Urb's Scores

  • Music
For 1,126 reviews, this publication has graded:
  • 63% higher than the average critic
  • 2% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 0.2 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 The Golden Age of Apocalypse
Lowest review score: 10 This Is Forever
Score distribution:
1126 music reviews
    • 60 Metascore
    • 80 Critic Score
    As emo-tastic as Threes is, it merely sizzles in ways their debut singed. [Oct 2006, p.128]
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    • 67 Metascore
    • 80 Critic Score
    The record is just as uneven as the original and perhaps that's just the right way to pay homage. [Nov 2006, p.128]
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    • 57 Metascore
    • 60 Critic Score
    An odd album... this might well have been called Badly Drawn Boy: The Musical. [Oct 2006, p.117]
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    • 64 Metascore
    • 50 Critic Score
    While Hello Everything is everything you'd expect a Squarepusher LP to be, therein lies the problem: It's exactly everything you'd expect a Squarepusher album to be. [Oct 2006, p.130]
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    • 76 Metascore
    • 80 Critic Score
    The Brothers reach unmistakable heights of blood pressure... but also deliver slow, melodic goodies. [Oct 2006, p.118]
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    • 77 Metascore
    • 70 Critic Score
    The studio noodling on Roots & Crowns sounds fittingly organic and effortless. [Oct 2006, p.117]
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    • 72 Metascore
    • 70 Critic Score
    One of his better releases this year. [Oct 2006, p.122]
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    • 73 Metascore
    • 80 Critic Score
    Magnificent. [Sep 2006, p.136]
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    • 73 Metascore
    • 60 Critic Score
    [Contains] scattered but affecting shots of brilliance. [Oct 2006, p.117]
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    • 64 Metascore
    • 50 Critic Score
    Sam's Town is bloated with verses that helplessly swipe at capturing something, anything, significantly American. [Oct 2006, p.129]
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    • 79 Metascore
    • 80 Critic Score
    Expect to see this album on 2006 Top 10 lists. [Oct 2006, p.118]
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    • 84 Metascore
    • 90 Critic Score
    This is an amazing, innovative, storytelling record that takes you on [a] fantastic, fun trip. [Oct 2006, p.118]
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    • 68 Metascore
    • 80 Critic Score
    Instead of avoiding the comparisons, Sean Lennon succeeds by reveling in the kind of pop that runs through his family's genes. [Oct 2006, p.124]
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    • 85 Metascore
    • 80 Critic Score
    It's almost like Subtle, as a collective, is afraid of letting loose or having too much fun. [Oct 2006, p.130]
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    • 73 Metascore
    • 80 Critic Score
    [A] blend of wobbly slide guitar chords and simple, steamy beats. [Nov 2006, p.128]
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    • 74 Metascore
    • 80 Critic Score
    Fragile in its struture, the album is stunningly precise and hauntingly familiar. [Sep 2006, p.131]
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    • 71 Metascore
    • 60 Critic Score
    [A] time warp of an album, which takes us back to a future where grunge never happened, glam is god, disco balls sit atop the world and glitter falls from the sky. [Sep 2006, p.129]
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    • 78 Metascore
    • 80 Critic Score
    The album is a more straightforward, breezier Sparklehorse, and effortlessly replayable. [Oct 2006, p.130]
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    • 73 Metascore
    • 80 Critic Score
    Haines has... shown glimpses of a broken and beautiful solo artist just waiting to tell her story. This, my friends, is that breakout album in spades. [Oct 2006, p.122]
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    • 78 Metascore
    • 90 Critic Score
    At the same time you contort, squirm and surge toward the non-music, your spirit somehow gets the message. [Oct 2006, p.132]
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    • 70 Metascore
    • 80 Critic Score
    Positively electric. [Sep 2006, p.143]
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    • 62 Metascore
    • 60 Critic Score
    Where Shadow ultimately sutmbles is on the britpop tip. [Oct 2006, p.116]
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    • 55 Metascore
    • 60 Critic Score
    Suffers slightly from pasteurized cheese. [Oct 2006, p.120]
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    • 74 Metascore
    • 80 Critic Score
    A sometimes abrupt, hard-to-pin-down voyage with fun surprises and plot twists. [Sep 2006, p.131]
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    • 65 Metascore
    • 80 Critic Score
    There are... some impressivley fresh ideas lurking between the anthemic bits. [Sep 2006, p.137]
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    • 74 Metascore
    • 80 Critic Score
    This album has a '60s folk-rock quality that's earnest, sweet and open. [Sep 2006, p.136]
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    • 64 Metascore
    • 80 Critic Score
    It does all go a bit Sheryl Crow occasionally... but the darker clouds remain. [Oct 2006, p.117]
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    • 88 Metascore
    • 80 Critic Score
    Give up now, guys, because it rarely gets better than this. [Jun 2006, p.113]
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    • 73 Metascore
    • 80 Critic Score
    Their best album since... Remedy. [Sep 2006, p.131]
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    • 79 Metascore
    • 80 Critic Score
    Electronic pop rarely sounds this beautiful and human. [Sep 2006, p.136]
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