. This movie doesn't make you think you are watching art. It's closer to a high-end TV movie with lots of familiar faces.
  62. Even at its best, the movie plays like a clip reel.
  63. It's a pretty good ride even if it blatantly steals some of its best stunts from "American Graffiti" and "Grease."
  64. It's just too soon after those silly talking dinosaurs to put up with any movie about a talking horse.
  65. There's something about a plus-size floral housedress that brings out the best in many male comics, and Lawrence is no exception.
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  66. This one looks like a sure bet for seven weeks (at least) of audience good fortune.
  67. Pretty hard to buy into at all.
  68. It's tough to think of another child-adult pairing in a long screen tradition with so little emotional kick.
  69. There's also a nice cheekiness to the material written by Robert Towne ("Chinatown"), and the usual cool high-tech toys are deployed.
  70. Fossilized script spoils effects.
    • USA Today
  71. Though this is a tough movie to dislike, it plays more like a second draft than a final product.
  72. We all know grossly moronic behavior can, in the right situation, generate hearty guilty-pleasure guffaws - at least until overkill wears out the welcome.
  73. Would not even make a decent five-minute TV sketch. At any length, it smells.
    • USA Today
  74. It's so predictable, you can set your watch to when the bulimic will sneak away to the bathroom.
    • USA Today
  75. Clumsy on every level.
  76. The script, based on a novel by Scientology founder L. Ron Hubbard, is deeply dumb, depressingly derivative (ripping off "Planet of the Apes" the most) and just plain nonsense.
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  77. But all the devices and upgrades do little to bring the poetry's meaning into clearer and more relevant focus for today's audiences.
    • USA Today
  78. Someone has seen "Trainspotting" too many times, and it's writer/director Justin Kerrigan.
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  79. For novelty value, you can do worse than seeing Sean Penn in a rare chance to don evening-wear on screen, but this isn't a sight to sustain a two-hour haul.
  80. While Basinger admirably invests her role with deep passion and looks splendid in her Kenya khakis, the true story she stars in is disappointingly tame and dramatically inert.
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  81. Instead of the heat of humanity, what lingers on in the mind is the cool of the computerized effects.
  82. This surprisingly sentimental science-fiction thriller boasts enough fresh twists to satisfy time-travel junkies.
    • USA Today
  83. Now and again, the bizarre occurs, such as when Fred and Barney don showgirl outfits and seem to be doing their version of "The Birdcage." But mundane is more the norm.
    • USA Today
  84. The Wal-Mart of cinematic soap operas. One-stop shopping for your emotional movie needs.
    • 75 Metascore
    • 88 Critic Score
    A tiny treasure: grown-up, tight, sexy, suspenseful and with a mildly ambiguous wrap-up that stimulates the mind rather than confusing it.
  85. A glossy wisp of a cautionary tale.
    • USA Today
  86. One would be hard-pressed to name another submarine movie that lingers so little in the memory two days after seeing it.
  87. In contrast to big-screen bummers we see every week, this movie conveys genuine sorrow.
  88. One wishes producer Spike Lee had stepped in to give the dialogue some sass.
  89. Even surly moviegoers may discover how pleasant it can be to actually like movie characters.
    • USA Today
  90. Exceedingly well cast and assembled with flashy visuals and pacing by Harron, this period piece is diminished by its relative pointlessness.
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  91. Far too familiar.
    • USA Today
  92. Easygoing and easy to take, the movie isn't much.
  93. A robust family comedy that saves its wildest moments for a climactic "get-together."
    • USA Today
  94. Irritates in the early going when many of the current-day interviews are so intentionally underlighted that we can't see what the group members look like.
    • USA Today
  95. The sentiments here are thoroughly semper fi, but the result occasionally works at cross-purposes.
  96. But there is a satisfying, old-fashioned "Moonstruck" sensibility at work, one that will be appreciated by folks who like their beef corned and their movies cornier.
  97. Here's ringside entertainment for those who think TV wrestling is too intellectual and restrained.
  98. Sometimes laughably incoherent.
    • USA Today

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