Urb's Scores

  • Music
For 1,126 reviews, this publication has graded:
  • 63% higher than the average critic
  • 2% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 0.2 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 The Golden Age of Apocalypse
Lowest review score: 10 This Is Forever
Score distribution:
1126 music reviews
    • 77 Metascore
    • 70 Critic Score
    Surprisingly sophisticated for a collection of shouty-pouty ballads from a trio of 20-year-olds. [Dec 2005, p.98]
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    • 70 Metascore
    • 70 Critic Score
    This glorious racket... has a beating, hideous heart to it. [Oct 2005, p.76]
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    • 79 Metascore
    • 80 Critic Score
    Surprising and fresh. [Jan/Feb 2006, p.103]
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    • 66 Metascore
    • 80 Critic Score
    Despite what the blog-haters might say, Gibbard and Co. more than make the grade. [Oct 2005, p.77]
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    • 61 Metascore
    • 70 Critic Score
    These ornate, post-folk musings are bittersweet and beautiful. [Sep 2005, p.118]
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    • 74 Metascore
    • 80 Critic Score
    A sublime success. [Jul/Aug 2005, p.103]
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    • 72 Metascore
    • 70 Critic Score
    Much like Sufjan Stevens (but without the history professor schtick) Vanderslice is a one-man orchestra of plucked and bowed strings, living-breathing organs and lullaby vocals that narrate his musical characters with explicit detail. [Sep 2005, p.114]
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    • 61 Metascore
    • 90 Critic Score
    It all adds up to the effect of watching American Graffiti while plugged into a morphine drip. [Jul/Aug 2005, p.105]
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    • 67 Metascore
    • 70 Critic Score
    Beauty comes in all forms, even if it might be over our heads. [Oct 2005, p.76]
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    • 66 Metascore
    • 80 Critic Score
    Like the Postal Service's wiser uncle, this is emo-electronic that doesn't whine, but rather approaches with a sense of musical and lyrical purpose. [Sep 2005, p.104]
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    • 74 Metascore
    • 80 Critic Score
    At times it can feel like the Flaming Lips locked in a log cabin with a bottle of morphine. [Sep 2005, p.119]
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    • 81 Metascore
    • 80 Critic Score
    Like attending a bombastic revival of Kraftwerk, Eno and Devo presided over by a Juan Atkins and Derrick May DJ tag team. [Jul/Aug 2005, p.102]
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    • 76 Metascore
    • 70 Critic Score
    Somewhere between Matmos and Ariel Pink, this is wickedly out there. [Sep 2005, p.110]
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    • 77 Metascore
    • 80 Critic Score
    A raucous blend of rockabilly, country and '80s indie rock best listened to before a heavy night of Caledonian pint-drinkin'. [Sep 2005, p.112]
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    • 68 Metascore
    • 50 Critic Score
    The tactic [of increased vocals] hits and misses, as the album's standout tracks owe their success to the crew's innovative and polished production, not their lyrical prowess. [Jul/Aug 2005, p.104]
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    • 73 Metascore
    • 80 Critic Score
    Among the most engaging albums of the year. [Jul/Aug 2005, p.108]
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    • 84 Metascore
    • 90 Critic Score
    Truly strange and beautiful. [Jul/Aug 2005, p.102]
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    • 67 Metascore
    • 60 Critic Score
    Their micro-programmed folk has worn thin due to imitators. [Jul/Aug 2005, p.107]
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    • 81 Metascore
    • 80 Critic Score
    Beautiful. [Apr 2005, p.108]
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    • 68 Metascore
    • 70 Critic Score
    Should find a home on your iPod alongside Zero 7 and Brazilian Girls. [Jun 2005, p.85]
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    • 68 Metascore
    • 90 Critic Score
    [A] well-programmed compilation. [Jun 2005, p.79]
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    • 78 Metascore
    • 70 Critic Score
    Somewhere between the Plimsouls and The La's, this should keep your top down throughout the summer. [Jul/Aug 2005, p.109]
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    • 81 Metascore
    • 80 Critic Score
    Annie explodes with a white-hot teen spirit that shames 99% of what passes for pop in America today. [Jun 2005, p.76]
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    • 79 Metascore
    • 80 Critic Score
    The harmonies resonate and the melodies hook into your skull. [Jul/Aug 2005, p.109]
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    • 86 Metascore
    • 100 Critic Score
    This [is] all the Kraftwerk you need, if you didn't need all the Kraftwerk ever made. [Jul/Aug 2005, p.106]
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    • 62 Metascore
    • 80 Critic Score
    Stripped down, home cooked goodness. [Jul/Aug 2005, p.109]
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    • 72 Metascore
    • 70 Critic Score
    She's made some excellent and creative dancefloor techno here, but like so much great techno of the past, it fails to gel into a definitive album. [Jul/Aug 2005, p.99]
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    • 77 Metascore
    • 60 Critic Score
    Ecstatic may not be the warm follow-up some people were expecting, but it's an equally fascinating, engaging album. [Jun 2005, p.78]
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    • 73 Metascore
    • 80 Critic Score
    Not just music, but a state of mind. [Jun 2005, p.81]
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    • 63 Metascore
    • 70 Critic Score
    For every gloomy 4AD inspired "Hail Xnanax," there's the poppy metronic Kraftwerk pulse of "Zugaga." [Jun 2005, p.77]
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